Category: 3-BookTalkSometimeCommentary

Pauline Turner Strong‘s new book American Indians and the American Imaginary: Cultural Representation Across the Centuries (Paradigm Publishers, 2012) traces the representations of Native Americans across various public spheres of the American imaginary. Based on historical and ethnographic research, she documents how representations of Native Americans have circulated through time and into ever-widening cultural domains. In the first section of the book, Strong begins by defining a theory of representational practices that employs an ethnographic approach. She then traces particular forms of representing Native Americans by exploring the concepts of  “tribe” and “Indian blood.” The third section of the book focuses on narratives of captivity on the indigenous/settler frontier, highlighting the significance of captivity narratives to American national identity. The following section features a critical analysis of “playing Indian” as racial mimesis and cultural appropriation, highlighting the ways in which American youth are socialized into practices such as participating in Thanksgiving pageants of Pilgrims and Indians, using tribal names as part of camp activities, and even playing “cowboys and Indians.” The fifth and final section of the book, “Indigenous Imaginaries,” examines the more recent developments in indigenous politics of representation, including contemporary trends in collaborative ethnographic research and writing, and the installation of the National Museum of the American Indian on the National Mall in Washington, DC. Pauline Strong contributes a careful analysis that traces the heritage of colonialist representations of American Indians and considers the ways in which contemporary practices and indigenous projects could begin to pose powerful challenges to these dominant representations in the American imaginary.

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Slate critics Dan Kois, Emily Bazelon, and Katy Waldman discuss Kate Atkinson’s historical novel about a British woman who lives World War II over and over again.

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At this crucial moment in Egypt’s story, this month’s World Book Club talks to one of the country’s great writers, Ahdaf Soueif, about her internationally acclaimed novel The Map of Love.

In her Booker-shortlisted bestseller Soueif weaves together two poignant stories separated by a century of Egyptian history: a love story between aristocratic English Anna Winterbourne and romantic firebrand Sharif al-Baroudi, is set amidst the brutality of British imperialism and the fierce political battles of the Egyptian Nationalists. This tale reaches across time to an account of their descendants negotiating passions and political unrest in late 20th Century Egypt. We hear how Soueif had originally set out to write a ‘tawdry romance’ but hadn’t managed to stop herself writing something much more meaningful and monumental!

Listen to this great Egyptian voice clearly and compellingly explain exactly what has gone wrong in Egypt, in her eyes, over the last decade.

Slate critics Dan Kois, Hanna Rosin, and David Plotz discuss Meg Wolitzer's novel.

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“School was a place that devalued who we are as Indigenous people,” says Noelani Goodyear-Kapua. These were institutions — at least since white settlers deposed the Indigenous government in the late 19th century — that Native students “tolerated and survived…experienced more as a carceral space than a place of learning.”

So she and her community decided to start their own.

Founded in 1999, the HKM Public Charter School in Honolulu enacts a host of educational practices that Goodyear-Kapua labels “sovereign pedagogies.” From the “land-based literacies” of their Papa Lo’i agricultural project to Olelo language classes, HKM signaled a “radical departure from the fences, walls, and bell schedules that kept young people cut off from their ‘aina and other storehouses of ancestral knowledge.”

Now an associate professor of political science at the University of Hawai’i at Manoa,Goodyear-Kapua tells the inspiring story of HKM in The Seeds We Planted: Portraits of a Native Hawaiian Charter School (University of Minnesota Press, 2013). No simple tale of triumph, Goodyear-Kapua explores the tensions and contradictions of fostering sovereign education in a settler colonial context and appropriating elements of the neocolonial/neoliberal charter school movement for anti-colonial ends.

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World Book Club’s Harriett Gilbert talks to the acclaimed Indian writer Amit Chaudhuri, in front of a multi-national audience and listeners around the world at the Nehru Centre in London. Chaudhuri will discuss his novel The Immortals, which is about the place of Indian classical music in the modern world.

Set in the heart of the world of the Bombay middle class, it tells the story of three very different classical-musicians whose lives thread in and out of each other in 1970s and 80s Bombay.

The city itself is on a roll -- expanding, growing ever richer and more glittery -- and the novel's main characters are variously jostled by the changes taking place around them. But they're also struggling with such matters as the place of musical tradition in the modern world, and the need to earn a living while pursuing an artistic vocation. Amit Chaudhuri himself is a musician as well as author and he talks about how contemporary Indian classical music is currently in a moribund state, as it takes a great deal of commitment to be successful.

And in a novel filled with strong and lively characters, Amit explains how difficult he finds it to write characters, and how in his work as a teacher of creative writing, he finds characterisation impossible to teach.

Hear him also read three extracts from The Immortals and take calls from listeners in Delhi and Pennsylvania who will bring their own international perspective to the story.

Slate critics Dan Kois and David Haglund discuss George Saunders’ celebrated collection of short stories.

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With the current global release of the film of Pakistani writer Mohsin Hamid’s much garlanded novel The Reluctant Fundamentalist, another chance to hear the writer talking about his tense and provocative thriller.

Through the eyes of the young, worldly-wise Pakistani, Changez, in conversation with a mysterious American stranger in a café in Lahore, this brief, gripping novel tells of a love affair with America that goes dangerously wrong and tackles the ever more relevant and complex issues of Islamic fundamentalism and America’s ‘war on terror’ with sympathy and balance.

So, go see the film, or better still read the book – and then tune in to World Book Club with Mohsin Hamid and Harriett Gilbert, to see what readers around the world made of The Reluctant Fundamentalist.

(Image: Mohsin Hamid, author)

The suspension of the so-called “Indian Wars” did not signal colonialism’s end, only a different battlefield. “The calvary man was supplanted–or, rather, supplemented–by the field matron, the Hotchkiss by the transit, and the prison by the school,” writes Beth H. Piatote. “A turn to the domestic front, even as the last shots at Wounded Knee echoed in America’s collective ear, marked not the end of conquest but rather its renewal.”

Yet the domestic space was not only a target of invasion; it was also a site of resistance, a fertile ground for Native authors to define what counted as love, home, and kin in an era of coercive assimilation. In Domestic Subjects: Gender, Citizenship, and Law in Native American Literature (Yale University Press, 2013), Piatote brilliantly reads the work of late nineteenth century writers like Pauline Johnson, S. Alice Callahan, D’arcy McNickle and others as a contest over settler domestication. Piatote offers an eloquent exploration of incredible courage and literary acumen, with resonance in our own political moment.

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This month a very special edition of World Book Club coming from New York City in the USA.

We’re partnering up with the acclaimed Leonard Lopate Show’s Book Club on the New York radio station WNYC. In advance of the much anticipated film about to open worldwide we’ve come here to discuss that classic novel of The Roaring Twenties, The Great Gatsby. And who better to talk to about it than chronicler of today’s New York young urban sophisticates, novelist Jay McInerney. He is joined on stage by F Scott Fitzgerald scholar Anne Margaret Daniel and together we discuss the haunting tale of dazzling, doomed Jay Gatsby as told to through the eyes of young Midwesterner Nick Carraway.

Jay McInerney photo by David Howell.