Listener Clayton Schloss sent Bay Curious this question: "Why do so many people have bumper stickers on their cars from the Mystery Spot in Santa Cruz? What is that place?" Reporter Amanda Font takes us on a journey to "the Spot," where perception appears to bend reality.
Reported by Amanda Font. Bay Curious is made by Olivia Allen-Price, Katrina Schwartz, Sebastian Miño-Bucheli and Brendan Willard. Help on this episode from Suzie Racho, Victoria Mauleon, Sasha Khokha. Additional support from Erika Aguilar, Jessica Placzek, Kyana Moghadam, Paul Lancour, Carly Severn, Lina Blanco, Ethan Lindsey, Vinnee Tong and Jenny Pritchett.
Criminal gangs in north-western states, jihadists in the north-east, a rebellion in the south-east: kidnappers, warlords and cattle rustlers are making the country ungovernable. The new head of Samsung Electronics has a legacy to build—and aims to do so by breaking into the cut-throat business of processor chips. And the sci-fi classic “Dune” gets a good cinematic treatment at last.
In which the discovery of quantum mechanics leads inevitably to the reappearance of a 30,000-year-old warrior god from a lost continent, and Ken proposes missionaries for silverware. Certificate #27324.
EA Sports got dumped by FIFA, so it’s planning the unthinkable: FIFA without FIFA. Ulta Beauty stock dropped 12% because when you leave Ulta, you get in your car, and you go on TikTok. And Netflix’s earnings revealed that you binge on Squid Game, but the opportunity is in Squid Games (catch what we did there?).
$EA $ULTA $NFLX
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Once an obscure legal doctrine, the practice of qualified immunity for police has drawn widespread public scrutiny in the past year. But as mainstream support for ending qualified immunity grows, police unions are amping up their opposition.
Guest: Kimberly Kindy, national investigative reporter for The Washington Post.
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Located on the French Riveria, just a few kilometers from the border of Italy, sandwiched between the mountains and the sea, is the tiny country of Monaco.
Monaco has several distinctions among the countries in the world, not just for its size, but for its population and its history.
Learn more about Monaco, the smallest and wealthiest principality in the world, on this episode of Everything Everywhere Daily.
Superman, Batman, Captain America, and Iron Man are names that are often connected to the expansive superhero genre, including the multi-billion-dollar film and television franchises. But these characters are older and have been woven into American popular culture since their inception in the early days of comic books. The history of these comic book heroes are histories that include bulging muscles, flashy fight scenes, four-color panels, and heroic rescues of damsels in distress. Esther De Dauw’s new book,
Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic (Rutgers UP, 2021),analyzes these characters with a critical lens to explore what exactly these figures teach the readers and the public about identity, embodiment, and sexuality. De Dauw, a comics scholar, focuses her research on the intersectionality of race and gender in comic books.
Hot Pants and Spandex Suits takes the audience through the 80-year evolution of comic books to discuss the changes in identity and culture, and explore what these heroes say about and to the American people. As an expert in Comic Studies and Cultural Studies, De Dauw uses theories of structural power relations to explain the disenfranchisement of women, LGBTQIA+, and the Black community in comics. As she notes, superheroes are often metaphors for the concerns of the dominant culture, and are informed by the dominant gender ideology and the American cultural landscape. Hot Pants and Spandex Suits unpacks superhero actions to examine who these heroes are serving, how, and what this has to say about American culture and identity. These questions frame the discussion throughout the book as De Dauw traces the changing perceptions of identity, cultural, and historical shifts through comic books and their many different heroes. A significant avenue of analysis focuses on the fragility of white masculinity, and how the superheroes essentially became an antidote to the cultural sense that white men were “losing” in American society. With a fascinating tour of the history of comic books, De Dauw welcomes both the academic community and comic-book lovers to venture through this analysis to better understand the role of superheroes within our culture and our politics.
Chicago was like Hollywood before Hollywood became the movie capital we know today. And Black directors were an important part of that early industry. In 1913 Willam Foster became the first Black director to make a film with an all Black cast. Yet most people have never heard of him. Reporter Arionne Nettles shares his story and the legacy he left behind.
Chicago was like Hollywood before Hollywood became the movie capital we know today. And Black directors were an important part of that early industry. In 1913 Willam Foster became the first Black director to make a film with an all Black cast. Yet most people have never heard of him. Reporter Arionne Nettles shares his story and the legacy he left behind.
