Author: Helen Zaltzman

What do the hippocampus, homophones, Little Women, worrying and egg hacks have in common? They all star in the 2022 parade of Allusionist bonus bits! This year's guests provide some extra fascinating facts, thoughts and feelings: in order of reappearance, Jing Tsu, Morénike Giwa Onaiwu, Tim Clare, Stephanie Foo, Lewis Raven Wallace, Charlotte Lydia Riley, Hannah McGregor, Kristen Meinzer and Jolenta Greenberg.

Content note: there's an allusion to bawdy talk, one category A swear, discussions of mental health, and a brief reference to parental violence. 

Get extra information about the topics in this episode and find the transcript at theallusionist.org/bonus2022. This is the last Allusionist for 2022 but the show will be back mid-January 2023.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow. Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, fortnightly livestreams, special perks at live shows, and best of all the Allusioverse Discord community. Tonight, we're watching The Muppet Christmas Carol together!

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provided editorial help and the original music. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“I don't think that anyone should come away from this conversation not wanting to use the name Fiona. I think this is a beautiful and rich history. It might not be quite the history that you imagined, but I think it's a beautiful history," says writer and performer Harry Josie Giles. She and PhD researcher Moll Heaton-Callaway investigate this complicated name with fascinating history. This is the second half of a pair of episodes about the name Fiona; listen to the first episode before this one! theallusionist.org/fiona1.

Find out more about this episode and get extra information about the topics therein at theallusionist.org/fiona2, where there's also a transcript.

Both Josie and I relied heavily on Sharon Krossa's research into the etymology of Fiona; read it at medievalscotland.org/problem/names/fiona.shtml.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow, while it still stands. Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, fortnightly livestreams, special perks at live shows, and best of all the Allusioverse Discord community.

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provided editorial help and the original music. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A lot of people assume that Fiona is a very old Scottish name, but the first known Scottish Fiona is from the 1890s: Fiona Macleod, the enormously popular novelist of Scotland's Celtic Revival movement. But when she suddenly stopped writing in 1905... there turned out to be far more surprises about Fiona Macleod than the novelty of her name. Writer and performer Harry Josie Giles and PhD researcher Moll Callaway-Heaton consider the first Scottish Fiona.

This is part one of a pair of episodes about the name Fiona; part two will explore the etymology of the name and similar ones in various languages, and examine the first appearance of Fiona in literature, which comes with its own cocktail of complication.

Find out more about this episode and get extra information about the topics therein at theallusionist.org/fiona1, where there's also a transcript.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow, while it still stands. Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, fortnightly livestreams, special perks at live shows, and best of all the Allusioverse Discord community.

The Allusionist is produced by me, Helen Zaltzman. Thanks to Anne Pond from the National Maritime Museum in Cornwall for boat information, and to Martin Austwick for editorial help and the original music. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

When is a war not a war? When the British Empire called it an 'emergency' so they didn't have to abide by wartime rules or lose their insurance payouts. Artist and researcher Sim Chi Yin reflects on the Malayan Emergency, a 12-year conflict that doesn't get talked about much now by either side; and historian Charlotte Lydia Riley considers the various reasons why the British opted for the term 'emergency', and why they don't celebrate even when they supposedly won them.

Find out more about this episode and get extra information about the topics therein at theallusionist.org/emergency, where there's also a transcript.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

The Allusionist is produced by me, Helen Zaltzman. The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Provoked by current events, we've got three political eponyms for turmoiled times. Get ready for explosives, presidential pigs, Supreme Court scrapping, and wronged rhinos.

Content note: there is some description of torture about halfway through the episode.

Find out more about this episode and get extra information about the topics therein at theallusionist.org/rhino, where there's also a transcript.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

The Allusionist is produced by me, Helen Zaltzman. The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Self-help is a multibillion dollar genre of books, and Kristen Meinzer and Jolenta Greenberg of By the Book podcast have lived by the advice of more than eighty of them. They discuss the ways these books use language to get into your brain, the negging and the euphemisms, what can actually be helpful, and why we should be more like dog.

Content note: we discuss dieting and sizeism, and there are fleeting mentions of rape and abuse. There are also category A and B swears.

Find out more about this episode and get extra information about the topics therein at theallusionist.org/self-help, where there's also a transcript.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

The Allusionist is produced by me, Helen Zaltzman. The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Empathy and kindness can be noble concepts in themselves, but as terms are thrown around enough to have become buzzwords, and in the process lose some of their meaning and purpose. Audiomakers Sandhya Dirks and Julia Furlan, and academic and podcaster Hannah McGregor, discuss the value and pitfalls of appealing to the emotions.

Content note: there are mentions of parental death, cancer in adults and babies, and suicide. There are also a few category B swears.

Find out more about this episode and get extra information about the topics therein at theallusionist.org/sentiment, where there's also a transcript.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

The Allusionist is produced by me, Helen Zaltzman. The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“Anxiety is the parrot sidekick that rides on my shoulder and occasionally squawks warnings in my ear,” says Tim Clare, poet and podcaster and author of the book Coward: Why We Get Anxious & What We Can Do About It. We talk about anxiety, cowardice, magic bullets vs silver bullets, the scary Bible, and seagulls.

Content note for discussion about mental health, unsurprisingly, and colonial and military harmful practices.

Find out more about this episode and some sources of the information therein at theallusionist.org/coward, where there's also a transcript. Find Tim's books, podcasts, writing courses and more at timclarepoet.co.uk.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

The Allusionist is produced by me, Helen Zaltzman. The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

 

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Grab your stake and crucifix pendant, we're going vampire-hunting! Well, vampire-etymology-hunting. The podcast Buffering the Vampire Slayer, which recaps the TV show Buffy the Vampire Slayer episode by episode, invited me to answer their listeners' questions of language that the show had provoked. Together with BVTS hosts Kristin Russo and Jenny Owen Youngs, I tackle the etymology of coven, vampire/vampyre, wigging out, the name Buffy and Bovril; as well as google as a verb, conlang on TV, and why Latin is so often the language of spells and spookiness.

There are several swears in this episode.

Find out more about this episode and some sources of the information therein at theallusionist.org/bufflusionist, where there's also a transcript.

Listen to Buffering the Vampire Slayer on your pod app and at bufferingthevampireslayer.com, where you can also hear the original XL version of this episode, and get tickets for their upcoming live and livestreamed grand finale.

Sign up to be a patron at patreon.com/allusionist and not only are you supporting an independent podcast, you get patron-exclusive video livestreams and a Discord community full of language chat, crafts, pet pics and word games.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

The Allusionist is produced by me, Helen Zaltzman. The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

There's lots of fun etymology of creatures and a lot of fun etymology derived from creatures, and now it is gathered into this fun playalong quiz about animal etymologies!

There's an interactive answer sheet at theallusionist.org/creaturequiz, plus more information about various animals and etymologies, and as always the full dictionary entry for the randomly selected word.

And come to see the new live show Your Name Here in Aotearoa New Zealand this month of August 2022! Ticket links are at theallusionist.org/events, and everyone gets a special Allusionist pencil. Each!

Sign up to become a member of the Allusioverse at theallusionist.org/donate, and not only are you supporting an independent podcast, you get behind the scenes info about every episode, patron-exclusive video livestreams and a Discord community full of language chat, crafts, pet pics and word games.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow and instagram.com/allusionistshow.

The Allusionist is produced by me, Helen Zaltzman. The music is by Martin Austwick. Hear Martin’s own songs via palebirdmusic.com.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.