There is a constant free market competition to define the Bitcoin narrative, and Kraken’s Dan Held argues this is part of what makes the protocol so strong.
Satoshi Nakamoto is often recognized for his technical genius in solving the double-spending problem. He is also widely revered for his willingness to walk away from the protocol to make it stronger, something no other entrepreneur who has created anything on the scale of Bitcoin has ever done.
What people discuss less often is Satoshi’s marketing instincts. In this illuminating conversation, serial bitcoin entrepreneur Dan Held argues:
Satoshi had strong instincts about how price would drive bitcoin adoption
The bitcoin white paper document was a marketing pitch aimed specifically at the cypherpunks
The competition between bitcoin narratives is something that gives the protocol strength
The competition to shape bitcoin's narrative is truly free and open to all
The Netflix original series Dark debuted in December 2017. It’s a really mysterious, mind-bending German science fiction show with a unique tone. A big part of that tone is announced every episode with the music in the show’s opening title sequence. It’s the song “Goodbye,” by German electronic artist Apparat, the solo project of Sascha Ring. This song actually came out years ago, on the 2011 Apparat album The Devil’s Walk. Since then, before it was used as the theme song for Dark, it’s been featured in a bunch of films and commercials, and notably, in the Season 4 finale of Breaking Bad. The final season of Dark just came out last week, so I wanted to find out how the show’s theme music was made. “Goodbye” features vocals from Anja Plaschg, an Austrian artist who makes music under the name Soap&Skin. In this episode, Sascha and Anja break down how the song was created.
While democracy isn't always predictable, one thing's for sure -- no matter who wins an election, for any party, in any country, some part of the population will claim the game is rigged. That's what happened in Mexico in 1988, when Carlos Salinas de Gortari became president in a hotly-disputed election. For years rumors circulated about the illegal actions that led to this outcome, an opposition parties often accused Gortari's party of rigging the vote. And, in 2004, another person stepped forward to confirm the election was rigged. This wasn't a fringe journalist, either -- it was former President of Mexico Miguel de la Madrid, Gortari's predecessor, who had worked to ensure his chosen candidate 'won' the vote. Tune in to learn more about this strange story ... and what makes it so important today.
COVID-19 cases and deaths spike in the US. States and communities take action to keep the virus in check this July 4th holiday. Funding for cops -- cut in New York City. Correspondent Steve Kathan has the CBS World News Roundup for Wednesday, July 1, 2020.
A sweeping new national-security law deeply undermines Beijing’s “one country, two systems” approach in the territory; under it, arrests have already been made. What next for Hong Kong’s activists and its businesses? Malawi’s overturned election is a ray of hope that democracy can survive both incumbents’ strongman tactics and covid-19. And the varied successes of pro- and anti-Trump tell-all books.
Athleisure icon Lululemon splurges $500M to acquire Peloton-ish in-home workout startup Mirror. Fresh off its acquisition breakup with Grubhub, Uber is looking to rebound with Postmates instead. And Netflix will stream $100M of its cash into black community banks to fix the bank desert hole in the financial system. $LULU $UBER $NFLX
Here’s a Robinhood Learn article, authored by Nick and Jack (What is an ETF): https://bit.ly/3gfhd48
Here’s Robinhood’s Newsfeed, accessible if you download the Robinhood app and set up an account: Snackspodcast.robinhood.com
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Colorado has one of the highest rates of officer involved shootings in the country. After looking at the data, reporters from Colorado Public Radio found that the problem is exacerbated by a complex mix of meth addiction, illegal firearms, and car theft.
Guest: Allison Sherry, Reporter for Colorado Public Radio
“I grew up in this country,” says Gurminder K Bhambra, a professor at the University of Sussex’s School of Global Studies, “and [yet] I always thought I was an immigrant. School told me I was an immigrant; the media told me I was immigrant; everything around me was that I was immigrant. When the Brexit debates were happening, I was talking to my dad about this. He keeps things, so he pulled out his old passports, my grandparents’ old passports, and all the passports were British.”
“So I’ve always been a British citizen, my parents have always been British citizens, and my grandparents have always been British citizens – not because we lived in Britain, but we lived in those parts of the world that were the British Empire at the time. Britain came to us, incorporated us within its polity, within its understanding. We were seen to be British, and yet when we traveled within the imperial polity and ended up in Britain, somehow we became migrants.”
This account and its summary – “people constructed their Britishness in opposition to me, as opposed to inclusive of me” – encapsulates Bhambra’s academic field: postcolonial and decolonial studies. In this Social Science Bites podcast, she discusses with interviewer David Edmonds why we should speak about the Haitian revolution in the same breath as the contemporaneous American and French revolutions, how former empires conveniently forget the contributions of their colonies now that those empires have downgraded to mere ‘nations,’ and what lessons we should draw from the current iconoclastic impulse toward imperial statuary. (Bhambra says she’s less focused on statues themselves than in “the histories that are embodied within them, and the extent to which people know and understand those histories and what it means for us, in the public sphere, to be defined by them.”)
Their talk begins with a quick primer of the origin of the complementary fields of post-colonialism and decoloniality. Each examines the legacy and lasting effects of European colonialism, but use different times and places as their starting points.
Postcolonialism emerged after the publication of its “keystone text” - Edward Said’s Orientalism – in 1978. “I don’t think Said necessarily thought that he was setting out to create a field when he wrote this book,” Bhambra explains. “But it was so influential – initially within English literature but then the humanities more generally – that it built up a body of scholarship in its wake that came to be understood as post-colonial studies.”
Initially, postcolonialism was interested in the interplay between the Middle East and South Asia and of Europe, generally starting around the 19th century.
Decoloniality, in contrast, initially explored Europe and Latin America and the Caribbean beginning with Columbus encountering the Americas.
As these fields expanded throughout the humanities and into areas such as historical sociology, scholars sought “what the place of the colonial was within their disciplines, find it missing, and seek to explain that absence.”
One absence that Bhambra herself explored in her own studies and her book Rethinking Modernity: Postcolonialism and the Sociological Imagination is how ‘the modern’ came to be seen as the province of Europe (and its North American domains) and their three revolutions, the American, French and Industrial. Her research quickly showed here that while sociologists might disagree on some particulars, they fully agreed that the modern world began with a dramatic break “between a pre-modern agrarian past and a modern industrial present, and that that temporal rupture could be located spatially within Europe, and that Europe (and North America is often encapsulated within this) marked a cultural separation from the rest of the world.”
That historical take is, she argues, a distortion. Modernity wasn’t manufactured in Manchester or drafted in a salon in Paris; it arose from existing colonial connections. “Modernity isn’t something that emerges endogenously and autonomously within Europe, from which it then spreads around the world. There were already global connections, and those connections were through processes of colonization, enslavement, imperialism, and so on. Those processes are the condition for things that we call modernity.”
The bill for that modernity, she adds, has yet to be paid in full.
“There is no institution in Britain or France to which colonial wealth has not contributed ... anybody who has an historical connection to the empire has a right to the wealth and benefits of what is now the nation.”
The UK has suffered one of the worst outbreaks of coronavirus anywhere in the world. We?ve been tracking and analysing the numbers for the last 14 weeks, and in the last programme of this More or Less series, we look back through the events of March 2020 to ask why things went so wrong - was it bad decision-making, bad advice, or bad luck?