Month: November 2021

If you are an American, you probably grew up hearing the story of Thanksgiving. How the pilgrims came to America to escape religious persecution to establish a new life. But who were the pilgrims really? Were they really persecuted? Why did they decide to cross the ocean? And how did they end up where they did? Learn more about the pilgrims and everything that happened before the first Thanksgiving, on this episode of Everything Everywhere Daily.

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Authors JR and Vanessa Ford read the one book they could find about transgender kids to their child but skipped over the word 'transgender.' When they finally used the word, their child felt empowered by finding the right language to describe themselves. So the Fords set out to help more families with their children's book, Calvin. JR and Vanessa Ford told NPR's Audie Cornish that they are still learning as they go.

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A note on notes: We’d much rather you just went into each episode of The Memory Palace cold. And just let the story take you where it well. So, we don’t suggest looking into the show notes first.

Music

• Midnight Moon from Annalisa Tornfelt and Gideon Fraudmann’s album, Spring Breakup: Songs for Alaska.

• A couple of numbers from Marcelo Zarvos’ wonderful score to the wonderful, Please Give.

• A remarkable piece of music called Spectacle of Ritual by Kali Malone

• And another called Pauvre Simon from Sylvain Chauveau

On April 28, 1789, the crew of the HMS Bounty engaged in a mutiny against their despotic captain, William Bligh. After being sent out on a rowboat, the rest of the crew sailed to an uninhabited island, sank the ship, and set up home. The descendants of those mutineers are still living on that island today. Their home has become one of the most unique and remote communities in the world.

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Author Elif Shafak struggled at first with how to write her new book, The Island of Missing Trees. The story she wanted to tell is about a family from Cyprus, a Mediterranean island that was the center of a conflict in the 1970s, but she didn't want the story to be about tribalism or nationalism. Which is why, Shafak told NPR's Steve Inskeep, much of the story is told from the perspective of a fig tree