Mia talks with Lydia and Ben from Doughnut Workers United about Blue Star Doughnut's campaign of fear, intimidation, and retaliation against union organizers.
More than 100 people are killed on U.S. roads every day — more than 40,000 people a year. So, it seemed bold, if not crazy, when city leaders across the country began to set their sights on eliminating traffic fatalities completely.
It has now been 10 years since U.S. cities began to adopt the approach known as Vision Zero.
NPR's Joel Rose reports on what has worked and what hasn't.
For sponsor-free episodes of Consider This, sign up for Consider This+ via Apple Podcasts or at plus.npr.org.
More than 100 people are killed on U.S. roads every day — more than 40,000 people a year. So, it seemed bold, if not crazy, when city leaders across the country began to set their sights on eliminating traffic fatalities completely.
It has now been 10 years since U.S. cities began to adopt the approach known as Vision Zero.
NPR's Joel Rose reports on what has worked and what hasn't.
For sponsor-free episodes of Consider This, sign up for Consider This+ via Apple Podcasts or at plus.npr.org.
More than 100 people are killed on U.S. roads every day — more than 40,000 people a year. So, it seemed bold, if not crazy, when city leaders across the country began to set their sights on eliminating traffic fatalities completely.
It has now been 10 years since U.S. cities began to adopt the approach known as Vision Zero.
NPR's Joel Rose reports on what has worked and what hasn't.
For sponsor-free episodes of Consider This, sign up for Consider This+ via Apple Podcasts or at plus.npr.org.
Want to follow the great investors? Then good luck beating the market.
Aswath Damodaran is a Professor of Finance at the Stern School of Business at New York University. Bill Mann caught up with Damodaran for a conversation about:
- Corporate lifecycles, and why investors should understand them.
- The problem with trying to follow great investors.
- The fall of research analysts, and the rise of passive investing.
Conversations about gender equity in the workplace accelerated in the 2010s, with debates inside Hollywood specifically pointing to broader systemic problems of employment disparities and exploitative labor practices. Compounded by the devastating #MeToo revelations, these problems led to a wide-scale call for change.
Courtney Brannon Donoghue's book The Value Gap: Female-Driven Films from Pitch to Premiere(U Texas Press, 2023) traces female-driven filmmaking across development, financing, production, film festivals, marketing, and distribution, examining the realities facing women working in the industry during this transformative moment. Drawing from five years of extensive interviews with female producers, writers, and directors at different stages of their careers, Courtney Brannon Donoghue examines how Hollywood business cultures “value" female-driven projects as risky or not bankable. Industry claims that “movies targeting female audiences don’t make money" or “women can't direct big-budget blockbusters" have long circulated to rationalize systemic gender inequities and have served to normalize studios prioritizing the white male–driven status quo. Through a critical media industry studies lens, The Value Gap challenges this pervasive logic with firsthand accounts of women actively navigating the male-dominated and conglomerate-owned industrial landscape.
Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
Since its debut in 2008, NPR's Tiny Desk has become a must-stop destination for music superstars like Taylor Swift and Alicia Keys but also for lesser-known musicians, including those who compete in the annual Tiny Desk contest.
Today on The Sunday Story host Ayesha Rascoe talks to senior producer Bobby Carter about the Tiny Desk series, how it has evolved over time and how the Tiny Desk contest has opened the door to the music industry for many artists.
The number of TV streaming services is going up—and so is the cost and so are the number of ads. Cordcutters are finding themselves back to cable prices and inconveniences. And these changes don’t just impact the TV viewing experience - they impact the types of shows that get made in the first place.
Guest: Alex Cranz, managing editor at the Verge.
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