Category: 3-BookTalkDaily

Utilizing a breadth of archival sources from activists, artists, and policymakers, Charlie Jeffries' Teenage Dreams: Girlhood Sexualities in the U.S. Culture Wars (Rutgers UP, 2022) examines the race- and class-inflected battles over adolescent women’s sexual and reproductive lives in the late twentieth and early twenty-first century United States. Charlie Jeffries finds that most adults in this period hesitated to advocate for adolescent sexual and reproductive rights, revealing a new culture war altogether--one between adults of various political stripes in the cultural mainstream who prioritized the desire to delay girlhood sexual experience at all costs, and adults who remained culturally underground in their support for teenagers’ access to frank sexual information, and who would dare to advocate for this in public. The book tells the story of how the latter group of adults fought alongside teenagers themselves, who constituted a large and increasingly visible part of this activism. The history of the debates over teenage sexual behavior reveals unexpected alliances in American political battles, and sheds new light on the resurgence of the right in the US in recent years.

Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.

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What is the purpose of a novel? What purpose or logic do literary critics assign to a novel? How has the novel changed? What does that mean for its readers and literary criticism in the contemporary era? What does novel share with cinema and what does that mean for contemporary thought?

Timothy Bewes provides brilliant insights on these questions in his book, Free Indirect: The Novel in a Postfictional Age (Columbia UP, 2022).

Everywhere today, we are urged to “connect.” Literary critics celebrate a new "honesty" in contemporary fiction or call for a return to "realism." Yet such rhetoric is strikingly reminiscent of earlier theorizations. Two of the most famous injunctions of twentieth-century writing - E. M. Forster's “Only connect . . .” and Fredric Jameson’s “Always historicize!” - helped establish connection as the purpose of the novel and its reconstruction as the task of criticism. But what if connection was not the novel’s modus operandi but the defining aesthetic ideology of our era-and its most monetizable commodity? What kind of thought is left for the novel when all ideas are acceptable as long as they can be fitted to a consumer profile?

This book develops a new theory of the novel for the twenty-first century. In the works of writers such as J. M. Coetzee, Rachel Cusk, James Kelman, W. G. Sebald, and Zadie Smith, Timothy Bewes identifies a mode of thought that he calls "free indirect," in which the novel's refusal of prevailing ideologies can be found. It is not situated in a character or a narrator and does not take a subjective or perceptual form. Far from heralding the arrival of a new literary genre, this development represents the rediscovery of a quality that has been largely ignored by theorists: thought at the limits of form. Free Indirect contends that this self-awakening of contemporary fiction represents the most promising solution to the problem of thought today.

Iqra Shagufta Cheema is writer, researcher, and chronic procrastinator. When she does write, she writes in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. Check out her latest book chapter Queer Love: He is also Made in Heaven. She can be reached via email at IqraSCheema@gmail.com or Twitter.

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Who runs American politics? In Producing Politics: Inside the Exclusive Campaign World Where the Privileged Few Shape Politics for All of Us (Beacon Press, 2022), Daniel Laurison, an associate professor of sociology at Swarthmore College, explores the hidden world of campaign professionals to offer a new sociological perspective on how contemporary politics works. The book explores how ‘politicos’ get their jobs, how they judge work and worth, and the importance of their actions to political campaigns, showing the inequalities at the heart of the profession. Alongside new theorisations of campaigning and of politics itself, the book offers essential reading across social sciences and arts and humanities, as well as to anyone interested in politics today.

Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.

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The little-known and under-studied 1807 Insurrection Act was passed to give the president the ability to deploy federal military forces to fend off lawlessness and rebellion, but it soon became much more than the sum of its parts. Its power is integrally linked to the perceived threat of black American equity in what lawyer and critic Hawa Allan demonstrates is a dangerous paradox. While the Act was initially used to repress rebellion against slavery, during Reconstruction it was invoked by President Grant to quell white-supremacist uprisings in the South. During the civil rights movement, it enabled the protection of black students who attended previously segregated educational institutions. Most recently, the Insurrection Act has been the vehicle for presidents to call upon federal troops to suppress so-called “race riots” like those in Los Angeles in 1992, and for them to threaten to do so in other cases of racial justice activism. Yet when the US Capitol was stormed in January 2021, the impulse to restore law and order and counter insurrectionary threats to the republic lay dormant.

Allan’s distinctly literary voice underscores her paradigm-shifting reflections on the presence of fear and silence in history and their shadowy impact on the law. Throughout, she draws revealing insight from her own experiences as one of the only black girls in her leafy Long Island suburb, as a black lawyer at a predominantly white firm during a visit from presidential candidate Barack Obama, and as a thinker about the use and misuse of appeals to law and order.

Elegant and profound, deeply researched and intensely felt, Insurrection: Rebellion, Civil Rights, and the Paradoxical State of Black Citizenship (Norton, 2022) is necessary reading in our reckoning with structural racism, government power, and protest in the United States.

Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.

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Against long odds, the Anishinaabeg resisted removal, retaining much of their land in the Old Northwest—what’s now Michigan, Wisconsin, and Minnesota. Their success rested partly on their roles as sellers of natural resources and buyers of trade goods, which made them key players in the political economy of plunder that drove white settlement and US development in the region. But, as Michael Witgen demonstrates in Seeing Red: Indigenous Land, American Expansion, and the Political Economy of Plunder in North America (Omohundro Institute/UNC Press, 2021), the credit for Native persistence rested with the Anishinaabeg themselves. Outnumbering white settlers well into the nineteenth century, they leveraged their political savvy to advance a dual citizenship that enabled mixed-race tribal members to lay claim to a place in US civil society. Telling the stories of mixed-race traders and missionaries, tribal leaders and territorial governors, Witgen challenges our assumptions about the inevitability of US expansion.

John Cable is assistant professor of history at Abraham Baldwin Agricultural College in Tifton, Georgia. He earned the Ph.D. in history at Florida State University in 2020.

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In Prevail until the Bitter End: Germans in the Waning Years of World War II (Cornell UP, 2021), Alexandra Lohse explores the gossip and innuendo, the dissonant reactions and perceptions of Germans to the violent dissolution of the Third Reich. Mobilized for total war, soldiers and citizens alike experienced an unprecedented convergence of military, economic, social, and political crises. But even in retreat, the militarized national community unleashed ferocious energies, staving off defeat for over two years and continuing a systematic murder campaign against European Jews and others. Was its faith in the Führer never shaken by the prospect of ultimate defeat?

Lohse uncovers how Germans experienced life and death, investigates how mounting emergency conditions affected their understanding of the nature and purpose of the conflagration, and shows how these factors influenced the people's relationship with the Nazi regime. She draws on Nazi morale and censorship reports, features citizens' private letters and diaries, and incorporates a large body of Allied intelligence, including several thousand transcripts of surreptitiously recorded conversations among German prisoners of war in Western Allied captivity.

Lohse's historical reconstruction helps us understand how ordinary Germans interpreted their experiences as both the victims and perpetrators of extreme violence. We are immersively drawn into their desolate landscape: walking through bombed-out streets, scrounging for food, burning furniture, listening furtively to Allied broadcasts, unsure where the truth lies. Prevail until the Bitter End is about the stories that Germans told themselves to make sense of this world in crisis.

Lea H. Greenberg is a scholar of German and Yiddish literature and a Visiting Assistant Professor at Knox College.

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China’s urban landscapes are full of radically different architectural styles which memorialise different eras in the country’s political past, from the remains of imperial palaces or city walls, to Republican-era shophouses, early-PRC medium-rise apartments, and soaring glass buildings of twenty-first-century vintage. But lodged – both temporally and physically – between these latter two are constructions from a time that is only now beginning to receive more attention, namely the early reform period of the 1970s-90s.

This is exactly the timespan covered in Cole Roskam’s excellent new book Designing Reform: Architecture in the People's Republic of China, 1970-1992 (Yale UP, 2021) which shows that architecture had a key place in the emerging political, social and cultural developments of China’s pivotal post-Mao years. Examining stylistic, institutional, sociological and aesthetic aspects to Chinese architecture and its cross-border entanglements, this is a book which – as we transition deeper into Xi Jinping’s ‘new era’ – has much to say about an intriguing and occluded period of recent history which is not just Chinese but truly global.

Ed Pulford is an Anthropologist and Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and indigeneity in northeast Asia.

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Maeve Ryan’s new book Humanitarian Governance and the British Antislavery World System (Yale UP, 2022) highlights Britain’s early-nineteenth-century, Royal Navy seizures of slave ships and the processes involved in the “liberation” of these enslaved Africans. Nearly two hundred thousand Africans were resettled throughout the British Empire from Sierra Leone to St Helena, the British West Indies, and by treaties to Cuba and Brazil. From 1808 to the end of the Atlantic slave trade, abolitionists attempted to bring relief to these “liberated” Africans. Yet, the needs of Empire often clashed with the moral ideals of abolitionism creating then a “benevolent despotism.” Ryan’s work highlights these imperial experiments across time and the Atlantic and the manifestations of this resettlement. Ryan expertly claims that what Britain did during this period is the beginning ruminations “Humanitarian Governance”; that the evolution of what we today consider humanitarian relief has at its roots this “anti slavery mother.” Back then, the process of liberating Africans from the condition of slavery looked remarkably like slavery itself. But, this humanitarianism was – as Ryan puts it – “a new phenomenon.” Abolitionism evolved as did the processes of humanitarian relief.

Joseph Krulder is a historian of Britain's long eighteenth-century: cultural, social, military, and economic.

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For The Real World of College: What Higher Education Is and What It Can Be (MIT Press, 2022), Wendy Fischman and Howard Gardner analyzed in-depth interviews with more than 2,000 students, alumni, faculty, administrators, parents, trustees, and others, which were conducted at ten institutions ranging from highly selective liberal arts colleges to less-selective state schools. What they found challenged characterizations in the media: students are not preoccupied by political correctness, free speech, or even the cost of college. They are most concerned about their GPA and their resumes; they see jobs and earning potential as more important than learning. Many say they face mental health challenges, fear that they don't belong, and feel a deep sense of alienation. Given this daily reality for students, has higher education lost its way? Fischman and Gardner contend that US universities and colleges must focus sharply on their core educational mission.

Fischman and Gardner, both recognized authorities on education and learning, argue that higher education in the United States has lost sight of its principal reason for existing: not vocational training, not the provision of campus amenities, but to increase what Fischman and Gardner call "higher education capital"--to help students think well and broadly, express themselves clearly, explore new areas, and be open to possible transformations. Fischman and Gardner offer cogent recommendations for how every college can become a community of learners who are open to change as thinkers, citizens, and human beings.

Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.

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Behold the history of a film so scandalous, so outrageous, so explosive it disappeared from print for over a quarter century! A film so dangerous, half its cast and crew met their demise bringing eccentric billionaire Howard Hughes’ final cinematic vision to life! Starring All-American legend John Wayne in full Fu Manchu make-up as Mongol madman Genghis Khan! Featuring sultry seductress Susan Hayward as his lover! 

Killing John Wayne (Lyons Press, 2021) is the true story of The Conqueror (1956), the worst movie ever made. Filmed during the dark underbelly of the 1950s—the Cold War—when nuclear testing in desolate southwestern landscapes was a must for survival, the very same landscapes were where exotic stories set in faraway lands could be made. Just 153 miles from the St. George, Utah, set, nuclear bombs were detonated regularly at Yucca Flat and Frenchman Flat in Nevada, providing a bizarre and possibly deadly background to an already surreal moment in cinema history. This book tells the full story of the making of The Conqueror, its ignominious aftermath, and the radiation induced cancer that may have killed John Wayne and many others.

Ryan Uytdewilligen attended Lethbridge College in Alberta and earned a degree in Broadcast Journalism, leading to work in radio anchoring, reporting, and media coordinating for the prestigious Vancouver International Film Festival. After writing-producing his first short film, Tea Time (2014), he optioned two feature film scripts and has worked as a script doctor/writer for hire. In 2016, he published his first non-fiction work, a film history examination called 101 Most Influential Coming of Age Movies. Ryan currently resides in Vancouver, British Columbia. He would like to express his sympathy to everyone who lost a loved one that worked on The Conqueror.

Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics (Twitter @15MinFilm).

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