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Eliot Brown is a reporter for the Wall Street Journal and co-author of The Cult of We. Brown joins us to check in on how the tech industry is adapting after years of zero-interest-rate-driven froth fades away. Tune in for a discussion of how real 'the end of froth' is, whether it was productive or not, and a company-by-company look at Softbank, Tiger Global, Andreessen Horowitz, Palantir, Tesla, and Twitter.
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Rob explores his love for live albums while looking back at Erykah Badu’s “Tyrone.” Along the way he explains why the live version of the song is the clearly superior recording.
Host: Rob Harvilla
Guest: Clover Hope
Producer: Justin Sayles
Associate Producer: Jonathan Kermah
Additional Productional Support: Abou Kamara
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Tired of paying sky-high health insurance premiums? Learn more about the pros and cons of healthcare sharing, a low-cost alternative gaining popularity.
Money Girl is hosted by Laura Adams. A transcript is available at Simplecast.
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Alabama
National
Sometime about 3,200 years ago, one of the most famous wars in ancient history took place.
Maybe.
It has been the subject of some of the greatest works of western literature, and it has given us some of the most enduring cultural references.
It was also the subject of one of the greatest archeological finds of the 19th century.
Learn more about the city of Troy and the Trojan War on this episode of Everything Everywhere Daily.
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On this episode we discussing Paul Ehrlich’s recent 60 minutes castastophy, the house’s leadership race, and Don Lemmon misses the NYE countdown.
Time Stamps:
12:29 Paul Ehrlich
25:54 In Memorium
37:00 Leadership Race
43:45 Balls will drop
Questions? Comments? Email us at Hammered@Nebulouspodcasts.com
Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021) shows how relationships between racial identities, jazz, and national belonging become entangled in France.
Jazz manouche—a genre known best for its energetic, guitar-centric swing tunes—is among France’s most celebrated musical practices of the twentieth and twenty-first centuries. It centers on the recorded work of famed guitarist Django Reinhardt and is named for the ethnoracial subgroup of Romanies (also known, often pejoratively, as “Gypsies”) to which Reinhardt belonged. French Manouches are publicly lauded as bearers of this jazz tradition, and many take pleasure and pride in the practice while at the same time facing pervasive discrimination. Jazz manouche uncovers a contradiction at the heart of France’s assimilationist republican ideals: the music is portrayed as quintessentially French even as Manouches themselves endure treatment as racial others.
In Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021), Siv B. Lie explores how this music is used to construct divergent ethnoracial and national identities in a context where discussions of race are otherwise censured. Weaving together ethnographic and historical analysis, Lie shows that jazz manouche becomes a source of profound ambivalence as it generates ethnoracial difference and socioeconomic exclusion. As the first full-length ethnographic study of French jazz to be published in English, this book enriches anthropological, ethnomusicological, and historical scholarship on global jazz, race and ethnicity, and citizenship while showing how music can be an important but insufficient tool in struggles for racial and economic justice.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
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