Category: 3-BookTalkDaily

To seek asylum, people often have to cross borders undocumented, embarking on perilous trajectories. Due to the war in Afghanistan, the rule of the Taliban, and severe human rights violations, over the past decades thousands of people have risked their lives to seek safety. By what means do they make these journeys, especially when they lack money and passports?
Over the course of three years, Hannah Pool accompanied a group of Afghan friends and families as they attempted "The Game" - Game zadan: the route to Europe to seek asylum. The resulting ethnography follows them across their entire trajectories: through Iran, Turkey, Greece, and along the so-called Balkan route. In each place, Pool details the economic interactions and social relationships essential for acquiring, saving, borrowing, spending, and exchanging money to facilitate their undocumented migration routes.
The Game: The Economy of Undocumented Migration from Afghanistan to Europe (Oxford UP, 2025) bridges economic sociology and migration studies to illustrate how migrants decide to trust people to facilitate their movement along these routes, focusing particularly on debt, special monies, bribes, donations, and gift-giving. Throughout the migration trajectory, relationships with family, fellow migrants, smugglers, humanitarian actors, and border control officials shape and are shaped by access to financial resources.
Ultimately, the book highlights the dangers in undocumented border-crossing and delves into the core of what it means to flee: Who has the means to escape dangerous conditions to seek asylum?

Hannah Pool is a Senior Researcher at the Max Planck Institute for the Study of Societies.

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Using artworks by Berthe Morisot, Édouard Manet, Claude Monet, Pierre-Auguste Renoir, and others, The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris (Bloomsbury, 2025) by Dr. Justine De Young explores how women and artists in Impressionist Paris (1855-1885) crafted their public images to exploit and resist stereotypes.
French societal expectations and beauty ideals shaped how women were seen and how they chose to present themselves in public – whether on the street, in a photograph, or in a portrait on the walls of the annual Paris Salon. On Paris's broad new boulevards and in its public parks and theaters, women dressed to impress anonymous strangers as well as their friends. They even circulated aspirational photographs of themselves. Looking at a rich array of visual sources – from portraits to modern-life paintings, and from photographs to fashion plates – Dr. De Young reveals how women were seen, how they aspired to be seen, and how they navigated public life in Second Empire and Belle Époque Paris.
This book considers how fashionable feminine “types” made famous in books, caricatures, and paintings created a visual lexicon and stylistic guide for women. Men and women alike relied on these types – cocotte (mistress), jeune veuve (young widow), amazone (independent equestrienne), demoiselle de magasin (shopgirl), and Parisienne (chic Parisian woman) – to judge the class, character, morality, and worth of strangers. With a rich set of illustrations from the Impressionist canon and beyond, The Art of Parisian Chic shows how modern women used fashion and these stereotypes to construct and reinvent their identities.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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The story behind Dr. Gerta Keller’s world-shattering scientific discovery that dinosaur extinction was NOT caused by asteroid impact, but rather by volcanic eruptions on the Indian peninsula, a discovery that highlights today’s existential threat of greenhouse gasses and climate change—and one that sparked an all-out war waged by the scientific establishment.
Part scientific detective story, part personal odyssey, The Last Extinction: The Real Science Behind the Death of the Dinosaurs (Diversion Books, 2025) is the definitive account of a radical theory that has reshaped how we understand our planet’s past and, as we face the possibility of a sixth extinction, how we might survive its future.
For decades, the dominant theory held that an asteroid impact caused the dinosaurs’ extinction. But Princeton Geologist Dr. Gerta Keller followed the evidence to the truth: Deccan volcanism, a series of massive volcanic eruptions in India, triggered a long-term climate catastrophe and Earth’s fifth mass extinction. Her findings upended the field and ignited a bitter feud in modern science—what became known as the “Dinosaur Wars.”
Raised in poverty on a Swiss farm and told she could never be a scientist, Keller defied expectations, earning her PhD at Stanford and battling her way into the highest ranks of Geology, eventually becoming a Professor of Paleontology and Geology at Princeton University. Her refusal to back down in the face of ridicule, sabotage, and sexism makes her story as thrilling as her science, which offers urgent insight into today’s climate crisis: Sustained planetary upheaval—not a single cataclysmic event—can plunge the planet into an age of death.

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Queer Correctives: Discursive Neo-homophobia, Sexuality and Christianity in Singapore (Bloomsbury Academic, 2025) explores Christian discourses of sex and sexuality in Singapore to argue that metanoia, the theological concept of spiritual transformation, can be read as a form of neo-homophobia that coaxes change in the queer individual.

In Singapore, Christian discourses of sex and sexuality have materialised in the form of testimonials that detail the pain and suffering of homosexuality, and how Christianity has been a salve for the tribulations experienced by the storytellers. This book freshly engages with Michel Foucault's posthumous and final volume of The History of Sexuality by revitalising his work on biblical metanoia to understand it as a form of neo-homophobia. Drawing on Foucauldian critical theory and approaches in discourse studies, it shows how language is at the centre of this particular iteration of neo-homophobia, one that no longer finds value in overt expressions of hate and disdain for those with non-normative sexualities, but relies extensively on seemingly neutral calls for change and transformation in personal lives.
Queer Correctives takes Singapore as a case study to examine neo-homophobic phenomena, but its themes of change and transformation embedded in discourse will be relevant for scholars interested in contemporary iterations of Foucault's concepts of discipline and technologies of the self. Together with interview data from religious sexual minorities in Singapore, it captures a burgeoning form of homophobic discursive practices that eludes mainstream criticism to harm through change and transformation.

About Vincent Pak:

Vincent Pak is Assistant Lecturer at The University of Hong Kong. His work is located in the fields of sociocultural linguistics and linguistic anthropology, where he’s interested in matters of gender, sexuality, and race. His monograph, Queer Correctives, considers the emergence of neo-homophobia in Singapore.

About Pavan Mano:

Pavan Mano is Lecturer in Global Cultures in the Department of Interdisciplinary Humanities at King's College London. He works at the intersections of critical & literary theory, politics and culture. His first monograph, Straight Nation (Manchester UP, 2025), interrogates postcolonial nationalism and the governance of sexuality in Singapore.

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