In 1981, photographer Lynn Goldsmith took a portrait of the musician Prince. It's a pretty standard headshot — it's in black-and-white, and Prince is staring down the camera lens.
This was early in his career, when he was still building the pop icon reputation he would have today. And in 1984, shortly after Prince had released Purple Rain, he was chosen to grace the cover of Vanity Fair. The magazine commissioned pop culture icon Andy Warhol to make a portrait of Prince for the cover. He used Lynn Goldsmith's photo, created a silkscreen from it, added some artistic touches, and instead of black-and-white, colored the face purple and set it against a red background. Warhol was paid, Goldsmith was paid, and both were given credit.
However, years later, after both Prince and Warhol had passed away, Goldsmith saw her portrait back out in the world again. But this time, the face was orange, and Goldsmith wasn't given money or credit. And what began as a typical question of payment for work, led to a firestorm in the Supreme Court. At the center of it, dozens of questions of what makes art unique. And at what point does a derivative work become transformative? The answer, it seems, has to do less with what art critics think, and more with what the market thinks.
Giant machines sucking carbon dioxide out of the air to fight climate change sounds like science fiction, but it's close to becoming a reality, with billions of dollars of support from the U.S. government.
And a key player in this growing industry is a U.S. oil company, Occidental Petroleum.
With a major petroleum company deploying this technology, it begs the question, is it meant to save the planet or the oil industry?
Giant machines sucking carbon dioxide out of the air to fight climate change sounds like science fiction, but it's close to becoming a reality, with billions of dollars of support from the U.S. government.
And a key player in this growing industry is a U.S. oil company, Occidental Petroleum.
With a major petroleum company deploying this technology, it begs the question, is it meant to save the planet or the oil industry?
From Chinese bao and Haitian doumbrey, to Filipino lumpia [loom-pee-AH] and South Asian samosas, Reset talks with event organizer Mónica Félix and Phillipe Sobon, a founder of Polombia, a participating restaurant, about how dumpling-like dishes can be unique in every culture.
Fox News has reported that federal Judge Lewis Kaplan on Wednesday found that Former President Donald Trump “is liable for damages” in yet another lawsuit from journalist E. Jean Carroll.
Republican Senators weigh in on Senate Minority Leader Mitch McConnell’s health.
Florida Sens. Rick Scott and Marco Rubio introduce the Federal Disaster Responsibility Act.
In this episode, Richard W. Garnett joins Mark Bauerlein to discuss his recent article, “Refreshing Unity on Religious Liberty.”
Music by Frederic Chopin licensed via Creative Commons. Tracks reorganized, duplicated, and edited.
New York City cracked down on short-term rentals, but is it a big deal for Airbnb?
(00:21) Ricky Mulvey and Jason Moser discuss: - How restrictions on short-term rentals could impact Airbnb’s growth story. - Why investors are sour about AMC’s new share issuance. - One company managing its share count well.
Plus, (15:20) Deidre Woollard interviews Oliver Franklin-Wallis, author of “Wasteland: The Dirty Truth About What We Throw Away, Where It Goes, And Why It Matters”.
Companies discussed: ABNB, EXPE, AMC, LOW
Hosts: Ricky Mulvey, Deidre Woollard Guests: Jason Moser, Oliver Franklin-Wallis Engineers: Dan Boyd, Tim Sparks