Reset looks into how restaurant owners and chefs are reacting to their businesses being closed during the coronavirus pandemic.
GUESTS: Jason Hammel, chef and owner of Lula Cafe in Chicago
Victor Love, owner of Josephine’s Southern Cooking
Consider This from NPR - The Cost Of Social Distancing
How do officials weigh the economic cost against the public health benefit? Plus a report from the hardest-hit area of Italy, and a sampling of free things that you had to pay for before the coronavirus.
Planet Money's episode 'How To Save The Economy Now' is here.
Here's a list of things that weren't free before the coronavirus from NPR's Brakkton Booker.
Email the show at coronavirusdaily@npr.org.
This episode was recorded and published as part of this podcast's former 'Coronavirus Daily' format.
Learn more about sponsor message choices: podcastchoices.com/adchoices
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Planet Money's episode 'How To Save The Economy Now' is here.
Here's a list of things that weren't free before the coronavirus from NPR's Brakkton Booker.
Email the show at coronavirusdaily@npr.org.
This episode was recorded and published as part of this podcast's former 'Coronavirus Daily' format.
Learn more about sponsor message choices: podcastchoices.com/adchoices
NPR Privacy Policy
Pod Save America - “Slush Fund Baby.”
Trump refuses to force the production of life-saving medical equipment, Democrats fight to eliminate a corporate slush fund from Mitch McConnell’s stimulus bill, and the coronavirus pandemic upends the 2020 campaign. Then, health care workers share stories about how they’re grappling with this crisis.
Crooked has started a Coronavirus Relief Fund for organizations supporting food banks, health care workers, restaurant workers, seniors, kids who depend on school lunches, and others in need. Donate: crooked.com/coronavirus
We played clips from listeners around the country in today’s episode about how they’ve been affected by the coronavirus pandemic. if you’d like to share your story, send a voice note or video to 323 405-9944.
A History of Rock Music in 500 Songs - Episode 75: “There Goes My Baby” by the Drifters
Episode seventy-five of A History of Rock Music in Five Hundred Songs looks at “There Goes My Baby” by the Drifters, and how a fake record label, a band sacked for drunkenness, and a kettledrum player who couldn’t play led to a genre-defining hit. Click the full post to read liner notes, links to more information, and a transcript of the episode.
Patreon backers also have a ten-minute bonus episode available, on “Rebel Rouser” by Duane Eddy
Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/
CoinDesk Podcast Network - BREAKDOWN: Unlimited QE and Why Markets Can’t Price in COVID-19
Last October, Ikigai Asset Management’s Travis Kling predicted that Central Banks would have to “juice QE to infinity” in order to save markets from recession. Yesterday on 60 Minutes, Fed President Neel Kashkari said “there is an infinite amount of cash at the Federal Reserve. We will do whatever we need to do to make sure there is enough cash in the financial system.”
This was followed this morning by an announcement that the Fed was giving itself effectively unlimited capacity to intervene in markets. Markets were...still not impressed. In less than two hours, an initial gain had entirely retraced.
On this episode of The Breakdown, @NLW looks at:
- Specifics details of the Fed Announcement
- Why FinTwit and Bitcoin Twitter are focusing on inflation
- Why some think that this action amounts to a nationalization of markets
- How the ‘money printer go brrr’ meme is taking hold
See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Cato Daily Podcast - Foes of Suspicionless Surveillance Score a Small Win
Amendments will finally be offered to the broad federal surveillance powers granted by Congress. Patrick Eddington discusses what that means for liberty and privacy.
Hosted on Acast. See acast.com/privacy for more information.
Cato Daily Podcast - Foes of Suspicionless Surveillance Score a Small Win
Amendments will finally be offered to the broad federal surveillance powers granted by Congress. Patrick Eddington discusses what that means for liberty and privacy.
Hosted on Acast. See acast.com/privacy for more information.
You're Wrong About - D.C. Snipers Part 4
In the final chapter of our series on the D.C. sniper attacks, Mike finally tells Sarah about the D.C. sniper attacks. Digressions include “The Abyss,” Ed Rooney and Jack the Ripper. We begin the episode with an update on our quarantine plans. Sarah misremembers the name of the TV show she was on.
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Sarah's other show, Why Are Dads
Mike's other show, Maintenance Phase
Start the Week - Famous and Infamous
We think of our era as the age of celebrity. Billions of people follow the daily antics of the Kardashian family or the latest pop superstar. But celebrity obsession is centuries old, argues Horrible Histories writer Greg Jenner. He tells Tom Sutcliffe why we are captivated by famous - and infamous - figures, from the scandalous Lord Byron to the unwitting civilians who are hounded by paparazzi today.
The Italian Renaissance gave us the world's most famous images: the Mona Lisa, Botticelli's Venus and Michelangelo's David. But Catherine Fletcher argues that this era was far stranger, darker and more violent than we may realise. The real Mona Lisa was married to a slave-trader, and Leonardo da Vinci was revered for his weapon designs.
The artist Aubrey Beardsley shocked and delighted Victorian London with his drawings. A new exhibition at the Tate Britain, curated by Caroline Corbeau-Parsons, shows the range of Beardsley's black-and-white images. Some are magical, humorous, some sexual and grotesque; and together they helped Beardsley become so astonishingly famous that the 1890s were dubbed the 'Beardsley era', before he fell from grace, tainted by association with Oscar Wilde.
Producer: Hannah Sander
Start the Week - Famous and Infamous
We think of our era as the age of celebrity. Billions of people follow the daily antics of the Kardashian family or the latest pop superstar. But celebrity obsession is centuries old, argues Horrible Histories writer Greg Jenner. He tells Tom Sutcliffe why we are captivated by famous - and infamous - figures, from the scandalous Lord Byron to the unwitting civilians who are hounded by paparazzi today.
The Italian Renaissance gave us the world's most famous images: the Mona Lisa, Botticelli's Venus and Michelangelo's David. But Catherine Fletcher argues that this era was far stranger, darker and more violent than we may realise. The real Mona Lisa was married to a slave-trader, and Leonardo da Vinci was revered for his weapon designs.
The artist Aubrey Beardsley shocked and delighted Victorian London with his drawings. A new exhibition at the Tate Britain, curated by Caroline Corbeau-Parsons, shows the range of Beardsley's black-and-white images. Some are magical, humorous, some sexual and grotesque; and together they helped Beardsley become so astonishingly famous that the 1890s were dubbed the 'Beardsley era', before he fell from grace, tainted by association with Oscar Wilde.
Producer: Hannah Sander