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We're back to break down two of the Supreme Court's recent 5-4 opinions—Bittner v. United States, about penalties under the Bank Secrecy Act, and Cruz v. Arizona, a death penalty case about state procedures and federal jurisdiction. But first, we take a brief look back at the oral arguments in the student loan case, and a new order and jurisdictional developments in Moore v. Harper (the independent state legislature case).
The US Marshalls got hacked. Mexican President Obrador believes in cryptids -- and tweets about it. NASA confirms success in the earlier DART attempt to knock asteroids off course. All this and more in this week's Strange News.
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The Oscars ceremony is a night to celebrate the best the industry has to offer — but the nominated films are rarely box office hits, and viewership of the awards broadcast has declined. Will we see a rebound?
Today, we talk about the future of the Academy Awards, and who might win Sunday. Read the full transcript here.
Host: Gustavo Arellano
Guests: L.A. Times film and television reporter Glenn Whipp
More reading:
Oscar voting has begun. Do we have a winner?
Three Oscar voters share their super-secret ballots
‘Everything Everywhere’ won the guild trifecta. Now it’s the Oscars frontrunner
This week, Briahna interviewed Matt Taibbi about a narrow concern she's had with the Twitter files archive: Despite the obvious value that Matt and other twitter files reporters have created by exposing links between the intelligence agencies and online censorship, is it fair to characterize Twitter's bias as against the right and indifferent to the left given how little we know about which documents have been turned over by Elon Musk and why? Unlike Musk, most whistleblowers are not the heads of the organizations they're informing on. Does Musk's investment in and control over Twitter demand more journalistic scrutiny? Is it possible to characterize the files reviewed so far without making broader claims about about the total archive that, at this point, can't be substantiated? Has there been sufficient inquiry into bias against the left, and has their been sufficient disclosure about the limitations Musk has put on the journalists who've been given access to the archive? It's a difficult and nuanced discussion. Let's debrief tonight on Callin.
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Produced by Armand Aviram. Theme by Nick Thorburn (@nickfromislands)A policy of ambiguity is swiftly shifting; the country is falling into a Sino-Russian orbit at just the time it needs the most help from Western allies. How learning to debate can improve the lives of those inside and released from New York City’s biggest prison. And meeting a street artist who decorates the wreckage of Kharkiv, Ukraine’s second city.
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It’s twenty years since the US and UK invaded Iraq to overthrow Saddam Hussein. Kirsty Wark discusses the lead up to the war, the impact on the lives of Iraqis and the legacy.
Ghaith Abdul-Ahad left his job in Baghdad and became a journalist during the Iraq War in 2003. He witnessed first-hand the liberation of his country from a megalomaniac leader and then its descent into factionalism and violence. In A Stranger In Your Own City he movingly recounts the very real human cost of the invasion, as well as the civil wars and rise of ISIS that followed.
Emma Sky volunteered to help rebuild Iraq post-invasion and went on to serve as the representative of the Coalition Provisional Authority in Kirkuk and then as a political advisor to the US army in the following decade. Now an academic at Yale University, she looks back at why the Iraq invasion failed and its implications across the region. She's the author of The Unravelling and In a Time of Monsters: Travelling in a Middle East in Revolt.
The BBC’s Security correspondent Gordon Corera was a young reporter during the frenetic build up to the war, talking to spies, defectors and politicians. In a 10-part series – Shock and War: Iraq 20 Years On (from 13th March at 1.45 and on BBC Sounds) – he talks to those at the centre of that decision to go to war, and looks at the far-reaching consequences, from trust in politics, security and liberal intervention.
Producer: Katy Hickman