Vlad Sadovskiy is a first generation immigrant from the Ukraine in the early 1990's. He has been in the payments space for 30+ years, so he knows a thing or two about the space. But outside of this and tech, he is a cancer survivor, and ex professional chess player. He mentions that along with ping pong, he still plays chess as a hobby - and sometimes, to help resolve arguments with his wife.
A few years ago, Vlad acquired a number of businesses in the payment space. Having spent many years in the payment space, he decided it was time to be a founder and create something in the payment space with a twist - specifically, for the "reseller community".
The ceasefire deal, which Hamas has agreed to, prompted celebrations in Gaza. But Binyamin Netanyahu isn’t satisfied and the fighting continues. Video game adaptations are getting better, and becoming a more popular choice with Hollywood’s directors (10:01). And the best-selling literary love-child of romance and fantasy (14:27).
This week Danny and Tyler discuss the excellent country-rock songs of The Rolling Stones, and add "Dead Flowers" to the Ultimate Country Playlist.
Though you likely associate them with classic rock and blues, The Rolling Stones' untouchable string of albums through the late 60's and early 70's is full of country sounds. The country influence of Gram Parsons and the country-inspired guitar work of Mick Taylor are especially present on the basically-perfect Exile on Main Street and the iconic Sticky Fingers; on this episode we'll be talking about why this is our favorite period in the Stones' long, long catalog.
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There’s a new $6 billion-dollar industry. Its global market size is expected to increase to $100 billion within the decade. No, it’s not a fancy new app or a revolutionary gadget: it’s weight-loss drugs.
Just a few years ago no one had even heard the word Ozempic. Almost overnight, the drug previously used to treat type 2 diabetes became a household name. Healthcare providers wrote more than 9 million prescriptions for Ozempic and similar drugs in the last three months of 2022 alone. By the end of the decade, 30 million people are predicted to be on it. For comparison, that means that Ozempic is on track to do as well as birth control pills and Prozac—a blockbuster medication.
A little over a year ago we had a fiery debate on Honestly about these revolutionary weight-loss drugs and our cultural understanding of obesity. On one side of the debate, people saw Ozempic as the golden answer we’ve been searching for. After all, obesity is the second biggest cause of cancer. It causes diabetes, and it’s linked to dementia, heart disease, knee and hip problems, arthritis, and high blood pressure, which causes strokes. In short: when you crunch the numbers, drugs like Ozempic seem to be lifesaving.
On the other hand was another argument: Why are we putting millions of people on a powerful new drug when we don’t know the risks? Plus, isn’t this a solution that ignores why we gained so much weight in the first place? In other words: Ozempic is not a cure for obesity; it’s a Band-Aid.
A year later, all of those questions are still up for debate. Our guest today, journalist Johann Hari, has spent the last year trying to find answers, traveling the world investigating weight-loss drugs, and. . . taking them himself.
In his latest book, Magic Pill: The Extraordinary Benefits and Disturbing Risks of the New Weight-Loss Drugs, Johann investigates what we know and what we don’t know about how these drugs work, their risks and benefits, how our food system sets us up to fail, and how movements like “fat pride” and “healthy at any size” have completely altered the conversation.
So on today’s episode: How do these new drugs impact our brains, our guts, and our mood? What are the hidden risks? Are they really a permanent solution to the obesity crisis? Or are they merely a quick fix that do little to address the root causes of obesity? With over 70 percent of Americans today classified as overweight or obese and the average American adult weighing nearly 25 pounds more today than they did in 1960, how did we get here in the first place? And why aren’t we addressing that problem, too?
Julia Balbilla is an accomplished poet and close friend of the wife of one of Rome’s mightiest emperors. Hadrian loves to travel and takes Julia and an entourage of thousands on the ultimate elite tourist trip- a leisurely Nile cruise to the Great Pyramid of Giza and the Colossus of Memnon, a statue that will sing for anyone blessed by the gods. Julia inscribes her poems on the giant foot of the statue, praising the power of Hadrian and the beauty of his wife, Sabina.
It’s a charming scene, darkened only by the fact that Hadrian’s male lover, Antinous has only just drowned in the Nile. Was he murdered by jealous rivals, killed in a lover’s tiff or did he drunkenly slip from the deck? Hadrian is publicly bereft, founding a new city in the name of Antinous, but seems happy to continue his luxury cruise. Mary Beard hops aboard Ancient Rome's most intriguing cruise with historian T. Corey Brennan and archaeologist Elizabeth Fentress.
Producer: Alasdair Cross
Expert Contributors: Corey Brennan, Rutgers University and Lisa Fentress
Beneath starched Shakespearean togas and the pungent fug of gladiator sweat there are real Romans waiting to be discovered. To know what it was to be Roman you need to gather the scattered clues until they form a living, breathing human, witness to the highs and horrors of Europe’s greatest empire.
Mary Beard, Britain’s best-selling historian of the ancient world, rebuilds the lives of six citizens of the Roman Empire, from a poet to a squaddie. Her investigations reveal death and deceit on the Nile and the art of running a Roman pub, but it’s the thoughts and feelings of individual Romans she’s really interested in.
It's 61CE. The rebellion of Boudicca has finally been quashed, but London and other Roman cities lie in ruins. A new finance officer for the province, Gaius Julius Classicianus arrives, to face an enormous recovery job. Standing in his way is the Governor, busy exacting terrible reprisals from the local population. Classicianus does what brave subordinates have done ever since. He whistle-blows – writing to the emperor to remove the Governor from British shores. The stage is set for an imperial face-off. For the people of Britain, the stakes could not be higher.
Producer: Alasdair Cross
Expert Contributors: Matthew Nicholls, University of Oxford and Michael Marshall, Museum of London Archaeology
In Haitian Vodou, spirits impact Black practitioners' everyday lives, tightly connecting the sacred and the secular. As Eziaku Atuama Nwokocha reveals in Vodou En Vogue: Fashioning Black Divinities in Haiti and the United States (UNC Press, 2023), that connection is manifest in the dynamic relationship between public religious ceremonies, material aesthetics, bodily adornment, and spirit possession. Nwokocha spent more than a decade observing Vodou ceremonies from Montreal and New York to Miami and Port-au-Prince. She engaged particularly with a Haitian practitioner and former fashion designer, Manbo Maude, who presided over Vodou temples in Mattapan, Massachusetts, and Jacmel, Haiti. With vivid description and nuanced analysis, Nwokocha shows how Manbo Maude's use of dress and her production of ritual garments are key to serving Black gods and illuminate a larger transnational economy of fashion and spiritual exchange.
Eziaku Atuama Nwokocha is assistant professor of religion at the University of Miami.
Reighan Gillamis an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
