The final push with one last day to campaign. President Trump hits he'll fire Dr. Fauci. Johnny Depp loses his libel case. CBS News Correspondent Steve Kathan has today's World News Roundup.
The Camino de Santiago is one of the most significant and popular pilgrimage routes in the World. For over 1,000 years pilgrims have traveled to the tomb of St. James in Santiago de Compostela, Spain. Some do it for religious reasons and some just to have an adventure.
Today, hundreds of thousands of pilgrims still make the journey every year.
Learn more about the Camino de Santiago, aka Way of Saint James, on this episode of Everything Everywhere Daily.
Prime Minister Boris Johnson all but ruled out a second lockdown, but his hand has been forced by England’s caseload. What are the political costs of his U-turn? Myanmar’s coming election will almost certainly be marred by disinformation on Facebook—principally because so many Burmese people get their only news there. And examining the current glut of political biographies.
There’s an intuitive attraction to the idea that if we could just spend some quality time with someone from another group, we’d both come to appreciate, and maybe even like, the other person and perhaps even their group. Enormously simplified, that’s the basis of contact theory, which Gordon Allport posited in the 1950s as the United States grappled with desegregating its public schools.
If differing groups could be brought together cooperatively – not competitively – in a manner endorsed by both groups and where each side met on an equal footing, perhaps we could, as Salma Mousa puts it in this Social Science Bites podcast, “unlock tolerance on both sides and reduce prejudice.”
Mousa, currently a postdoctoral research fellow at Stanford University’s Department of Political Science, tells interviewer David Edmonds that since Allport’s heyday, “We have [had] a lot of studies about contact, but we need experimental tests of contact.” She’s been working to address that need, sometimes using the football pitch as a field site, with work that’s caught both the public and the scientific imagination.
One experiment she was part of examined the incidence of hate crimes once Mohamed “Mo” Salah, the talented Egyptian soccer star, signed with Liverpool Football Club. The results were heartening; Merseyside, where the club is located, experienced a 16 percent drop in hate crimes while anti-Muslim tweets from Liverpool’s fans dropped to half the number compared to fans of other Premier League clubs.
In this interview, Mousa details another experiment involving football and otherness, albeit an experiment made under harsher conditions: “We set out to learn if positive, social contact across social lines can reduce prejudice, can build friendships, can overall improve relationships between groups even in postwar settings, like Iraq.”
The experiment was conducted along the faultlines of northern Iraq where there’s a Kurdish enclave. Working with a Christian community organization which was helping Christians and Muslims displaced by ISIS, the researchers recruited Christian amateur soccer players for a football league. They then added three or four players to each team, randomly adding either all Muslims or all Christians as the newcomers, and tracked player attitudes and actions on the field and off for a half year after the season ended.
Amid some “really profound friendships” that formed, survey results and observed behavior showed that the Christian players came to be much more accepting and welcoming of their Muslim teammates. But that warming did not make the leap to their attitudes towards Muslims in general, suggesting some underlying prejudices remained in place.
While her promising findings nonetheless were not the “home run” people of good will would have liked, the research earned the cover of the journal Science, and left Mousa feeling optimistic about further possibilities of contact theory. Given the difficult context of postwar Iraq and subjects scarred by their flight from ISIS, “to find some evidence that these guys actually became friends and we changed something in these communities, I think is positive, especially given that these communities are persecuted and highly distrustful.”
Fostering tolerance and eroding prejudice, especially in the Middle East, matters personally to Mousa, an Egyptian-Canadian who grew up in Saudi Arabia, the United Arab Emirates, Qatar and Canada. She’s focused on helping “fix” the region’s ethnic and religious divides: “I think of myself as an engineer but with a social science background.”
Mousa has held fellowships at the U.S. Institute of Peace, Stanford’s Immigration Policy Lab, the Freeman Spogli Institute, the Stanford Center for International Conflict and Negotiation, the McCoy Center for Ethics in Society, and the Stanford Center on Philanthropy and Civil Society. Her work has been supported by the Abdul Latif Jameel Poverty Action Lab, the Innovations for Poverty Action Lab, the King Center on Global Development, the Institute for Research in the Social Sciences, the Program on Governance and Local Development, and the Abbasi Program in Islamic Studies.
This week, Diana leaves the royal family with her reputation intact and her title slightly edited. Digressions include "Love Actually," "Pride and Prejudice" and Marie Antoinette. Both co-hosts reveal their staunch affirmative stance on wine moms. Unfortunately, this episode includes descriptions of self-harm.
We’re breaking down the stocks most affected by a potential Biden presidency and a potential Trump second term (now go vote). Pinterest shares popped as we noticed the rise of the Pin Dude. And Spotify and Netflix plan to hike prices because of media’s willingness-to-pay moment.
$PINS $SPOT $NFLX
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With just one day to go and several hundred lawsuits around the election still swirling about, which legal cases are raising major red flags? And how could they impact not just the 2020 election, but elections going forward?
Leah, Melissa, and Kate take a virtual road trip to UVA Law to dish on the upcoming November sitting with the hosts of the Common Law podcast, Dean Risa Goluboff and Professor Leslie Kendrick.
Get tickets for STRICT SCRUTINY LIVE – The Bad Decisions Tour 2025!
The Latin scholar Shadi Bartsch has written a new translation of Virgil’s The Aeneid. She tells Kirsty Wark how this timeless epic about the legendary ancestor of a Roman emperor has been constantly invoked and reinterpreted over its two thousand year history. She argues that this poem still has much to say to contemporary readers about gender, politics, religion, morality, nationalism and love.
It was while arguing about the merits of the Aeneid’s tragic queen, Dido of Carthage, that the classicist Natalie Haynes decided it was time to rescue the women in ancient myths. Centuries of male interpretations, she argues, has led to the demonization and dismissal of the likes of Medusa, Phaedra and Medea. In Pandora’s Jar: Women in Greek Myths she goes back to the original stories, reinstating the more complex roles given to these women in antiquity.
In the 17th-century the Italian painter Artemisia Gentileschi drew inspiration from the women in ancient myths, allegories and the Bible, as seen in a new exhibition of her work at the National Gallery in London. The curator, Letizia Treves, says that Gentileschi challenged conventions and defied expectations, painting subjects that were traditionally the preserve of male artists, and transforming the meek into warriors.
The Latin scholar Shadi Bartsch has written a new translation of Virgil’s The Aeneid. She tells Kirsty Wark how this timeless epic about the legendary ancestor of a Roman emperor has been constantly invoked and reinterpreted over its two thousand year history. She argues that this poem still has much to say to contemporary readers about gender, politics, religion, morality, nationalism and love.
It was while arguing about the merits of the Aeneid’s tragic queen, Dido of Carthage, that the classicist Natalie Haynes decided it was time to rescue the women in ancient myths. Centuries of male interpretations, she argues, has led to the demonization and dismissal of the likes of Medusa, Phaedra and Medea. In Pandora’s Jar: Women in Greek Myths she goes back to the original stories, reinstating the more complex roles given to these women in antiquity.
In the 17th-century the Italian painter Artemisia Gentileschi drew inspiration from the women in ancient myths, allegories and the Bible, as seen in a new exhibition of her work at the National Gallery in London. The curator, Letizia Treves, says that Gentileschi challenged conventions and defied expectations, painting subjects that were traditionally the preserve of male artists, and transforming the meek into warriors.