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At a time when Russia is making gains in Ukraine and Donald Trump has been re-elected as president, Europe needs strong leadership. Instead, Germany’s ruling coalition has collapsed. A study that hinted at racism among white doctors in America may have been flawed (9:18). And the wondrous revival of King’s Cross in London (17:23).
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Even your most optimistic Mar-a-Lago member didn’t see Donald Trump winning the popular vote and taking all seven swing states. He even came within five points of taking the Democratic stronghold of New Jersey!
So, what on earth does the Democratic Party do next?
They can stay the course and resist. It’s what they did the last time Trump won.
In the aftermath of Trump’s 2016 victory, America was stunned. Every time he opened his mouth, Trump exploded political norms, and the Democratic Party responded in kind. Being a mere opposition party—at least at that moment for the Democrats—was not strong enough for this situation they believed. Instead they needed to become a resistance.
And while Democrats won in 2020, the resistance ultimately did not work. Democrats spent a decade telling Americans that Trump was an existential threat, yet Americans didn’t care. The Democrats’ goal was to scrub Trump from future history. Instead, he now controls it.
Democrats need to look inward if they want to have a shot at winning in 2028. They need to act like an opposition, not a resistance.
Today, Ei Lake explains why this will require a different approach, but one for which there is already a template. He tells the story of how a few centrist renegades saved the Democrats from oblivion 40 years ago. In 1984, after Ronald Reagan’s 525–13 Electoral College landslide over Walter Mondale, the Democrats were not just in disarray—they were on life support. And yet, eight years later, they found their savior: a young governor from Arkansas named Bill Clinton. And they remade their party.
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William Neill had an interesting childhood in New Zealand, rooted in being an entrepreneur. As a kid, he helped write business plans with his parents, or build makery stuff for projects. Living this type of childhood, combined with the creativity of music, it started a lifelong trend of building businesses and products. Rooted in his love for being an entrepreneur, he has always longed for a flexible life, to keep him present for his young family, and to allow for the option to travel. He loves spending time with his kids on the beach, and exploring the country as a family.
William and his co-founder met in a coffee shop in London. As they were chatting about prior projects, they figure out there was a lot of overlap in the things they were interested in. Eventually, they returned and built some solutions together - and off the back of a prior wishlist project, they decided to make an online shopping cart to end all others.
This is the creation story of Basket.
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This week Tyler and Danny present three classic protest country songs that are [unfortunately] still relevant, especially given the results of last week's election.
Likely there are more country tunes that stick it to the Man comin', but in this week please enjoy "Your Flag Decal Won't Get You Into Heaven Anymore" by John Prine, "Oval Room" by Blaze Foley, and "Plane Wreck at Los Gatos" by Bruce Springsteen (also known as "Deportees", originally by Woody Guthrie).
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The horror genre has endured a long and controversial success within popular culture. Fraught with accusations pertaining to its alleged ability to harm and corrupt young people and indeed society as a whole, the genre is constantly under pressure to suppress that which has made it so popular to begin with - its ability to frighten and generate discussion about society's darker side.
In The Myth of Harm: Horror, Censorship and the Child (Bloomsbury, 2022), Dr. Sarah Cleary analyses controversies, myths, and falsehoods surrounding the genre of horror. Focusing on five major controversies, the text examines how horror media has become a scapegoat for political and social issues, platforms for “moral entrepreneurs” and tools of hyperbole for the news industry.
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Ever since humans domesticated animals and realized they could extract milk from them, they have been making and consuming butter.
While we might not think much of butter today, at one point, it was so prized that it was given as an offering to the gods.
While some cultures prized it, others looked down upon it and some elevated the production and use of it as an art form.
Learn more about butter, what it is, how it is made and how it has been used throughout history on this episode of Everything Everywhere Daily.
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