Chicago is at the center of industrial music – and a museum in the Bridgeport neighborhood tells that history. Outside, the brick building is nondescript. But inside, posters, T-shirts and cassette tapes overlap on the walls and cascade down to the floor.
Today, Reset heads to the Museum of Post-Punk & Industrial Music as part of our series featuring museums off the beaten path.
For a full archive of Reset interviews, head over to wbez.org/reset.
Less than 90 days until the November election, both Presidential campaigns are in full force. A look back on changes in law enforcement and activism since the police killing of teenager Michael Brown, Jr. in Ferguson, Missouri a decade ago, and U.S. track and field athletes have big night at the Paris Summer Olympics.
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Today's episode of Up First was edited by Megan Pratz, Lindsay Totty, Russell Lewis, Janaya Williams and Alice Woelfle. It was produced by Ziad Buchh, Nia Dumas and Julie Depenbrock. We get engineering support from Carleigh Strange. And our technical director is Zac Coleman.
The rich world is experiencing record migrant flows—and the attendant social upheaval. Finding immigration policies that are not economically ruinous is damnably hard. Our three-part series starts to unpack why people are so fed up with the big dating apps (11:10). And the head-spinning history of how break(danc)ing became an Olympic sport (18:44).
We take a long last look at two more end-of-term cases, where the Court made news with what it did NOT decide: Moyle v. United States (the abortion/EMTALA case), and Moody v. Net Choice (state regulation of social media). But first, a bit of debate about some prominent figures in constitutional history.
This week we’re inspired by the price of a lobster dinner fit for a king. The recently revealed price tag for President Macron’s banquet back at the end of 2023, about half a million dollars, kickstarts an Unexpected Elements challenge – can the team create something similar and manage to save not only cash, but an Italian ecosystem from an American invader?
And waste not want not as we discover how the bits of a crustacean dinner you’d usually throw in the bin may be the key to a new generation of rechargeable batteries.
We’ll also be exploring the science of spices with Dr Stuart Farrimond and singing the praises of a blue-blooded crab that’s really a giant spider, which has been helping out the medical industry for decades.
Watch this episode on YouTube. Today, we’re covering the latest election updates, Cori Bush’s major loss, and the terror plots at Taylor Swift’s Vienna concert! Tune in!
Dispelling the notion of Americans as mere workaholics, Claudia Strauss presents a more nuanced perspective. While some live to work, others prefer a diligent 9-to-5 work ethic that is conscientious but preserves time for other interests. Her participants often enjoyed their jobs without making work the focus of their life. These findings challenge laborist views of waged work as central to a good life as well as post-work theories that treat work solely as exploitative and soul-crushing.
Drawing upon the evocative stories of unemployed Americans from a wide range of occupations, from day laborers to corporate managers, both immigrant and native-born, Strauss explores how diverse Americans think about the place of work in a good life, gendered meanings of breadwinning, accepting financial support from family, friends, and the state, and what the ever-elusive American dream means to them. By considering how post-Fordist unemployment experiences diverge from joblessness earlier, What Work Means paves the way for a historically and culturally informed discussion of work meanings in a future of teleworking, greater automation, and increasing nonstandard employment.
Claudia Strauss is Professor of Anthropology at Pitzer College. She is the author of A Cognitive Theory of Cultural Meaning with Naomi Quinn and co-editor of Human Motives and Cognitive Models.
Located on the tips of our fingers are features known as friction ridges. We evolved them to get a better grip on objects.
It just so happens that those friction ridges are unique to every person.
That allows us to use friction ridges as unique identifiers and for authorities to use them to catch criminals, and in some ways, we have been doing so for centuries.
Learn more about fingerprints and fingerprinting on this episode of Everything Everywhere Daily.
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