The Markets in Crypto Assets bill is the first major global comprehensive crypto legislation.
With the passage of MiCA, Europe has jumped out ahead of the U.S. and other jurisdictions when it comes to regulating crypto.
“The Breakdown” is written, produced and narrated by Nathaniel Whittemore aka NLW, with editing by Michele Musso and research by Scott Hill. Jared Schwartz is our executive producer and our theme music is “Countdown” by Neon Beach. Music behind our sponsor today is “Foothill Blvd” by Sam Barsh. Image credit: by CoinDesk.
Join the most important conversation in crypto and Web3 at Consensus 2023, happening April 26-28 in Austin, Texas. Come and immerse yourself in all that Web3, crypto, blockchain and the metaverse have to offer. Use code BREAKDOWN to get 15% off your pass. Visit consensus.coindesk.com.
Many American companies left Russia shortly after it invaded Ukraine. Others that waited are now finding it challenging to leave. And a promising young Ukrainian tennis player flees the war and works to realize her dreams in the US.
Awaiting Supreme Court's decision on the abortion pill, Mifepristone. Charges formally dropped against actor Alec Baldwin in the "Rust" movie set shooting death of a crew member. CBS News Correspondent Jennifer Keiper has tonight's World News Roundup.
Oh, you thought the Eurovision Song Contest was about songs? Or a fun international TV event that brings people together in lots of different countries? Or watching extremely vigorous dance numbers? OK, it is, but it's also about some pretty thorny language-related politics. Historian Dean Vuletic, author of Postwar Europe and the Eurovision Song Contest, discusses Eurovision's many linguistic controversies, and the ways the contest has been exploited politically - and caused political kick-offs too.
This is the second instalment of a two-part Eurovisionallusionist. In the first part: a whole lot of tussling about which languages to compete in.
Find out more about this episode at theallusionist.org/eurovision2, where there's also a transcript.
Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get glimpses into how the podsausage is made, regular livestreams, AND membership of the delightful Allusioverse Discord community with whom I will be watching the Eurovision final on 13 May - join us!
The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provides the original music. Hear Martin’s own songs via PaleBirdMusic.com.
Imagine if we built cars the same way we build houses. First, a typical buyer would meet with the car designer, and tell them what kind of car they want. Then the designer would draw up plans for the car.
The buyer would call different car builders in their town and show them the blueprints. And the builders might say, "Yeah, I can build you that car based on this blueprint. It will cost $1 million and it will be ready in a year and a half."
There are lots of reasons why homes are so expensive in the U.S., zoning and land prices among them. But also, the way we build houses is very slow and very inefficient. So, why don't we build homes the way we build so many other things, by mass producing them in a factory?
In this episode, the century-old dream of the factory-built house, and the possibility of a prefab future.
This episode was produced by Emma Peaslee. Molly Messick edited the show, and it was fact-checked by Sierra Juarez. Brian Jarboe mastered the episode. Jess Jiang is our acting Executive Producer.
Imagine if we built cars the same way we build houses. First, a typical buyer would meet with the car designer, and tell them what kind of car they want. Then the designer would draw up plans for the car.
The buyer would call different car builders in their town and show them the blueprints. And the builders might say, "Yeah, I can build you that car based on this blueprint. It will cost $1 million and it will be ready in a year and a half."
There are lots of reasons why homes are so expensive in the U.S., zoning and land prices among them. But also, the way we build houses is very slow and very inefficient. So, why don't we build homes the way we build so many other things, by mass producing them in a factory?
In this episode, the century-old dream of the factory-built house, and the possibility of a prefab future.
This episode was produced by Emma Peaslee. Molly Messick edited the show, and it was fact-checked by Sierra Juarez. Brian Jarboe mastered the episode. Jess Jiang is our acting Executive Producer.
OUTLINE:
Here’s the timestamps for the episode. On some podcast players you should be able to click the timestamp to jump to that time.
(00:00) – Introduction
(06:44) – Humans vs AI
(15:50) – Evolution
(37:34) – Nature vs Nurture
(50:03) – AI alignment
(56:27) – Impact of AI on the job market
(1:08:06) – Human gatherings
(1:13:07) – Human-AI relationships
(1:23:11) – Being replaced by AI
(1:35:37) – Fear of death
(1:47:33) – Consciousness
(1:54:58) – AI rights and regulations
(2:00:41) – Halting AI development
(2:13:52) – Education
(2:19:16) – Biology research
(2:26:36) – Meaning of life
(2:29:09) – Loneliness
"The Hash" team breaks down the biggest stories of the day, including the halting increase in bitcoin's (BTC) dominance rate, which hints at the potential outperformance of alternative tokens (altcoins) ahead. Separately, OpenSea and Blur are experiencing notable losses in daily users and NFT sales, according to multiple dashboards compiled by researchers on the analytics platform Dune.
Connect with the Filecoin community at the Filecoin Network Base in Austin, April 24-26, ahead of Consensus 2023. Register today at networkbase.io/austin. And find us on the Consensus show floor in the Protocol Village, presented by Filecoin Foundation.
See you in Austin!
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Join the most important conversation in crypto and Web3 at Consensus 2023, happening April 26-28 in Austin, Texas. Come and immerse yourself in all that Web3, crypto, blockchain and the metaverse have to offer. Use code THEHASH to get 15% off your pass. Visit coindesk.com/consensus.
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This episode has been edited by Ryan Huntington. The senior producer is Michele Musso and the executive producer is Jared Schwartz. Our theme song is “Neon Beach.”