Author: Marshall Poe

Does good democratic government require intelligent, moral, and productive citizens? Can our political institutions educate the kind of citizens we wish or need to have? With recent arguments "against democracy" and fears about the rise of populism, there is growing scepticism about whether liberalism and democracy can continue to survive together. Some even question whether democracy is worth saving.

In Democracy Tamed: French Liberalism and the Politics of Suffrage (Oxford UP, 2024), Gianna Englert argues that the dilemmas facing liberal democracy are not unique to our present moment, but have existed since the birth of liberal political thought in nineteenth-century France. Combining political theory and intellectual history, Englert shows how nineteenth-century French liberals championed the idea of "political capacity" as an alternative to democratic political rights and argued that voting rights should be limited to capable citizens who would preserve free, stable institutions against revolutionary passions and democratic demands. Liberals also redefined democracy itself, from its ancient meaning as political rule by the people to something that, counterintuitively, demanded the guidance of a capable few rather than the rule of all.
Understandably, scholarly treatments of political capacity have criticized the idea as exclusionary and potentially dangerous. Englert argues instead that political capacity was a flexible standard that developed alongside a changing society and economy, allowing liberals to embrace democracy without abandoning their first principles. She reveals a forgotten, uncharted path of liberalism in France that remained open to political democracy while aiming to foster citizen capacity. Overall, Democracy Tamed tells the story of how the earliest liberals deployed their notion of the "new democracy" to resist universal suffrage. But it also reveals how later liberals would appropriate their predecessors' antidemocratic arguments to safeguard liberal democracies as we have come to know them.

Gianna Englert is Associate Professor of Humanities in The Hamilton School for Classical and Civic Education at the University of Florida.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here

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The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, Dreaming Down the Track: Awakenings in Aboriginal Cinema (U Minnesota Press, 2025) delves deeply into Aboriginal cinema as a transformative community process. It follows the social lives of projects throughout their production cycles, from planning and editing to screening, broadcasting, and after-images. Across its narrative sweep, this ethnography engages the film career of Kukatja elder Mark Moora to demonstrate the impact of filmmaking on how Aboriginal futures are collectively imagined and called forth.

William Lempert highlights a series of awakenings through which Moora ultimately came to view cinema as a process for catalyzing his family’s return to their home country of Mangkayi. This biographical media journey paints an intimate portrait of the inspiring possibilities and sobering limitations of Indigenous envisioning within settler states. Lempert traces how Moora’s life and films convey a multiplicity of Aboriginal experiences across time and space, from colonial contact to contemporary life in communities like Balgo, including the continued governmental attempts to undermine them.

Amid ongoing negotiations to establish the first treaties between Indigenous nations and Australian states, Dreaming Down the Track illustrates what is at stake in how Aboriginal–State relations are represented and understood, both within communities and for the broader public. Lempert stays true to Moora’s insight that film can preserve community stories for generations to come, toward the aim of enacting sovereign futures.

William Lempert is Osterweis Family Associate Professor of anthropology at Bowdoin College. His writing has been published in several journals, including Cultural Anthropology and American Indian Culture and Research Journal.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

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French Technological Thought and the Nonhuman Turn  (Edinburgh University Press, 2024) traces a genealogy of thinking and writing about technology, which takes us from the French avant-gardes to the contemporary 'nonhuman turn' in Anglo-American theory via the Surrealists, Gilbert Simondon, and Gilles Deleuze.
Tracking the unruly transition from Catholic vocabularies of grace, potentiality, and actuality to the modern and contemporary secular lexicon of agency, virtuality, and affect, this book explores technology as a source of subject matter and conceptual metaphors, but also probes how ideas and words are modes of technicity through which we shape and reshape the world. Fusing literature, philosophy, and theology, it offers readers new contexts - and questions - for the egalitarian ontological commitments of contemporary post- and nonhuman thinking.

Guest Dr. Madeleine Chalmers  is a lecturer in French studies at the University of Leicester in the UK, and holds a D.Phil. from the University of Oxford. Dr. Chalmers is the recipient of or shortlisted for a number of prestigious essay prizes, and has written numerous articles as well on topics ranging from modernist authors  to automation and the idea of “bricolage,” as well as editing a special issue of the Journal of Romance Studies on “French Perspectives on Conflict” in 2022.

Host Gina Stamm is Associate Professor of French at the University of Alabama with research focusing on speculative literatures of metropolitan France and the Francophone Caribbean, from surrealism to contemporary science fiction and feminist utopias, as well as the translator of the novels Mevlido's Dreams and The Inner Harbour.

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Naomi R Williams is associate professor of Labor Studies and Employment Relations at Rutgers University. Their primary research interests include labor and working-class history, urban history and politics, gender and women, race and politics, and more broadly, social and economic movements of working people. Naomi focuses on worker voice and late-capitalism at the end of the 20th century. Naomi’s research also examines the ways working people impact local and national political economies and the ways workers participate in collaborative social justice movements. Naomi engages working-class history in urban settings, looking at low-wage service work, industrial employment, and workers in higher education.

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Sugar is everywhere in the western diet, blamed for epidemics of obesity, diabetes, and other modern maladies. Our addiction to sweetness has a long and unsavory history. Over the past five hundred years, sugar has shaped empires, made fortunes for a few, and brought misery for millions of workers both enslaved and free. How did sugar become a defining modern food and an essential global commodity?

In Unrefined: How Capitalism Reinvented Sugar (U Chicago Press, 2025), Dr. David Singerman recasts our thinking about this crucial substance in the history of capitalism. Before the nineteenth century, sugar’s value depended on natural qualities: its color, its taste, where it was grown, and who had made it. But beginning around 1850, a combination of plantation owners, industrialists, and scientists set out to redefine sugar itself. Deploying the tools and rhetoric of science, they transformed not just how sugar was produced or traded but even how people thought about it. By changing sugar into a pure chemical object, these forces stripped power from workers and enabled—and obscured—new kinds of fraud, corruption, and monopoly.

Taking us to unexplored spaces in the world of sugar, from laboratories and docks to refineries and the halls of Congress, Dr. Singerman illuminates dark intersections of the histories of corruption, science, and capitalism.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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John R. Davis's Keep Your Ear to the Ground (Georgetown University Press, 2025) is the first history of the fanzines that emerged from Washington, DC's highly influential punk community DIY culture has always been at the heart of DC's thriving punk community. As Washington, DC's punk scene emerged in the mid-1970s, so did the periodicals--"fanzines"--that celebrated it. Before the rise of the internet, fanzines were a potent way for fans to communicate and to revel in the joy of fandom. These zines were more than just publications; they were a distillation of punk's allure, connecting the city to the broader punk community. Fanzines remain a meaningful, tactile, creative medium for punk fans to connect with like-minded people outside the corporate-controlled world. In Keep Your Ear to the Ground, the archivist and musician John R. Davis unveils the development of punk fanzines and their role in supporting DC's hardcore and punk scene from the 1970s into the twenty-first century. He sheds new light on DC's scene and highlights some of its key personalities, including many who are often left out of punk history, with high-quality images of rare zines and insights from numerous interviews with zine creators and musicians. This book vividly weaves together the origin of zines and their importance in underground communities. For punk enthusiasts, zine creators, American studies scholars, and anyone who has ever felt like an outsider, Keep Your Ear to the Ground traces how the unique environment of Washington, DC, helped zines thrive.

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Seeds of Exchange: Soviets, Americans, and Cooperation in Agriculture, 1921–1935 (Northern Illinois UP, 2025) examines the US and Soviet exchange of agricultural knowledge and technology during the interwar period.

Maria Fedorova challenges the perception of the Soviet Union as a passive recipient of American technology and expertise. She reveals the circular nature of this exchange through official government bureaus, amid anxious farmers in crowded auditoriums, in cramped cars across North Dakota and Montana, and by train over the once fertile steppes of the Volga.

Amid the post–World War I food insecurity, Soviet and American agricultural experts relied on transnational networks, bridging ideological differences. As Soviets traveled across the US agricultural regions and Americans plowed steppes in the southern Urals and the lower Volga, both groups believed that innovative solutions could be found beyond their own national borders. Soviets were avidly interested in American technology and American agricultural experts perceived the Soviet Union to be an ideal setting for experimenting with and refining modern farm systems and organizational practices. As Seeds of Exchange shows, agricultural modernization was not the exclusive domain of Western countries.

Guest: Maria Fedorova (she/her) is an Assistant Professor in the Department of Russian Studies at Macalester College. She received her PhD in history at the University of California, Santa Barbara. Her research focuses on the history of agriculture, food insecurity, US-Russia/Soviet relations, and transnational history.

Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.

Scholars@Duke: https://scholars.duke.edu/pers...

Linktree: https://linktr.ee/jennapittman

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Why is it so difficult to account for the role of identity in literary studies? Why do both writers and scholars of Indian English literature express resistance to India and Indianness? What does this reveal about how non-Western literatures are read, taught, and understood? Drawing on years of experiences in classrooms and on U.S. university campuses, Ragini Tharoor Srinivasan explores how writers, critics, teachers, and students of Indian English literatures negotiate and resist the categories through which the field is defined: ethnic, postcolonial, and Anglophone.

Overdetermined: How Indian English Literature Becomes Ethnic, Postcolonial, and Anglophone (Columbia UP, 2025) considers major contemporary authors who disavow identity even as their works and public personas respond in varied ways to the imperatives of being “Indian.” Chapters examine Bharati Mukherjee’s rejection of “ethnic” Americanness; Chetan Bhagat’s “bad English”; Amit Chaudhuri’s autofictional literary project; and Jhumpa Lahiri’s decision to write in Italian, interspersed with meditations on the iconicity of the theorists Gayatri Chakravorty Spivak, Homi Bhabha, and Edward Said. Through an innovative method of accented reading and sharing stories and syllabi from her teaching, Srinivasan relates the burdens of representation faced by ethnic and postcolonial writers to the institutional and disciplinary pressures that affect the scholars who study their works. Engaging and self-reflexive, Overdetermined offers new insight into the dynamics that shape contemporary Indian English literature, the politics of identity in literary studies, and the complexities of teaching minoritized literatures in the West.

Ragini Tharoor Srinivasan is assistant professor of English at Rice University. Her books include the essays What is We? (2025) and the coedited Thinking with an Accent: Toward a New Object, Method, and Practice (2023), and her public writing has appeared in numerous venues.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here

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To seek asylum, people often have to cross borders undocumented, embarking on perilous trajectories. Due to the war in Afghanistan, the rule of the Taliban, and severe human rights violations, over the past decades thousands of people have risked their lives to seek safety. By what means do they make these journeys, especially when they lack money and passports?
Over the course of three years, Hannah Pool accompanied a group of Afghan friends and families as they attempted "The Game" - Game zadan: the route to Europe to seek asylum. The resulting ethnography follows them across their entire trajectories: through Iran, Turkey, Greece, and along the so-called Balkan route. In each place, Pool details the economic interactions and social relationships essential for acquiring, saving, borrowing, spending, and exchanging money to facilitate their undocumented migration routes.
The Game: The Economy of Undocumented Migration from Afghanistan to Europe (Oxford UP, 2025) bridges economic sociology and migration studies to illustrate how migrants decide to trust people to facilitate their movement along these routes, focusing particularly on debt, special monies, bribes, donations, and gift-giving. Throughout the migration trajectory, relationships with family, fellow migrants, smugglers, humanitarian actors, and border control officials shape and are shaped by access to financial resources.
Ultimately, the book highlights the dangers in undocumented border-crossing and delves into the core of what it means to flee: Who has the means to escape dangerous conditions to seek asylum?

Hannah Pool is a Senior Researcher at the Max Planck Institute for the Study of Societies.

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