The Rosetta Stone, the Kohinoor diamond, sculptures from Greece's Parthenon known as the Elgin Marbles are all dazzling objects that bear the history of early civilizations.
But these objects were also taken by colonizers, and still remain on display in museum galleries far from their homes.
Over the past several years museums around the world have been reckoning with the looted treasures they have kept and benefited from.
Now one small museum in Nashville, Tennessee is returning ancient objects excavated in Mexico.
For sponsor-free episodes of Consider This, sign up for Consider This+ via Apple Podcasts or at plus.npr.org.
The Rosetta Stone, the Kohinoor diamond, sculptures from Greece's Parthenon known as the Elgin Marbles are all dazzling objects that bear the history of early civilizations.
But these objects were also taken by colonizers, and still remain on display in museum galleries far from their homes.
Over the past several years museums around the world have been reckoning with the looted treasures they have kept and benefited from.
Now one small museum in Nashville, Tennessee is returning ancient objects excavated in Mexico.
For sponsor-free episodes of Consider This, sign up for Consider This+ via Apple Podcasts or at plus.npr.org.
The Rosetta Stone, the Kohinoor diamond, sculptures from Greece's Parthenon known as the Elgin Marbles are all dazzling objects that bear the history of early civilizations.
But these objects were also taken by colonizers, and still remain on display in museum galleries far from their homes.
Over the past several years museums around the world have been reckoning with the looted treasures they have kept and benefited from.
Now one small museum in Nashville, Tennessee is returning ancient objects excavated in Mexico.
For sponsor-free episodes of Consider This, sign up for Consider This+ via Apple Podcasts or at plus.npr.org.
OUTLINE:
Here’s the timestamps for the episode. On some podcast players you should be able to click the timestamp to jump to that time.
(00:00) – Introduction
(09:12) – Existential risk of AGI
(15:25) – Ikigai risk
(23:37) – Suffering risk
(27:12) – Timeline to AGI
(31:44) – AGI turing test
(37:06) – Yann LeCun and open source AI
(49:58) – AI control
(52:26) – Social engineering
(54:59) – Fearmongering
(1:04:49) – AI deception
(1:11:23) – Verification
(1:18:22) – Self-improving AI
(1:30:34) – Pausing AI development
(1:36:51) – AI Safety
(1:46:35) – Current AI
(1:51:58) – Simulation
(1:59:16) – Aliens
(2:00:50) – Human mind
(2:07:10) – Neuralink
(2:16:15) – Hope for the future
(2:20:11) – Meaning of life
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The idea of sexual fluidity may seem new, but it is at least as old as the ancient Greeks, who wrote about queer experiences with remarkable frankness, wit, and insight. Sarah Nooter's How to Be Queer: An Ancient Guide to Sexuality(Princeton UP, 2024) is an infatuating collection of these writings about desire, love, and lust between men, between women, and between humans and gods, in lucid and lively new translations. Filled with enthralling stories, this anthology invites readers of all sexualities and identities to explore writings that describe many kinds of erotic encounters and feelings, and that envision a playful and passionate approach to sexuality as part of a rich and fulfilling life.
How to Be Queer starts with Homer's Iliad and moves through lyric poetry, tragedy, comedy, philosophy, and biography, drawing on a wide range of authors, including Sappho, Plato, Anacreon, Pindar, Theognis, Aristophanes, and Xenophon. It features both beautiful poetry and thought-provoking prose, emotional outpourings and humorous anecdotes. From Homer's story of the relationship between Achilles and Patroclus, one of the most intense between men in world literature, to Sappho's lyrics on the pleasures and pains of loving women, these writings show the many meanings of what the Greeks called eros.
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