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Welcome to Life Raft! We’re your survival guide for a changing planet.
If you’re like us, climate change leaves you with a lot of questions, and they’re not about the rate of ocean warming — they’re about practical things that affect our everyday lives.
Each episode explores a different question about climate change, submitted by a real person.
“How can I reduce flooding in my neighborhood?”
“Have I had my last good oyster?”
Hosts Lauren Malara and Travis Lux talk to scientists, oyster shuckers, tree planters, and a whole host of other people who are asking big questions and working on solutions. And they do it all with a little bit of levity.
In other words: climate change is scary, but Life Raft is not.
Episodes come out every two weeks. First up: extreme heat.
Follow us on Instagram, Facebook, and Twitter: @liferaftpod.
Got a climate question for us to tackle? We want to hear from you! Submit yours through our website.
Support for WWNO’s Coastal Desk comes from the Greater New Orleans Foundation, the Walton Family Foundation, and listeners like you.
If you like what you hear from Life Raft, consider making a donation to WRKF and WWNO to help keep the show going!
Amanda Holmes reads Elizabeth Bishops’s last poem, “Sonnet.” Have a suggestion for a poem by a (dead) writer? Email us: podcast@theamericanscholar.org. If we select your entry, you’ll win a copy of a poetry collection edited by David Lehman.
This episode was produced by Stephanie Bastek and features the song “Canvasback” by Chad Crouch.
See acast.com/privacy for privacy and opt-out information.
The Memory Palace is a proud member of Radiotopia from PRX.
A note on notes: We’d much rather you just went into each episode of The Memory Palace cold. And just let the story take you where it well. So, we don’t suggest looking into the show notes first.
Music
As Old Roads by Goldmund
Wake by Taylor Duepree and Marcus Fischer
Sedentary II by Kyle Bobby Dunn
Talk to the Church by Gaussian Curve
Notes
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In this extra-special, extra-long episode we explore T.S. Eliot’s famous love song.
This poem continues with the horror theme and begins with an epigraph, or six-line quotation, in the original Italian from Canto 27 of Dante’s Inferno. References to Dante pop-up a lot in Eliot’s work.
The epigraph hints that the poem that follows is about to describe some type of hell.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Learn more about your ad choices. Visit megaphone.fm/adchoices
Learn more about your ad choices. Visit megaphone.fm/adchoices