Author: Helen Zaltzman

Today will be fine. But wait: fine as in ‘OK’, fine as in ‘really rather good’, or fine as in ‘no precipitation’? When you’re a TV weather forecaster, you have to deal with the mismatch of your specialist vocabulary with that of the meteorological laypeople watching – as well as cover all the weather across a whole country, translate conditions into something the viewer can identify with, and warn people about cyclones without making them too panicked. Or not panicked enough to take sensible cyclone precautions. Nate Byrne, who presents the weather for the Australian Broadcasting Corporation’s News Breakfast, breezes in to shower us with meteorological knowledge.

Find out more about this episode at http://theallusionist.org/warm-front.

See the Allusionist on stages in Australia and New Zealand in June and July 2018: live show listings are at http://theallusionist.org/events. Northern hemisphere-dwellers: check back soon, because more gigs are about to be added!

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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Strange or obtuse; a stinging homophobic slur; a radical political rejection of normativity; a broad term encompassing every and any variation on sexual orientation and gender identity: the word ‘queer’ has a multifarious past and complicated present. Tracing its movements are Kathy Tu and Tobin Low from Nancy podcast, Eric Marcus from Making Gay History, historian and author Amy Sueyoshi, and Jonathan Van Ness from Queer Eye. 

Find out more about this episode at http://theallusionist.org/queer. Content note: this episodes contains discussions of sexuality and sexual acts, as well as some problematic terms.

See the Allusionist live in Australia and New Zealand in the next month: show listings are at http://theallusionist.org/events

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

You are born and raised in a household speaking a language. Then you start going to school, and that language is banned. If you speak it, you’ll be punished physically or psychologically. Across your country, there are people like you who associate their first language with shame, or not even being a language at all. This is the predicament of the Scots language.

Find out more about this episode at http://theallusionist.org/scots.

I have several events coming up – in the next few weeks, the live Allusionist stage spectacular is hitting Australia and New Zealand. Check the listings at http://theallusionist.org/events

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

To accompany the current Allusionist miniseries Survival, about minority languages facing suppression and extinction, we’re revisiting this double bill of The Key episodes about why languages die and how they can be resuscitated. The Rosetta Stone and its modern equivalent the Rosetta Disk preserve writing systems to be read by future generations. But how do those generations decipher text that wasn’t written with the expectation of requiring decipherment?

Features mild scenes of linguistic apocalypse.

Find out more about this episode at http://theallusionist.org/survival-key.

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

There are two main places in the world where the Welsh language is spoken: Wales, and the Chubut Province in Patagonia. How did this ancient language take root in rural Argentina, 12,000km away from its home base?

Find out more about this episode at http://theallusionist.org/survival1.

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Pavement/sidewalk; football/soccer; bum bag/fanny pack: we know that the English language is different in the UK and the USA. But why? Linguist Lynne Murphy points out the geographical, cultural and social influences that separate the common language.

Find out more about this episode at http://theallusionist.org/across-the-pond.

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

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Today we’re going inside to open up the unofficial dictionary of San Quentin state prison, compiled by Earlonne Woods of Ear Hustle podcast.

Content note: this episode contains some Adult Terms.

Find out more about this episode at http://theallusionist.org/ear-hustling.

The Allusionist’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

You can see the Allusionist live in Australia – http://theallusionist.org/events.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

CONTENT WARNING: there is swearing in this episode. But the happy news is: swearing is good for you! Dr Emma Byrne, author of Swearing Is Good For You, explains how swearing can be beneficial to your physical health and emotional wellbeing, while Matt Fidler of Very Bad Words podcast gives some tips to ensure you swear properly to optimise the positive effects.

Find out more about this episode at http://theallusionist.org/swear-pill.

The show’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Up in the sky: look! It’s an adjective! It’s a noun! It’s…Adjectivenoun! 

Your friendly neighbourhood superheroes might have thrilling and varied powers and spandex garments, but the way their names are concocted have followed only a handful of formulae in the past 80 years, since Superman sent superheroes soaring. 

(Yes, alliteration is one such naming formula.)

Glen Weldon of Pop Culture Happy Hour traces the supername’s development from Adjective+Gender through Colour+Noun to Normal Name and Lone Noun.

Find out more about this episode at http://theallusionist.org/supername.

The show’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“Hey.”

“Going to the supermarket, want me to get you anything?”

“Puppies or ice cream?”

“What’s your glasses prescription?”

“I wanna ***** your *********.”

If you’ve used a dating app, maybe you’ve received one of the above messages from a stranger, or sent them. Striking up an interaction with someone is a tricky business. Why Oh Why and Longest Shortest Time host Andrea Silenzi opens up her phone to analyse the kinds of opening messages people send on dating apps, and how easily they can land badly.

Find out more about this episode at http://theallusionist.org/hey, and hear Andrea hosting The Longest Shortest Time podcast on your podblasters of choice.

Content note: this episode contains a couple of instances of Adult Language and references to Adult Behaviours.

The show’s online home is http://theallusionist.org. Stay in touch at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.