By Zoe Caldwell
Social Science Bites - Michèle Lamont on Stigma
The study of stigma, , says Michèle Lamont, is a “booming field.” That assessment can be both sad and hopeful, and in this Social Science Bites podcast the Harvard sociologist explains stigma’s manifestations and ways to combat it, as well as what it takes for a researcher to actually study stigma.
Lamont defines stigma “as the negative characterization of any social attribute,” and offers examples such as mental illness, social status, or obesity as conditions routinely stigmatized. And while stigma can attach itself to an individual or to a group, stigma requires intersubjective agreement for it to function.
As that intersubjectivity would suggest, the specifics of stigma varies by culture, a point brought home by Lamont’s own research among stigmatized groups in the United States, Brazil, Israel (and which saw her 2016 co-authored book Getting Respect: Responding to Stigma and Discrimination in the United States, Brazil, and Israel). The work involved more than 400 interviews, conducted by members of the stigmatized groups, in the three countries, and Lamont offers insights into how stigma plays out.
The project paid people $20 in the U.S. to be interviewed, but the Brazilian team said Brazilians would be insulted if they were offered money to participate. In Israel, Palestinians being surveyed didn’t trust Tel Aviv University, so that created obstacles even though the team members were themselves Palestinian
Lamont cites the work of Erving Goffman, who studied this experience of having a negative mark. (See this earlier Social Science Bites podcast for a look at Goffman’s legacy.) One key concept is that of “front stage” and “back stage,” where someone manages their life in a public way (the domain of stigma) but also in a private way.
Lamont, professor of sociology and of African and African American studies and the Robert I. Goldman Professor of European Studies at Harvard, directs the Weatherhead Center for International Affairs. She was president of the American Sociological Association in 2016-17 and chaired the Council for European Studies from 2006-09.
She received a John Simon Guggenheim Fellowship in 1996, a Gutenberg research award in 2014, the 2017 Erasmus Prize, and an Andrew Carnegie Fellowship for 2019-21.
To download an MP3 of this podcast, right-click HERE and save.
The Commentary Magazine Podcast - The Good Vaccine News and the Bad Governor
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Reset with Sasha-Ann Simons - Dr. Mia Taormina Answers Your COVID-19 Questions
CBS News Roundup - World News Roundup: 03/01
Newly approved Johnson and Johnson vaccine ships out. Former President Trump hints at a comeback. Posthumous honor for Chadwick Boseman. CBS News Correspondent Deborah Rodriguez has today's World News Roundup.
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The Intelligence from The Economist - Coup fighters: Myanmar’s persistent protesters
The temperature keeps rising: as demonstrations continue to grow, the army is becoming more brutal. We ask how the country can escape the cycle of violence. In a pandemic, laws against misinformation have their merits—but are also easily put to work for censorious governments. And why British dependencies want to get growing in the medical-marijuana game.
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Everything Everywhere Daily - The War of Jeninks’ Ear
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Strict Scrutiny - Toddler Logic
Leah is joined by Josie Duffy Rice, President of the Appeal, and Jay Willis, senior contributor at the Appeal, to discuss some Court related news, preview the upcoming Voting Rights Act case, and chat about some emerging Fourth Amendment issues on the Court’s docket.
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Start the Week - Monsters of the deep
The deep sea is the last, vast wilderness on Earth. In The Brilliant Abyss the marine biologist Helen Scales dives below the surface to tell the story of our relationship with the ocean floor. With an average depth of 12,000 feet it remains a frontier for new discoveries and extraordinary creatures. But Helen Scales warns Andrew Marr of the unfolding environmental disasters as people seek to exploit this new world, far beyond the public gaze.
The writer Philip Hoare explores nature through the work of the artist Albrecht Dürer. From his 15th century prints of the plague-ridden Apocalypse to his leviathans in the deep, Dürer’s works were a revelation. In Albert & the Whale Hoare writes about the enduring quality of his art and its powerful message about the fragile beauty of the natural world.
The journalist Elizabeth Kolbert is the author of the international bestseller, The Sixth Extinction, which was a clear-eyed account of humanity’s impact on the Earth. In Under A White Sky she asks whether through scientific innovation we can reverse some of the damage done. She meets those re-engineering ‘super coral’ which can withstand hotter waters and those tasked with saving the rarest fish species in the world.
Producer: Katy Hickman
Start the Week - Monsters of the deep
The deep sea is the last, vast wilderness on Earth. In The Brilliant Abyss the marine biologist Helen Scales dives below the surface to tell the story of our relationship with the ocean floor. With an average depth of 12,000 feet it remains a frontier for new discoveries and extraordinary creatures. But Helen Scales warns Andrew Marr of the unfolding environmental disasters as people seek to exploit this new world, far beyond the public gaze.
The writer Philip Hoare explores nature through the work of the artist Albrecht Dürer. From his 15th century prints of the plague-ridden Apocalypse to his leviathans in the deep, Dürer’s works were a revelation. In Albert & the Whale Hoare writes about the enduring quality of his art and its powerful message about the fragile beauty of the natural world.
The journalist Elizabeth Kolbert is the author of the international bestseller, The Sixth Extinction, which was a clear-eyed account of humanity’s impact on the Earth. In Under A White Sky she asks whether through scientific innovation we can reverse some of the damage done. She meets those re-engineering ‘super coral’ which can withstand hotter waters and those tasked with saving the rarest fish species in the world.
Producer: Katy Hickman