Category: 3-MusicSometimeTalk

Death Cab for Cutie released Kintsugi, their 8th album, on March 31, 2015. The song El Dorado, like other songs on the record, was written in the wake of the divorce between the band's lead singer Ben Gibbard and actress Zooey Deschanel. In this episode, Ben talks about the metaphor of the city of El Dorado and how it fit the story he wanted to tell, about separation, unrealized dreams, and Culver City. Plus, he explains how a few pieces of equipment - a Fender Mustang, a Rhythm Master drum machine, and the VoiceLive unit - ended up shaping the creative process.

This episode is sponsored by Hover, Frank and Oak, and Lagunitas Brewing Company.

Sylvan Esso has two members, Amelia Meath and Nick Sanborn, who met while they were both working on other projects. Amelia asked Nick to do a remix of a song by the band she was in at the time, and when that remix was done, they both loved how it turned out. They emailed song ideas back and forth for a while, until they found a time to be in the same place. It was at that point that they first started working on the song, "Coffee." In this episode, Nick and Amelia talk about the origins of the sounds and lyrics within the song, from a Little Tikes xylophone to "Hanky Panky" by Tommy James and the Shondells.

10 Cedarwood Road is the address of Bono’s childhood home in Dublin. For the U2 song "Cedarwood Road," Bono looked back to his life there as a teenager, when skinhead culture seeped into his neighborhood via the Seven Towers, housing projects that were built around that time. In this episode, Bono traces the arc from those memories to the lyrics of "Cedarwood Road," and The Edge breaks down the process of how the music was written, with the original demo and the isolated tracks from the final recording.

Will Butler is a member of the band Arcade Fire, and he co-wrote the score for the film Her, which earned him an Oscar nomination. In March 2015, he put out his first solo album, Policy, and in this episode, he breaks down the song "Anna" from that record.

Game of Thrones premiered on HBO in April 2011 and became the most watched show in HBO's history. The main title theme was written by Emmy-nominated composer Ramin Djawadi. In this episode, he'll break down the different elements in the piece, and how themes within the show inspired his composition and choice of instruments.

The title card for Avengers: Age of Ultron comes up twelve minutes into the movie. Against a black background, the Avengers logo takes up almost the entire screen. You might expect a triumphant, heroic piece of music, but the film called for something more complicated. Coming up, you'll hear why, and how composer Brian Tyler tackled that piece of score, in his third feature for Marvel Studios. It was recorded at Abbey Road Studios with the London Philharmonic, with Brian himself conducting.

In this episode, Merrill Garbus of tUnE-yArDs breaks down "Water Fountain." It's a song that draws inspiration from the politics of drought and dancehall reggae, and you'll hear how (and why) she tried to make this song less catchy. Despite that effort, in 2014 the tUnE-yArDs album Nikki Nack climbed the Billboard Charts and got widespread critical praise.

Jim James is the lead singer of the Grammy-nominated band My Morning Jacket. Since starting in 1998, they've put out six albums, and in this episode, Jim breaks down the song Spring (Among The Living), from their soon-to-be released seventh album, The Waterfall.

Over the past five years, Chaz Bundick, aka Toro y Moi, has made music that's spanned a range of genres and styles. On his newest album, What For?, he shifted styles again. In this episode, Chaz explains why. He'll break down the song Half Dome, named after a landmark in Yosemite National Park that's a popular hike, but also a difficult one.

RJD2 has been making music since 2002. His song "A Beautiful Mine" was turned into the opening credits music for Mad Men. He's a producer and beatmaker, but also a singer and songwriter. But for the vocals on the song "Games You Can Win," he tapped Kenna, a Grammy-nominee whom Malcolm Gladwell wrote about in Blink. In this episode, you’ll get to hear the parts that make up the track, as well as the unreleased demo vocals that RJ originally recorded himself.