Author: Helen Zaltzman

Phoebe Judge and Lauren Spohrer from the podcast Criminal stop by to talk about the linguistic challenges of crime reporting. They also share their episode ‘Pants on Fire’, about lying. It’s an extremely useful handbook if you fancy becoming either a human polygraph, or an excellent liar.

Find Criminal at http://thisiscriminal.com. Read more about this episode at http://theallusionist.org/criminallusionist. Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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La la la, dum di di dum, a wop bop a loo bop a wop bom bom – why are songs riddled with non-words masquerading as words? Hrishikesh Hirway from Song Exploder and songwriter Tony Hazzard explain.

Read more about this episode at http://theallusionist.org/vocables. Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow, and find Song Exploder at http://songexploder.net.

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Naming something after yourself: a grand display of egomania, or the humble willingness to be overshadowed by your own product? Stationery expert James Ward tells the tale of the people who begat the eponymous ballpoint pens Bic and Biro, because, according to 99% Invisible’s Roman Mars, “When it comes to word origins, an eponym is the shortest bet you’re going to get a good story out of it.”

Read more about this episode at http://theallusionist.org/ballpoint. Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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Why do we all sound like idiots when we talk to babies? Don’t be embarrassed, we’re helping them acquire language. Child psychologist Ben Jeffes explains.

There is more about this episode at http://theallusionist.org/baby-talk. Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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“Talking about music is like dancing about architecture” is a problematic statement: not just because nobody can agree on who came up with it, but because dancing about architecture doesn’t seem particularly far-fetched. Talking about dance, however – that’s really difficult. How do you put a wordless form of communication into words?

Audio describer Alice Sanders and choreographer Steven Hoggett take the issue for a twirl.

There is more about this episode at http://theallusionist.org/dance. Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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The messiness of English is the price of its success. It is the most widely spoken language in the world, geographically, being an official language in 88 different countries, and there are countless different versions of it all over the world. With so many speakers in so many places, it would be impossible to establish a single ‘correct’ form of English; and, as became evident in Fix part I, to try to do so is a losing game.

In Europe, a new strain of English is emerging. It’s not spoken very widely, but it is used by some of the most powerful people in the world. Hampton and Michael Catlin, founders of the collaborative online dictionary Wordset, lead us into this linguistic netherworld. Beware: excessive suffixes.

There is more about this episode at http://theallusionist.org/fix-ii. Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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The English language is a mess. And if you don’t like it, what are you going to do about it – fix it? Good luck with that.

In the early 18th century, a movement of grammarians and authors wanted to set up an official authority to regulate English, like French had in the Academie Francaise. But is trying to fix a language a good move? Linguists Liv Walsh and Thomas Godard weigh up the evidence.

There is more about this episode at http://theallusionist.org/fix-i. Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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Words are all over the place. So how do you turn them into fun games? Here to show the way is Leslie Scott, founder of Oxford Games and inventor of more than forty games – including word games such as Ex Libris, Anagram and Flummoxed, and the non-word game Jenga.

There is more about this episode at http://theallusionist.org/word-play.

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‘Step-‘, as in stepparents or stepchildren, originated in grief. Family structures have evolved, but are stepmothers now so tainted by fairytale associations with the word ‘wicked’ that we need new terminology?

Lore’s Aaron Mahnke stops by to describe the lovelessness, literary tropes and life expectancy around ‘step-‘.

There is more about this episode at http://theallusionist.org/step.

Share your feelings about steprelations at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.

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Sometimes words can become your worst enemy. Clinical psychologist Jane Gregory tells how to defuse their power. There’s more about this episode at http://theallusionist.org/behave.

This episode concerns mental health, and the discussion nudges some topics which may not be comfortable for everybody.

Stay in touch! Tweet @allusionistshow, and convene at facebook.com/allusionistshow.

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