In the midst of the #MeToo movement in 2017, Claire Dederer posed a difficult question in The Paris Review: "What Do We Do With the Art of Monstrous Men?" From that viral essay comes her new book, Monsters, which examines how we morally engage with – or don't – musicians, authors and actors whose work we love, when we condemn their personal actions. In today's episode, Dederer tells NPR's Ayesha Rascoe how this question first arose for her around Roman Polanski movies, and how complex and personal it is to try to separate the art from the artist.
Johannes Vermeer's 1664 masterpiece "The Concert" was stolen from the Isabella Stewart Gardner Museum in 1990. That real - still unsolved - case is at the heart of Daniel Silva's new thriller, The Collector. Despite his initial reluctance, art restorer and former Israeli intelligence officer Gabriel Allon is enlisted to hunt down the painting, along with an unexpected collaborator. In today's episode, Silva speaks with NPR's Scott Simon about his distaste for art theft and his reasons for turning villains into protagonists.
Today's episode is all about young readers and the ways they interact with complicated emotions. First, NPR's Julie Depenbrock speaks with Jon Klassen about his new book, The Skull, inspired by a folk tale about a little girl who runs away from home. She befriends the skull and they form a close bond despite the strangeness of the situation. Then, NPR's Miles Parks talks with author Kevin Johnson and illustrator Kitt Thomas about their new book, Cape, which chronicles a young boy's first experience with grief.
Aurora James is the designer behind the fashion brand Brother Vellies and the 15% pledge, an initiative that encourages major retailers to stock more work by Black-owned businesses on their shelves. In her new memoir, Wildflower, she describes the complicated upbringing that led her to her current work as a creative and activist. In today's episode, she tells NPR's Michel Martin why it was so important for her to work with African artisans and the misconceptions and biases she hopes to break down in the world of high fashion.
In their new book, Nobody's Fool, psychology professor Daniel Simons and cognitive scientist Christopher Chabris make the case that people don't just fall for scams because they're gullible. The way our brains work – the way they reason and trust – can often lead us to believe a piece of misinformation or to click on a phishing scam. In today's episode, the authors explain to NPR's Sacha Pfeiffer why truth bias and familiarity can work against us, but that skepticism and fact-checking can help us fight back.
In today's episode, author Nishanth Injam tells NPR's Sacha Pfeiffer that when he first arrived in the U.S. from India, he wondered if he'd made a huge mistake. That tension he grappled with is now at the heart of his debut collection of short stories, The Best Possible Experiences, which chronicles the expansive ups and downs of being an immigrant, both at home and in a new place.
The new novel The Rachel Incident is rooted around a wonderful, messy friendship. Rachel and James live together, party, and get themselves into a peculiar situation with an older married couple. In today's episode, author Caroline O'Donoghue speaks with NPR's Miles Parks about how abortion and sexual repression in Irish society play a large role in Rachel's early adulthood. O'Donoghue also shares why it was important to her that the novel be told from an older Rachel's perspective, reflecting on her youth.
This show is a proud member of Radiotopia from PRX.
This episode was originally released in November, 2015.
Music
* Under the credits is Harlaamstrat 74 off of John Dankworth’s Modesty Blaise score.
* They first meet to a piece called Brouillard (version 1) from Georges Delaure’s extraordinary score to Jules et Jim. (A second version comes in later when J.J. Audubon is living the high life in England).
* We also hear Waltz by Mother Falcon.
* I go back to the Marcelo Zarvos/Please Give well when the Scotsman arrives at their store. Note: it’s the go-to soundtrack for “People Arriving at One’s Store With A Life Changing Proposition” here at the Memory Palace. Also: go watch Please Give.
* The little piano piece is from Nathan Johnson’s score to The Day I Saw Your Heart.
* Lucy and John titter like plovers to Andrew Cyrille’s dope, skittering drums on Nuba 1.
* The especially sad bit, right before the end is Dream 3 (in the Midst of my Life), from Max Richter’s giant, From Sleep album.
* A couple times, including the ending, we hear “the Lark Ascending” from Ralph Vaughn Willliams. It is beautiful. You should buy it.
Notes
As per usual, I read a lot about the Audubons and the Bakewells.
I relied most upon the charming and smart, On the Road with John James Audubon by Mary Durant, and Carolyn DeLatte’s lovely, thoughtful book, Lucy Audubon: a Biography.
* Just a quick note: there’s a very enjoyable PBS/American Masters/Nature documentary about Audubon. It’s a fun and informative watch. But, I’ll say, you come out of that thinking that things were fundamentally swell between Lucy and John in a way that I’m not entirely sure is supported by the facts. Or jibes with, you know, human nature.
