Author: Helen Zaltzman

From whitewash (the paint) we got whitewashing (the covering up of misdeeds) and from there greenwashing, redwashing, bluewashing, purplewashing, pinkwashing - and now rainbow washing, where companies will put Pride flags all over products and posts during the month of June, but behind the scenes will not necessarily be useful - and sometimes they'll be anti-useful. Mitra Kaboli, host of the new podcast Welcome to Provincetown, helps sort the real allyship from the rainbow-washing; and writer Sarah Schulman, who popularised the term 'pinkwashing', explains the more political meaning of that word.

This episode contains some swears.

Find out more information about the topics in this episode at theallusionist.org/rainbow-washing, plus a transcript and the full dictionary entry for the randomly selected word.

Sign up to be a patron at patreon.com/allusionist and not only are you supporting an independent podcast, you get patron-exclusive video livestreams and a Discord community full of language chat, craft pics and word game camaraderie.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. And come to see the new live show Your Name Here in Australia and New Zealand! Ticket links are at theallusionist.org/events.

The Allusionist is produced by me, Helen Zaltzman. The music is composed and sung by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The name Tiffany has been around for some 800 years. But you can't name a character in a historical novel 'Tiffany', because people don't believe the name is old. Science fiction and fantasy author Jo Walton coined the term "The Tiffany Problem" to express the disparity between historical facts and the common perception of the past.

Find out more information about the topics in this episode at theallusionist.org/tiffany, plus a transcript and the full dictionary entry for the randomly selected word.

Sign up to be a patron at patreon.com/allusionist and not only are you supporting an independent podcast, you get patron-exclusive video livestreams and a Discord community full of language chat, craft pics and word game camaraderie.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. 

The Allusionist is produced by me, Helen Zaltzman. The music is composed and sung by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

 

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Couple of easy straightforward questions for us to chew on: 1. What is ‘objectivity’ supposed to mean? And 2. does it exist? Lewis Raven Wallace, a journalist and audiomaker fired from his public radio job over his blog post entitled ‘Objectivity is dead and I'm okay with it’, considers the principals and practice of objectivity, and what might be fairer ones.

Find out more information about the topics in this episode at theallusionist.org/objectivity, plus a transcript and the full dictionary entry for the randomly selected word.

Sign up to be a patron at patreon.com/allusionist and not only are you supporting independent podcast, you get fortnightly patron-exclusive video livestreams and a Discord community full of language chat, craft pics and word game camaraderie.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. 

The Allusionist is produced by me, Helen Zaltzman. The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Chinese is one of the oldest still-spoken languages in the world. But when technologies arrived like telegraphy and computing, designed with the Roman alphabet in mind, if Chinese wanted to be able to participate then it had to choose between adapting, or paying a heavy price. And sometimes both were inevitable. Jing Tsu, author of Kingdom of Characters: the Language Revolution that Made China Modern, recounts how Chinese contended with obstacles like alphabetisation, Romanisation and standardisation.

Find out more information about the topics in this episode at theallusionist.org/character, plus a transcript and the full dictionary entry for the randomly selected word.

Sign up to be a patron at patreon.com/allusionist and not only are you supporting independent podcast, you get fortnightly patron-exclusive video livestreams and a Discord community full of language chat, craft pics and word game camaraderie.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. 

The Allusionist is produced by me, Helen Zaltzman. The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hans Asperger would have been merely "a footnote in the history of autism", so why did he get to be the eponym in Asperger's syndrome? Because along with the usual problems medical eponyms pose, and his work not really earning him the honour, he collaborated with Nazis and sent children to a hospital where they would be experimented on and even killed.

Activist, writer and academic Morénike Giwa Onaiwu discusses the stigma around terms like Asperger’s syndrome and autism, and historian Edith Sheffer talks about Hans Asperger and child psychiatry in Nazi Vienna.

Content notes: Nazis, eugenics, ableism, child abuse, murder. 

There are two versions of this episode. The content is the same, but this version contains background music; if you would prefer one with no music, you can get it right next to where you obtained this one.

Find out more information about the topics in this episode at theallusionist.org/asperger, plus a transcript and the full dictionary entry for the randomly selected word.

Sign up to be a patron at patreon.com/allusionist and not only are you supporting independent podcast, you get fortnightly patron-exclusive video livestreams and a Discord community full of language chat, craft pics and word game camaraderie!

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. 

The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hans Asperger would have been merely "a footnote in the history of autism", so why did he get to be the eponym in Asperger's syndrome? Because along with the usual problems medical eponyms pose, and his work not really earning him the honour, he collaborated with Nazis and sent children to a hospital where they would be experimented on and even killed.

Activist, writer and academic Morénike Giwa Onaiwu discusses the stigma around terms like Asperger’s syndrome and autism, and historian Edith Sheffer talks about Hans Asperger and child psychiatry in Nazi Vienna.

Content notes: Nazis, eugenics, ableism, child abuse, murder. 

There are two versions of this episode. The content is the same, but this version contains no background music, just speech; if you would prefer one with music, you can get it right next to where you obtained this one.

Find out more information about the topics in this episode at theallusionist.org/asperger, plus a transcript and the full dictionary entry for the randomly selected word.

Sign up to be a patron at patreon.com/allusionist and not only are you supporting independent podcast, you get fortnightly patron-exclusive video livestreams and a Discord community full of language chat, craft pics and word game camaraderie!

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. 

The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bad hats, cat's pyjamas, banting, goops, creatures, and playing possum - what WERE people going on about during the Golden Age of detective fiction? Caroline Crampton of Shedunnit podcast and I get sleuthing into the slang of the mystery novels of the 1920s and 1930s.

Find out more information about the topics in this episode at theallusionist.org/beesknees, plus a transcript and the full dictionary entry for the randomly selected word. Versions of this episode were originally released by Caroline Crampton's Shedunnit podcast and the Shedunnit Book Club. Find both at shedunnitshow.com.

Sign up to be a patron at patreon.com/allusionist and not only are you supporting independent podcast, you get fortnightly patron-exclusive video livestreams and a Discord community full of language chat, craft pics and word game camaraderie.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. 

The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"Warning: read and keep," says the piece of paper inside Kinder Surprise Eggs, in 34 languages; yet most people do neither thing. But sociologist Keith Kahn-Harris did read and keep it, and study what the egg is trying to tell us: about Kinder Egg toy safety, yes, but also about multilingualism, about an object that says 'yes!' but the warning says 'no!', about the signs of human idiosyncracy that show themselves even in a mandatory corporate message.

Find out more information about the topics in this episode at theallusionist.org/kinderegg, plus a transcript and the full dictionary entry for the randomly selected word.

Sign up to be a patron at patreon.com/allusionist and not only are you supporting independent podcast, you get fortnightly patron-exclusive video livestreams and a Discord community full of language chat, craft pics and word game camaraderie!

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. 

The music is by Martin Austwick, made with Kinder Eggs. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Complex PTSD is different to PTSD, but there's not that much understanding of it as its own condition - which was not much help to Stephanie Foo when she was diagnosed with it in 2018. We talk about facing trauma rather than burying it, self-care and self-soothing, endurance being an underrated word, and why people can quit sniping about triggers. Stephanie’s new book is What My Bones Know: A Memoir of Healing from Complex Trauma. 

Content note: Stephanie refers fleetingly to the parental violence and abandonment she experienced, and we also mention sexual violence; but, we don’t discuss any of these things in detail. It’s a more general conversation about psychology and trauma, rather than stories of traumatisation. There are also a couple of swears.

Find out more information about the topics in this episde at theallusionist.org/cptsd, plus a transcript and the full dictionary entry for the randomly selected word.

Sign up to be a patron at patreon.com/allusionist and not only are you supporting independent podcast, you get fortnightly patron-exclusive video livestreams and a Discord community full of language chat, craft pics and word game camaraderie!

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. 

The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

I've been saving them up all year, and now it's time for the annual selection box of Bonus Bits! Things this year's guests said that couldn't fit into their episode, or weren't related to language, but ARE related to being a bonus bit. We've got percussive pan protests; the mating habits, and male-killing habits, of ladybirds; Icelandic aunts/uncles/cousins/wait which member of the extended family are you referring to?; Morse code machines; and a surprisingly heated topic, the semantics of salad.

Links to all the original episodes featuring these guests are at theallusionist.org/bonus2021, plus a transcript and the full dictionary entry for the randomly selected word.

The show will return in February 2022, but sign up to be a patron at patreon.com/allusionist for patron-exclusive livestreams in January!

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. 

Visit theallusionist.org/merch to obtain your Potato Fugue State sweatshirts and multidenominational Wintervalwear.

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.