Unexpected Elements - Zombies, cows and coups

Following recent coups in Niger and Gabon, and with seven African coups in the last three years, some political commentators are suggesting that there might be an epidemic of coups. But are coups really contagious, and what does the political science say?

Caroline Steel and the Unexpected Elements team across three different continents go on a quest to find the science lurking behind the news.

We find out what trees in Chile can tell us about coups and we meet the wasp that performs a coup on a poor unsuspecting cockroach, turning it into a zombie and eating it alive.

There’s light relief in the form of cows listening to classical music, the answer to a listener question about carbon capture and reflections on efforts to rid the world of plastic bags.

All that plus your emails, whatsapps, and more fruit chat than you can shake a banana skin at.

Presented by Caroline Steel

Produced by Ben Motley, with Margaret Sessa Hawkins and Sophie Ormiston

It Could Happen Here - The Marshall Islands Part Three: Climate Change

James looks at the threat posed to the tiny atoll nation by climate change, and how the RMI has centered culture and community in its response.

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Planet Money - The prince of prints and his prints of Prince

In 1981, photographer Lynn Goldsmith took a portrait of the musician Prince. It's a pretty standard headshot — it's in black-and-white, and Prince is staring down the camera lens.

This was early in his career, when he was still building the pop icon reputation he would have today. And in 1984, shortly after Prince had released Purple Rain, he was chosen to grace the cover of Vanity Fair. The magazine commissioned pop culture icon Andy Warhol to make a portrait of Prince for the cover. He used Lynn Goldsmith's photo, created a silkscreen from it, added some artistic touches, and instead of black-and-white, colored the face purple and set it against a red background. Warhol was paid, Goldsmith was paid, and both were given credit.

However, years later, after both Prince and Warhol had passed away, Goldsmith saw her portrait back out in the world again. But this time, the face was orange, and Goldsmith wasn't given money or credit. And what began as a typical question of payment for work, led to a firestorm in the Supreme Court. At the center of it, dozens of questions of what makes art unique. And at what point does a derivative work become transformative? The answer, it seems, has to do less with what art critics think, and more with what the market thinks.

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Consider This from NPR - When Big Oil Gets In The Carbon Removal Game, Who Wins?

Giant machines sucking carbon dioxide out of the air to fight climate change sounds like science fiction, but it's close to becoming a reality, with billions of dollars of support from the U.S. government.

And a key player in this growing industry is a U.S. oil company, Occidental Petroleum.

With a major petroleum company deploying this technology, it begs the question, is it meant to save the planet or the oil industry?

NPR's Camila Domonoske reports.

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Consider This from NPR - When Big Oil Gets In The Carbon Removal Game, Who Wins?

Giant machines sucking carbon dioxide out of the air to fight climate change sounds like science fiction, but it's close to becoming a reality, with billions of dollars of support from the U.S. government.

And a key player in this growing industry is a U.S. oil company, Occidental Petroleum.

With a major petroleum company deploying this technology, it begs the question, is it meant to save the planet or the oil industry?

NPR's Camila Domonoske reports.

Email us at considerthis@npr.org.

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The Gist - Korean Teachers Abused By Parents

Massive demonstrations in Seoul mark the anguish of Korean teachers pushed to the brink by pushy parents. Plus, the miracle of air safety is presented as a crisis. And more with Foer—Franklin Foer, author of The Last Politician: Inside Joe Biden's White House and the struggle for America's Future.


Produced by Joel Patterson and Corey Wara

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