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Hello from the vault!
In the first of a series of episodes commemorating TTSG’s third anniversary, OG Andy Liu returns. 🎉
We look back at the first episode we ever released, on April 13, 2020, and ask:
(9:30) Was Andy right to attribute both the spread of the coronavirus and the backlash against Asian Americans to China’s growing power?
(34:30) Has COVID diminished the concept of U.S. exceptionalism—if not within the U.S., at least in the rest of the world?
(56:30) Is it possible for leftists to embrace national industrial policy without replicating the same kinds of neoliberalism that led us here?
For more, see:
* That fateful first episode, Pangolin Panic and Why the West Said "No" to Masks
* Our episode analyzing Dan Wang’s U.S.–China 2020 newsletter, plus his 2022 assessment
* Commentary on recent China-related legislation and National Security Advisor Jake Sullivan’s speech, outlining a new Washington consensus
A couple big TTSG announcements! First, we’ll be having a subscriber picnic on June 10th in NYC to celebrate our anniversary and Jay’s “American Son” premiere (movie tix here!). Subscribe on Patreon or Substack for more details.
Next, we’re finally releasing TTSG MERCH, starting with a PMC staple: a TTSG tote! When you place your order, you can either get it shipped to you directly or "Ship to TTSG." Please only select the latter option if you plan to attend the NYC picnic on June 10th! (Apologies to all non-locals.) Buy one (or two or three) to rep the pod, and share the link with friends & family!
As always, keep in touch via Instagram, TikTok, and Twitter, and email us at timetosaygoodbyepod@gmail.com.
A jury unanimously found Donald Trump liable for sexual assault and defamation. We examine his first major legal loss. Thailand’s opposition looks set to prevail in this weekend’s election—whether it ends up in office is another matter. And, Ukraine is blowing up tanks, but not in the way you might think; we explore the battlefield value of inflatable decoys.
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Rickard Hansson is 48 years old to date, but started tinkering with his Commodore 64 when he was young. Later in life, he fell in love with building things and distributing it - IE building for others. He built his first commercial product at 15, which was a CRM built in Pascal. Outside of tech, he is a father of 3 and is a movie buff in his spare time. His favorite movie is a story about a tree diver, called Le Grand Blue or "The Big Blue".
In the past, Rickard was running his company named Incentive, making tools for internal teams to collaborate. What they noticed was that there was a major shift towards utilizing third party tools to improve productivity, while developers of said tools had a hard time keeping up. He and his team decided to create the tooling to help them better compete.
This is the creation story of Weavy.
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Laura interviews Stan Sandberg from TravelInsurance.com about what everyone should know about travel insurance and how to choose the best policy.
Money Girl is hosted by Laura Adams.
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Money Girl is a part of Quick and Dirty Tips.
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Globalization consists of a system of interlinked markets and economies. Most people think of this as a modern phenomenon, however, its roots go back much further.
One of the earliest examples of globalization took place as early as the 16th century.
The Spanish empire had a global spanning operation that linked together three continents and several of the world’s greatest civilizations.
Learn more about the Manila Galleons and the Spanish system of globalization on this episode of Everything Everywhere Daily.
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BetterHelp is an online platform that provides therapy and counseling services to individuals in need of mental health support. The platform offers a range of communication methods, including chat, phone, and video sessions with licensed and accredited therapists who specialize in different areas, such as depression, anxiety, relationships, and more. Get 10% off your first month at BetterHelp.com/Everywhere
ButcherBox is the perfect solution for anyone looking to eat high-quality, sustainably sourced meat without the hassle of going to the grocery store. With ButcherBox, you can enjoy a variety of grass-fed beef, heritage pork, free-range chicken, and wild-caught seafood delivered straight to your door every month. Visit ButcherBox.com/Daily to get 10% off and free chicken thighs for a year.
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We get insight into President Biden's diet, Richard Dreyfuss shares his thoughts on the Academy Awards, Rochelle Walensky is leaving the CDC, and should you be adding salt to your coffee?
Time Stamps:
13:14 Biden's Diet
23:29 Richard Dreyfuss
27:33 Rochelle Rochelle
31:33 Salted Coffee
Questions? Comments? Email us at Hammered@Nebulouspodcasts.com
The twentieth-century artist Bruno Schulz was born an Austrian, lived as a Pole, and died a Jew. First a citizen of the Habsburg monarchy, he would, without moving, become the subject of the West Ukrainian People’s Republic, the Second Polish Republic, the USSR, and, finally, the Third Reich.
Yet to use his own metaphor, Schulz remained throughout a citizen of the Republic of Dreams. He was a master of twentieth-century imaginative fiction who mapped the anxious perplexities of his time; Isaac Bashevis Singer called him “one of the most remarkable writers who ever lived.” Schulz was also a talented illustrator and graphic artist whose masochistic drawings would catch the eye of a sadistic Nazi officer. Schulz’s art became the currency in which he bought life.
In Bruno Schulz: An Artist, a Murder, and the Hijacking of History (Norton, 2023), Benjamin Balint chases the inventive murals Schulz painted on the walls of an SS villa―the last traces of his vanished world―into multiple dimensions of the artist’s life and afterlife. Sixty years after Schulz was murdered, those murals were miraculously rediscovered, only to be secretly smuggled by Israeli agents to Jerusalem. The ensuing international furor summoned broader perplexities, not just about who has the right to curate orphaned artworks and to construe their meanings, but about who can claim to stand guard over the legacy of Jews killed in the Nazi slaughter.
By re-creating the artist’s milieu at a crossroads not just of Jewish and Polish culture but of art, sex, and violence, Bruno Schulz itself stands as an act of belated restitution, offering a kaleidoscopic portrait of a life with all its paradoxes and curtailed possibilities.
Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at reneeg@vanleer.org.il. She's on Twitter @embracingwisdom. She blogs here.
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