Bring your electric guitars and join us as Rob dives into the world of heavy metal when taking a look back at Pantera’s certified head smasher, “Walk.” Later, Sean Fennessy joins the show to discuss what ‘Extreme Championship Wrestling’ has to do with Pantera.
Poet and filmmaker Fatimah Asghar lost their parents at a young age. But they tell Scott Simon that they didn't grow up with a lot of stories that accurately captured the experience of being an orphan. In their debut novel, When We Were Sisters, Asghar describes life on the margins for three Muslim-American siblings left to raise one another.
The mother of Josephine Sunshine Overaker - the remaining fugitive environmentalist - tells her story.
And a change of plea from Joseph Dibee means he’s able to talk in a way he hasn’t before, including about a night he said he'd never speak of.
CREDITS
Presenter: Leah Sottile
Producer: Georgia Catt
Written by: Leah Sottile and Georgia Catt
Fact Checking: Rob Byrne
Music and Sound Design: Phil Channell
Music including theme music by Echo Collective, composed performed and produced by Neil Leiter & Margaret Hermant; recorded, mixed and produced by Fabien Leseure
Artwork by Danny Crossley with Art Direction by Amy Fullalove
Script recorded and mixed by Slater Swan at Anjuna Recording Studio
Series Mixing and Studio Engineers: Sarah Hockley and Giles Aspen
Assistant Commissioner: Natasha Johansson
Commissioner: Dylan Haskins
Series Editor: Philip Sellars
Featuring footage from the FBI.
Burn Wild is a BBC Audio Documentaries Production for BBC Sounds and Radio 5 Live.
The American Civil War wasn’t just a military conflict. There was also a major political and legal conflict struggle that took place alongside the military campaigns.
In the last months of the war, President Abraham Lincoln knew that if the war was to truly be the end of the conflict, it was necessary to ban slavery once and for all.
That would require changing the constitution.
Learn more about the 13th Amendment and the battle for its ratification on this episode of Everything Everywhere Daily.
Geena Davis is no stranger to the spotlight. But in her new memoir, Dying of Politeness, the Academy Award-winning actor remembers growing up full of insecurities and self-criticisms. She tells Rachel Martin that acting gave her the "ability to be somebody else" – and over time, she gained her confidence by watching none other than her Thelma and Louise co-star, Susan Sarandon, walk through the world with her head held high.
Amanda Holmes reads Mahmoud Darwish’s poem “He Is Quiet and So Am I,” translated from the Arabic by Omnia Amin and Rick London. Have a suggestion for a poem by a (dead) writer? Email us: podcast@theamericanscholar.org. If we select your entry, you’ll win a copy of a poetry collection edited by David Lehman.
This episode was produced by Stephanie Bastek and features the song “Canvasback” by Chad Crouch.
In the 1990s, Harvard’s student body was said to be nearly a quarter Jewish. According to the Harvard Crimson’s2020 survey of the freshman class, 6.7 percent of respondents identified as Jewish. On the final episode of this series, we explore the declining numbers of Jewish students across the Ivy League, and try to understand why, at places like Harvard, there may be fewer Jewish students today than when discriminatory policies kept them out a century ago.
We also look at how the same playbook that was developed to keep Jews out of elite universities–from the application, to the interview, to legacy preferences, to the hunt for geographical diversity–is now being used against a different minority group: Asian Americans.