OA1146 - We begin with a quick review of SDNY Judge Dale Ho’s scathing 78-page (!) order dismissing all federal charges against NYC Mayor Eric Adams at DOJ’s request to see how it compared to our recent predictions. Then in our main story, Matt breaks down a true legal nightmare from this week’s news and goes beyond the headlines to explain why ICE’s recent admission that it accidentally sent a man on a one-way ticket to hell with no intention of ever returning him is actually even worse than it sounds.
Also featured: Trump and DHS Secretary Kristi Noem face actual for-real legal consequences for their bigotry against Venezuelan immigrants, 1,000 UK artists combine to form the world’s most boring supergroup to protest the legalization of AI art theft, Matt yearns for the open road, and Congressional Republicans assert the power to stop time itself.
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On World Rat Day, we’re getting ratty! We look at the biology behind the eternal struggle between rats and rat poison, and we hear about rat-on-rat warfare and other forms of pest control.
We don’t play games when it comes to rats, but we know someone who does. Dr Michael Brecht from the Humboldt University of Berlin tells us how he played hide-and-seek with lab rats and what that tells us about the behaviour of play.
On the topic of ‘rat’ behaviour, we are joined by Dr Zach Berry from the University of Southern California to talk about the psychology behind ratting people out in the workplace, testing the loyalty and morals of the Unexpected Elements team.
And speaking of rats in the workplace… we hear a first-hand report on whether African giant pouched rats might just be better staff members than humans when it comes to detecting tuberculosis at APOPO labs.
All that, plus many more Unexpected Elements.
Presenter: Anand Jagatia, with Tristan Ahtone and Christine Yohannes
Producer: Imaan Moin, with Debbie Kilbride, Alice Lipscombe-Southwell, Noa Dowling, Harrison Lewis and Sophie Ormiston.
Studio Manager: Cath McGhee
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Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s(Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.
The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood.
Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University.