Author: Marshall Poe

Over the past 15 years, journalism has experienced a rapid proliferation of data about online reader behavior in the form of web metrics. These newsroom metrics influence which stories are written, how news is promoted, and which journalists get hired and fired. Some argue that metrics help journalists better serve their audiences. Others worry that metrics are the contemporary equivalent of a stopwatch-wielding factory manager. In All the News That's Fit to Click: How Metrics Are Transforming the Work of Journalists (Princeton UP 2021), Caitlin Petre offers a rare behind-the-scenes look at how metrics are reshaping the work of journalism. 

The book is based on Petre's interviews and ethnographic observations at Chartbeat, Gawker, and the New York Times. Across the organizations, she finds that newsroom metrics are a powerful form of managerial surveillance and discipline. However, unlike the manager's stopwatch that preceded them, digital metrics are designed to gain the trust of wary journalists by providing a habit-forming user experience that mimics key features of addictive games. She details how metrics intersect with newsroom hierarchies and norms, as well as how their ambiguity leads to seemingly arbitrary interpretations of success. As performance analytics spread to virtually every professional field, Petre's findings speak to the future of expertise and labor relations in contexts far beyond journalism.

Caitlin Petre is an assistant professor of journalism and media studies at Rutgers University. Jenna Spinelle is an instructor in the Donald P. Bellisario College of Communications at Penn State and host of the Democracy Works podcast.

Jenna Spinelle is a journalism instructor at Penn State's Donald P. Bellisario College of Communications. She's also the communications specialist for the university's McCourtney Institute for Democracy, where she hosts and produces the Democracy Works podcast.

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Political Scientist Ursula Hackett’s new book, America's Voucher Politics: How Elites Learned to Hide the State (Cambridge UP, 2020), is the winner of the APSA 2021 Education Policy and Politics Section Best Book Award. America’s Voucher Politics  examines the way that the approach to vouchers, as a policy design and as a point of advocacy, has evolved over the past decades, and, in the process, this policy area has shifted strategic losses into strategic and growing wins. School vouchers, essentially the central case study in Hackett’s book, are a perfect example of what Hackett describes as “attenuated governance.” Attenuated governance is the form that a particular policy design and often the associated rhetoric with that policy take in an effort to disconnect the policy itself from the state, so as to avoid or elide constitutional conflicts that may strike down the policy that was passed by state or national legislative bodies. Attenuated governance is the umbrella concept that includes both the attenuated delivery of the goods or services and the rhetoric to accompany the policy design and delivery. As Hackett notes, school vouchers are the perfect lens for this exploration of American political development and examining the shifting approaches that courts and judges have taken to how the policies work within public and private institutions.

As the subtitle of the book indicates, the story of school vouchers is the tale of hiding the role of the state in shifting funds from public schools to private and parochial schools and doing so in such a way so that the courts would decide in favor of the constitutionality of these new policy designs. Many of the initial attempts at this form of attenuated governance were unsuccessfully made in the 1950s and 1960s in response to the Brown v. Board of Education decision and other moves to desegregate schools, and other public entities and spaces. But these early failures in court provided the blueprint for subsequent successes, not just in designing policy that would be more attenuated or disconnected from the state itself, but also in the way that these policies were publicly discussed and argued. America’s Voucher Politics is a fascinating study not only of this particular policy area as it developed over the past 70 years, but also of this concept of attenuated governance, which builds on America’s foundational identity struggles around religion, race and racism, and civic institutions.

Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.

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Stephen J. Pyne's new book The Pyrocene: How We Created an Age of Fire, and What Happens Next (U California Press, 2021) tells the story of what happened when a fire-wielding species, humanity, met an especially fire-receptive time in Earth's history. Since terrestrial life first appeared, flames have flourished. Over the past two million years, however, one genus gained the ability to manipulate fire, swiftly remaking both itself and eventually the world. We developed small guts and big heads by cooking food; we climbed the food chain by cooking landscapes; and now we have become a geologic force by cooking the planet.

Some fire uses have been direct: fire applied to convert living landscapes into hunting grounds, forage fields, farms, and pastures. Others have been indirect, through pyrotechnologies that expanded humanity's reach beyond flame's grasp. Still, preindustrial and Indigenous societies largely operated within broad ecological constraints that determined how, and when, living landscapes could be burned. These ancient relationships between humans and fire broke down when people began to burn fossil biomass—lithic landscapes—and humanity’s firepower became unbounded. Fire-catalyzed climate change globalized the impacts into a new geologic epoch. The Pleistocene yielded to the Pyrocene.

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When considering pivotal years in Russian history, one naturally thinks of 1861 (the Serf Emancipation), the 1905 Revolution, or the 1917 Bolshevik Revolution. Dr. Paul Werth’s 1837: Russia's Quiet Revolution (Oxford UP, 2021), invites us to reconsider that list of revolutionary years. Werth’s wide-ranging discussion analyzes such subjects as Pushkin’s death and Petr Chadaaev’s criticism of Russia’s past, to the Khiva campaign in which the Russian’s learned all they ever wanted to know about camels, but were afraid to ask. By the end of this engaging narrative, the reader comes to realize that post-1837 Russia was clearly on track (literally, in the case of the new railways) to become a different sort of place than it had been before. The era of Nicholas I has, with some justification, been portrayed as a stagnant, stultifying period. Werth’s book, however, demonstrates that the events of 1837, from the heir’s cross-country trip to the burning of the Winter Palace, did in fact add up to a “Quiet Revolution.”

Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.

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The Berlin Ethnological Museum is one of the world's largest and most important anthropological museums, housing more than a half million objects collected from around the globe. In Humboldt's Shadow tells the story of the German scientists and adventurers who, inspired by Alexander von Humboldt's inclusive vision of the world, traveled the earth in pursuit of a total history of humanity. It also details the fate of their museum, which they hoped would be a scientists' workshop, a place where a unitary history of humanity might emerge.

H. Glenn Penny shows how these early German ethnologists assembled vast ethnographic collections to facilitate their study of the multiplicity of humanity, not to confirm emerging racist theories of human difference. He traces how Adolf Bastian filled the Berlin museum in an effort to preserve the records of human diversity, yet how he and his supporters were swept up by the imperialist currents of the day and struck a series of Faustian bargains to ensure the growth of their collections. Penny describes how influential administrators such as Wilhelm von Bode demanded that the museum be transformed into a hall for public displays, and how Humboldt's inspiring ideals were ultimately betrayed by politics and personal ambition.

In Humboldt's Shadow: A Tragic History of German Ethnology (Princeton UP, 2021) calls on museums to embrace anew Bastian's vision while deepening their engagement with indigenous peoples concerning the provenance and stewardship of these collections.

Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.

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Until the recent political shift pushed workers back into the media spotlight, the mainstream media had largely ignored this significant part of American society in favor of the moneyed upscale consumer for more than four decades. Christopher R. Martin now reveals why and how the media lost sight of the American working class and the effects of it doing so.

The damning indictment of the mainstream media that flows through No Longer Newsworthy: How the Mainstream Media Abandoned the Working Class (Cornell UP, 2019) is a wakeup call about the critical role of the media in telling news stories about labor unions, workers, and working-class readers. As Martin charts the decline of labor reporting from the late 1960s onwards, he reveals the shift in news coverage as the mainstream media abandoned labor in favor of consumer and business interests. When newspapers, especially, wrote off working-class readers as useless for their business model, the American worker became invisible. In No Longer Newsworthy, Martin covers this shift in focus, the loss of political voice for the working class, and the emergence of a more conservative media in the form of Christian television, talk radio, Fox News, and conservative websites.

Now, with our fractured society and news media, Martin offers the mainstream media recommendations for how to push back against right-wing media and once again embrace the working class as critical to its audience and its democratic function.

Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.

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Anil Seth's quest to understand the biological basis of conscious experience is one of the most exciting contributions to twenty-first-century science.

An unprecedented tour of consciousness thanks to new experimental evidence, much of which comes from Anil Seth's own lab. His radical argument is that we do not perceive the world as it objectively is, but rather that we are prediction machines, constantly inventing our world and correcting our mistakes by the microsecond, and that we can now observe the biological mechanisms in the brain that accomplish this process of consciousness.

Seth's work has yielded new ways to communicate with patients previously deemed unconscious, as well as promising methods of coping with brain damage and disease. Being You: A New Science of Consciousness (Dutton, 2020) sheds light on the future of AI and virtual/augmented reality, adds empirical evidence to cutting-edge ideas of how the brain works, and ushers in a new age in the study of the mystery of human consciousness. Being You is a life-changing existential insight into being you.

Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch.

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From the moment that Tsars as well as hierarchs realized that having their subjects go to confession could make them better citizens as well as better Christians, the sacrament of penance in the Russian empire became a political tool, a devotional exercise, a means of education, and a literary genre. It defined who was Orthodox, and who was 'other.' First encouraging Russian subjects to participate in confession to improve them and to integrate them into a reforming Church and State, authorities then turned to confession to integrate converts of other nationalities. But the sacrament was not only something that state and religious authorities sought to impose on an unwilling populace. Confession could provide an opportunity for carefully crafted complaint. What state and church authorities initially imagined as a way of controlling an unruly population could be used by the same population as a way of telling their own story, or simply getting time off to attend to their inner lives.

Nadieszda Kizenko's book Good for the Souls: A History of Confession in the Russian Empire (Oxford UP, 2021) brings Russia into the rich scholarly and popular literature on confession, penance, discipline, and gender in the modern world, and in doing so opens a key window onto church, state, and society. It draws on state laws, Synodal decrees, archives, manuscript repositories, clerical guides, sermons, saints' lives, works of literature, and visual depictions of the sacrament in those books and on church iconostases. Russia, Ukraine, and Orthodox Christianity emerge both as part of the European, transatlantic religious continuum-and, in crucial ways, distinct from it.

Paul Werth is a professor of history at the University of Nevada, Las Vegas.

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Thomas O. Haakenson's book Grotesque Visions: The Science of Berlin Dada (Bloomsbury, 2021) focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedländer/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity.

Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora.

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