Why do we all sound like idiots when we talk to babies? Don’t be embarrassed, we’re helping them acquire language. Child psychologist Ben Jeffes explains.
“Talking about music is like dancing about architecture” is a problematic statement: not just because nobody can agree on who came up with it, but because dancing about architecture doesn’t seem particularly far-fetched. Talking about dance, however – that’s really difficult. How do you put a wordless form of communication into words?
Audio describer Alice Sanders and choreographer Steven Hoggett take the issue for a twirl.
The messiness of English is the price of its success. It is the most widely spoken language in the world, geographically, being an official language in 88 different countries, and there are countless different versions of it all over the world. With so many speakers in so many places, it would be impossible to establish a single ‘correct’ form of English; and, as became evident in Fix part I, to try to do so is a losing game.
In Europe, a new strain of English is emerging. It’s not spoken very widely, but it is used by some of the most powerful people in the world. Hampton and Michael Catlin, founders of the collaborative online dictionary Wordset, lead us into this linguistic netherworld. Beware: excessive suffixes.
The English language is a mess. And if you don’t like it, what are you going to do about it – fix it? Good luck with that.
In the early 18th century, a movement of grammarians and authors wanted to set up an official authority to regulate English, like French had in the Academie Francaise. But is trying to fix a language a good move? Linguists Liv Walsh and Thomas Godard weigh up the evidence.
Words are all over the place. So how do you turn them into fun games? Here to show the way is Leslie Scott, founder of Oxford Games and inventor of more than forty games – including word games such as Ex Libris, Anagram and Flummoxed, and the non-word game Jenga.
‘Step-‘, as in stepparents or stepchildren, originated in grief. Family structures have evolved, but are stepmothers now so tainted by fairytale associations with the word ‘wicked’ that we need new terminology?
Lore’s Aaron Mahnke stops by to describe the lovelessness, literary tropes and life expectancy around ‘step-‘.
Sometimes words can become your worst enemy. Clinical psychologist Jane Gregory tells how to defuse their power. There’s more about this episode at http://theallusionist.org/behave.
This episode concerns mental health, and the discussion nudges some topics which may not be comfortable for everybody.
Stay in touch! Tweet @allusionistshow, and convene at facebook.com/allusionistshow.
Emoji allow communication without words. Could emoji be the universal language of the 21st century? Matt Gray and Tom Scott, founders of the emoji-only messaging platform emoj.li, talk through the pitfalls; and History Today’s Dr Kate Wiles finds the 500- and 5,000-year-old precedents for emoji.
CONTENT WARNING: this episode contains one category B swear word, plus reference to penises growing on trees.
There’s more about this episode at http://theallusionist.org/emoji, including a fine selection of medieval marginalia. Tweet @allusionistshow, and convene at facebook.com/allusionistshow.
It’s June; the President of the USA has officially designated it LGBT Pride Month, and there’ll be Pride events around the world. But how did the word ‘pride’ came to be the banner word for demonstrations and celebrations of LGBT rights and culture?
There’s more about this episode at http://theallusionist.org/pride. Tweet @allusionistshow, and convene at facebook.com/allusionistshow.
This episode was produced by me and Eleanor McDowall of Falling Tree, with help from Peregrine Andrews. The music is by Martin Austwick.
What does brunch have to do with Lewis Carroll? Fall down the rabbit hole of brunch semantics with Dan Pashman of the Sporkful podcast http://sporkful.com.
There’s more about this episode at http://theallusionist.org/brunch. Tweet @allusionistshow, and convene at facebook.com/allusionistshow.