Category: 3-BookTalkDaily

Race, while drawn from the visual cues of human diversity, is an idea with a measurable past, an identifiable present, and an uncertain future. The concept of race has been at the center of both triumphs and tragedies in American history and has had a profound effect on the human experience. Race Unmasked: Biology and Race in the Twentieth Century (Columbia UP, 2018)revisits the origins of commonly held beliefs about the scientific nature of racial differences, examines the roots of the modern idea of race, and explains why race continues to generate controversy as a tool of classification even in our genomic age. Surveying the work of some of the twentieth century's most notable scientists, Race Unmasked reveals how genetics and related biological disciplines formed and preserved ideas of race and, at times, racism. A gripping history of science and scientists, Race Unmasked elucidates the limitations of a racial worldview and throws the contours of our current and evolving understanding of human diversity into sharp relief.

About the author: Michael Yudell is a public health ethicist, award-winning historian, and professor and Vice Dean at the College of Health Solutions at Arizona State University. He is the co-editor of the Columbia University Press Series Race, Inequality, and Health and the author of several books, including Race Unmasked, for which he won the Arthur J. Viseltear Award from the American Public Health Association.

About the interviewer: Hussein Mohsen is a PhD/MA Candidate in Computational Biology and Bioinformatics/History of Science and Medicine at Yale University. His research interests include machine learning, cancer genomics, and the history of human genetics. For more about his work, visit http://www.husseinmohsen.com.

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Marxism is having a moment; higher workloads, stagnating wages, rising costs of living, a new economic crisis every few years, a warming climate and now almost two years of a worldwide pandemic have all led to a number of people across the world, especially younger people, to self-identify with ideas once thought to be in the dustbin of history. But while people may find Marx’s theories helpful for understanding what’s happening, turning these interpretations into sustained commitments is another thing. What’s more, Marx’s works often turn out to be less definitive than is often imagined, giving us rigorous methods of inquiry that we then need to develop and adapt to other fields. Being a Marxist then is not simply about adopting a particular series of propositions, but a way of interpreting and engaging with the world.

This is one of the animating ideas for my guest today, Ted Stolze, here to discuss his essay collection Becoming Marxist: Studies in Philosophy, Struggle, and Endurance (Haymarket Books, 2020). While Marx occupies a central place throughout the essays, readers will find engagements with a variety of figures, going back as far as Aristotle or the Apostle Paul, all the way up to the present with essays on Zizek and Deleuze. In between these poles are studies of Hobbes, Spinoza, Hegel and many other early modern thinkers. Throughout the essays, Stolze puts Marxist practice in dialogue with philosophy and vice-versa, showing us how political struggle demands philosophical inquiry, not simply for the purpose of political and tactical clarity, but for the same reasons people have turned to philosophy for several millennia now. Socrates famously said the unexamined life is not worth living, kicking off an entire tradition of self-examination. It’s this tradition Stolze believes activists and organizers ought to draw on today to better understand what it might mean to become Marxist.

Published as part of the Historical Materialism book series.

Ted Stolze holds an M.A. in religion and a PhD in philosophy. He is an associate professor of philosophy at Cerritos College. He is the coeditor of The New Spinoza and has published numerous articles on philosophy, politics and religion.

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Histories of the Vietnam War are not in short supply. In U.S. history, it ranks alongside the Civil War and World War Two in terms of author coverage. The aftermath of the war has received a similar amount of attention, with historians noting the effect that the end of the war had on domestic politics and U.S. foreign policy. But what about shifts during the war itself? While the war dominated thinking in the Johnson Administration and overshadowed a whole host of other foreign policy issues, it did not cause them to simply disappear. Quite the opposite: Lyndon Johnson was confronted by a multitude of issues during his time in office, and the fact that those issues occurred in tandem with the Vietnam War shaped the U.S. response to them.

In The End of Ambition: The United States and the Third World in the Vietnam Era (Princeton UP, 2021), Mark Atwood Lawrence fills in some of the gaps about U.S. foreign policy during the Vietnam War. While historians have noted that U.S. foreign policy became markedly less ambitious under Richard Nixon, Lawrence notes through five different country case studies that U.S. foreign policy began to shift dramatically under Lyndon Johnson, a shift that eschewed transformative foreign policy and emphasized caution. Lawrence illustrates how the Vietnam War wrought a transformation in U.S. foreign policy whose ramifications can still be felt in the present day. 

Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com.

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In Who Gets What — and Why: The New Economics of Matchmaking and Market Design (Mariner Books, 2015), Nobel Memorial Prize Winner Alvin Roth explains his pioneering work in the study of matching markets such as kidney exchange, marriage, job placements for new doctors and new professors, and enrollments in schools or colleges. In these markets, “buyers” and “sellers” must each chose the other, and getting the prices right is only a small part of what makes for a successful transaction, if cash is even involved at all. Roth’s work has led the way in taking microeconomics outside the halls of academic theory to become a practical “engineering” tool for policymakers and businesses.

In our interview, we range far beyond the examples from the book to discuss the implications of his work for the design of tech’s market-making “platform” businesses like Airbnb, Amazon, Lyft, or Uber, the challenges he faces when countries or people view some kinds of transactions as “repugnant” or morally unacceptable, and the reasons why San Francisco’s school district (unlike Boston’s or New York’s) chose not to implement the un-gameable school choice plan his team devised for them.

Host Peter Lorentzen is an Associate Professor in the Department of Economics at the University of San Francisco, where he leads a new digital economy-focused Master's program in Applied Economics.

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For decades, scholars have been calling into question the universality of disciplinary objects and categories. The coherence of defined autonomous categories—such as religion, science, and art—has collapsed under the weight of postmodern critiques, calling into question the possibility of progress and even the value of knowledge. Jason Ānanda Josephson Storm aims to radicalize and move beyond these deconstructive projects to offer a path forward for the humanities and social sciences using a new model for theory he calls metamodernism.

Metamodernism: The Future of Theory (U Chicago Press, 2021) works through the postmodern critiques and uncovers the mechanisms that produce and maintain concepts and social categories. In so doing, Storm provides a new, radical account of society’s ever-changing nature—what he calls a “Process Social Ontology”—and its materialization in temporary zones of stability or “social kinds.” Storm then formulates a fresh approach to philosophy of language by looking beyond the typical theorizing that focuses solely on human language production, showing us instead how our own sign-making is actually on a continuum with animal and plant communication.

Storm also considers fundamental issues of the relationship between knowledge and value, promoting a turn toward humble, emancipatory knowledge that recognizes the existence of multiple modes of the real. Metamodernism is a revolutionary manifesto for research in the human sciences that offers a new way through postmodern skepticism to envision a more inclusive future of theory in which new forms of both progress and knowledge can be realized.

Tiatemsu Longkumer is a Ph.D. scholar working on ‘Anthropology of Religion’ at North-Eastern Hill University, Shillong: India

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The basic story of the rise, reign, and fall of deconstruction as a literary and philosophical groundswell is well known among scholars. In this intellectual history, Gregory Jones-Katz aims to transform the broader understanding of a movement that has been frequently misunderstood, mischaracterized, and left for dead—even as its principles and influence transformed literary studies and a host of other fields in the humanities. Deconstruction: An American Institution (The University of Chicago Press, 20121) begins well before Jacques Derrida’s initial American presentation of his deconstructive work in a famed lecture at Johns Hopkins University in 1966 and continues through several decades of theoretic growth and tumult. While much of the subsequent story remains focused, inevitably, on Yale University and the personalities and curriculum that came to be lumped under the “Yale school” umbrella, Deconstruction makes clear how crucial feminism, queer theory, and gender studies also were to the lifeblood of this mode of thought. Ultimately, Jones-Katz shows that deconstruction in the United States—so often caricatured as a French infection—was truly an American phenomenon, rooted in our preexisting political and intellectual tensions, that eventually came to influence unexpected corners of scholarship, politics, and culture.

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How can we create a healthier world and prevent the crisis next time? In a few short months, COVID-19 devastated the world and, in particular, the United States. It infected millions, killed hundreds of thousands, and effectively made the earth stand still. Yet America was already in poor health before COVID-19 appeared. Racism, marginalization, socioeconomic inequality--our failure to address these forces left us vulnerable to COVID-19 and the ensuing global health crisis it became. Had we tackled these challenges twenty years ago, after the outbreak of SARS, perhaps COVID-19 could have been quickly contained. Instead, we allowed our systems to deteriorate. 

Following on the themes of his award-winning publication Well, Sandro Galea's The Contagion Next Time (Oxford UP, 2021) articulates the foundational forces shaping health in our society and how we can strengthen them to prevent the next outbreak from becoming a pandemic. Because while no one could have predicted that a pandemic would strike when it did, we did know that a pandemic would strike, sooner or later. We're still not ready for the next pandemic. But we can be--we must be. In lyrical prose, The Contagion Next Time challenges all of us to tackle the deep-rooted obstacles preventing us from becoming a truly vibrant and equitable nation, reminding us of what we've seemed to have forgotten: that our health is a public good worth protecting.

Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.

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Movies open a window into our collective soul. In Screen Captures: Film in the Age of Emergency (New Star Books, 2021), Stephen Lee Naish guides us through recent cinematic phenomena that reflect/refract our contemporary political existence. Stephen Lee Naish is a writer, independent researcher, and cultural critic. He is the author of several books on film, politics, music, and pop culture. He lives in Kingston, Ontario. He has appeared on the New Books Network three times for previous books: Create of Die: Essays on the Artistry of Dennis Hopper (2016), Deconstructing Dirty Dancing (2017), Riffs and Meaning (2018)

From Star Wars-scope blockbusters and Hollywood coming-of-age comedies to independent horror productions, Naish draws out the ways these movies shape, and are shaped by, their audience's own dissatisfactions. In his discussion of the Star Wars franchise, Naish highlights a conflict between internet discussion-fueled fandom vs the Disney Empire that shares features with the ongoing rebellions depicted in the films themselves. A passionate fan base who can now voice their discontent via the internet is feeding back into the studio's agenda and criticizing the actions of characters within the film and the actors alike. Chapters on the super-heroes genre and disaster movies draw out the climate-based social tensions these reflect. Depictions of masculinity ("Men on the Verge of a Nervous Breakdown") on screens large and small bleed into discussions of the work and presence of Nicholas Cage, David Lynch, and Dennis Hopper -- with a side-excursion into Valerie Solanas's strikingly prescient SCUM Manifesto. Stephen Lee Naish's Screen Captures adds a sharpening filter to the film-goer's experience on the big and little screen.

Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.

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Washington, DC is known as the birthplace of hardcore punk. The raw, innovative, new sound coming out of the nation’s capital in the late 1970s is examined in Shayna Maskell’s Politics as Sound: The Washington, DC, Hardcore Scene, 1978-1983 (U Illinois Press, 2021). Maskell examines the DC hardcore scene between 1978 and 1983, focusing on the bands Bad Brains, Minor Threat, State of Alert (S.OA.), Government Issue (G.I.), and Faith. She explores the culturally, historical, and political impact of DC as the site for the emergence of hardcore punk. A brief history of Washington DC situates the scene in a broader cultural narrative that moves beyond just the music’s aesthetics. Focusing on race, class, and gender in the hardcore scene and specifically on the ways in which the scene embodied and embraced white, middle-class masculinity, Maskell presents the complicated and at times contradictory representations of these signifiers that were born out of hardcore. Maskell uses interviews with participants, albums, and ephemera—zines, posters, flyers—to document and analyze this historical moment. Maskell's work is a strong examination of hardcore and its broader impact in the punk subculture, especially when it intersects with race, class, and gender.

Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.

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With the passing of those who witnessed National Socialism and the Holocaust, the archive matters as never before. However, the material that remains for the work of remembering and commemorating this period of history is determined by both the bureaucratic excesses of the Nazi regime and the attempt to eradicate its victims without trace. Dora Osborne's book What Remains: The Post-Holocaust Archive in German Memory Culture (Camden House, 2020) argues that memory culture in the Berlin Republic is marked by an archival turn that reflects this shift from embodied to externalized, material memory and responds to the particular status of the archive "after Auschwitz." What remains in this late phase of memory culture is the post-Holocaust archive, which at once ensures and haunts the future of Holocaust memory.

Drawing on the thinking of Freud, Derrida, and Georges Didi-Huberman, this book traces the political, ethical, and aesthetic implications of the archival turn in contemporary German memory culture across different media and genres. In its discussion of recent memorials, documentary film and theater, as well as prose narratives, all of which engage with the material legacy of the Nazi past, it argues that the performance of “archive work” is not only crucial to contemporary memory work but also fundamentally challenges it.

Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora.

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