Eating Animals in the Early Modern Atlantic World: Consuming Empire, 1492-1700 (Amsterdam University Press, 2025) by Dr. Danielle Alesi examines how the perceived edibility of animals evolved during the colonization of the Americas. Early European colonizers ate a variety of animals in the Americas, motivated by factors like curiosity, starvation, and diplomacy. As settlements increased and became more sustainable, constructs of edibility shifted and the colonial food system evolved accordingly.
By exploring the changes in animal edibility identifiable in early modern Spanish, French, and English sources in the regions of Mesoamerica, Greater Amazonia, and the east coast of North America, this book shows that animals, foodways, and settler colonialism are inextricably linked and that the colonization of the Americas was not only the beginning of new empires, but also of a long-lasting colonial food culture that drives both food systems and human-animal relationships to the present day.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Theodore Karamanski joins fellow Lake Michigan enthusiast Jana Byars to talk about his new book, Great Lake: An Unnatural History of Lake Michigan. Looking down from outer space a vast expanse of blue appears in the heart of North America. Of the magnificent chain of inland seas, only one of those bodies of water--Lake Michigan--is entirely within the boundaries of the United States. Lake Michigan has been uniquely shaped by its relationship with humans, since its geological evolution took place at the same time as Paleo-Indian peoples interacted with the changing environment. Each generation of humans has altered the lake to suit society's changing needs, dredging harbors, building lighthouses, digging canals and channels, filling in shallows, and obliterating wetlands.
Great Lake is a comprehensive survey of the manifold ways Americans, from the first Native American communities to the present age, have abused, nurtured, loved, and neglected this massive freshwater resource. Extending 307 miles from north to south, the lake cuts across climatic, environmental, and physiographic zones, from the prairies of Illinois to the boreal forests of the north. Bordered by large cities like Chicago and Milwaukee as well as smaller Wisconsin resorts and northern Michigan mines and mill towns, the lake touches people in urban centers and countryside. Thus, the history of Lake Michigan combines the history of frontier resource extraction, agricultural abundance, industrialization, and dense urbanization in the American heartland. Great Lake is the story of the ever-escalating and divergent demands Americans have placed on Lake Michigan, how the lake's ecosystem responded to those changes, and how together they have shaped the modern American Midwest.
California owes its origins and sunny prosperity to slavery. Spanish invaders captured Indigenous people to build the chain of Catholic missions. Russian otter hunters shipped Alaska Natives--the first slaves transported into California--and launched a Pacific slave triangle to China. Plantation slaves were marched across the plains for the Gold Rush. San Quentin Prison incubated California's carceral state. Kidnapped Chinese girls were sold in caged brothels in early San Francisco. Indian boarding schools supplied new farms and hotels with unfree child workers.
By looking west to California, Jean Pfaelzer upends our understanding of slavery as a North-South struggle and reveals how the enslaved in California fought, fled, and resisted human bondage. In unyielding research and vivid interviews, Pfaelzer exposes how California gorged on slavery, an appetite that persists today in a global trade in human beings lured by promises of jobs but who instead are imprisoned in sweatshops and remote marijuana grows, or sold as nannies and sex workers.
California, a Slave State (Yale UP, 2023) shreds California's utopian brand, rewrites our understanding of the West, and redefines America's uneasy paths to freedom.
With rigorous scrutiny and deep care, Robin Hansen's Prison Born: Incarceration and Motherhood in the Colonial Shadow(U Regina Press, 2024) offers crucial insight into the intersections of ongoing colonial harms facing Indigenous mothers in Canada. Building from an unplanned call to Hansen from a pregnant, incarcerated Indigenous woman in 2016, Prison Born highlights how custodial prison sentences cause discriminatory and swift harm—automatically separating mothers from their children, immediately after birth.
Using Access to Information requests along with extensive research, Hansen examines the legal rights of these women—the majority of whom are Indigenous—and finds that Jacquie and her son are by no means alone: automatic mother-infant separation without due process remains the norm in most jurisdictions in Canada. Prison Born calls attention to the colonial and gendered assumptions that continue to underpin the legal system—assumptions that so frequently lead to the violation of the rights and denial of personhood for children and their mothers.
Robin Hansen is an Associate Professor in the Faculty of Law at the University of Saskatoon. Her research focuses on legal personhood; public and private international law; and systems theory of law. Rine Vieth is an FRQ Postdoctoral Fellow at Université Laval. They are currently studying how anti-gender mobilization shapes migration policy, particularly in regards to asylum determinations in the UK and Canada.
For the members of a Northern California tribe, salmon are the lifeblood of the people—a vital source of food, income, and cultural identity. When a catastrophic fish kill devastates the river, Amy Bowers Cordalis is propelled into action, reigniting her family’s 170-year battle against the U.S. government.
In a moving and engrossing blend of memoir and history, Bowers Cordalis propels readers through generations of her family’s struggle, where she learns that the fight for survival is not only about fishing—it’s about protecting a way of life and the right of a species and river to exist. Her great-uncle’s landmark Supreme Court case reaffirming her Nation’s rights to land, water, fish, and sovereignty, her great-grandmother’s defiant resistance during the Salmon Wars, and her family’s ongoing battles against government overreach shape the deep commitment to justice that drives Bowers Cordalis forward.
When the source of the fish kill is revealed, Bowers Cordalis steps up as General Counsel for the Yurok Tribe to hold powerful corporate interests accountable, and to spearhead the largest river restoration project in history. The Water Remembers: My Indigenous Family's Fight to Save a River and a Way of Life (Little, Brown and Company, 2025) is a testament to the enduring power of Indigenous knowledge, family legacy, and the determination to ensure that future generations remember what it means to live in balance with the earth.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
What do the economics of decolonisation mean for the future of Aotearoa? This question drives the work of Dr. Matthew Scobie and Dr. Anna Sturman as they explore the complex relationship between tangata whenua and capitalism in The Economic Possibilities of Decolonisation (Bridget Williams Books, 2024). By weaving together historical insights and contemporary analysis, this book reveals the enduring influence of Māori economies and illuminates how these perspectives could radically transform Aotearoa’s political economy for the better.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
From canoes on the beach at Dzidzilalich to steamships and piers, Seattle's waterfront was the center of the city's economy and culture for generations. Its tumultuous history reflects a broader story of immigration, labor battles, and technological change. The 2001 Nisqually Earthquake brought fresh urgency and opportunity to remake this contested space, sparking intense debates over history preservation, the environment, and Indigenous connections long ignored. Today, the revitalized Waterfront Park offers a new chapter in this ongoing story. The removal of the Alaskan Way Viaduct and the reconstruction of the seawall have redefined how the city interacts with its shoreline. With its blend of historic structures and forward-looking public spaces, the waterfront will continue to shape Seattle's identity. Street signs now mark Dzidzilalich, acknowledging the presence of Coast Salish peoples, while restored piers recall the area's industrious past. In Where the City Meets the Sound: The Story of Seattle's Waterfront (HistoryLink, 2025), Dr. Jennifer Ott details the waterfront's history, from its deep past to its complex present. Her book reveals how battles over control, identity, and space have forged one of the city's most iconic places, with a history that mirrors Seattle itself—rich, diverse, and constantly evolving.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
The pivotal year of 1870 brought down the curtain on the redcoat garrison world at both the metropolitan and colonial ends of the empire . . . In fewer than forty years, less than a lifetime, Aotearoa had gone from being a Māori world in which rangatira dominated, to a colony in which the settler state was in control of the economy, politics and people’s social destiny.
Garrison World: Redcoat Soldiers in New Zealand and across the British Empire (Bridget Williams Books, 2025) by Professor Charlotte Macdonald explores the lives of soldiers, sailors and their families stationed in Aotearoa New Zealand and across the British empire in the nineteenth century. Spanning the decades from 1840 to 1870, this major new history from Charlotte Macdonald places the New Zealand Wars within the wider framework of imperial power. It shows how conflict and resistance throughout the empire, from rebellion in India to the Morant Bay uprising in Jamaica, were connected to the colonial project in New Zealand.
At the centre of this history are the thousands who served in the British military – from rank-and-file soldiers and bluejackets drawn from working-class Britain and Ireland, to officers from elite backgrounds who purchased their commissions. Their presence in New Zealand was vital to the imposition of imperial control, both during times of war and in the intervening years when the garrison underpinned a fragile settler economy and society.
Through rich archival detail and personal accounts, Garrison World traces the structures, experiences and legacies of military occupation. Acknowledging the impact on Māori communities and whenua, the book offers a critical and unflinching account of how imperial authority was imposed – and often violently asserted. This is a compelling and significant contribution to understanding the reordering of power that shaped Aotearoa in the nineteenth century.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Tinsel and Rust: How Hollywood Manufactured the Rust Belt(Oxford UP, 2025)tells the story of Hollywood's role in the shaping of the Rust Belt in the United States. During the 1970s and 1980s, filmic representations of shuttered auto plants, furloughed millworkers, and decaying downtowns in the industrial heartland contributed to pervasive narratives of American malaise and decline--informing the wider cultural view of these cities and their people. Author Michael D. Dwyer (Arcadia University) untangles the complicated relationship between Hollywood and the Rust Belt, exploring how the sociocultural image of the region has become a tool to tell stories about America's mythic past, degraded present, and potential futures. Dwyer offers a reading in twofold: through the conventional lens of film and cultural studies, and through an interdisciplinary lens that pulls in elements of cultural geography and urban studies to understand the ways in which Americans learned to interpret the cities and towns of the industrial Midwest. Each chapter spotlights a different Rust Belt city--Johnstown, Chicago, Cleveland, Pittsburgh, and Detroit--and considers how films and filmmaking processes helped shape audiences' cultural understanding of those cities. Over the course of the book, Dwyer also examines several films which offer notable representations of the Rust Belt, including Slap Shot, The Blues Brothers, Major League, The Perks of Being a Wallflower, and It Follows. Finally, the volume highlights how in more recent years, cities like Pittsburgh, Detroit, and Cleveland have all attempted to remake their public image and revitalize their economies through film and media production.
A spectacular graphic novel about the life and times of the legendary Fela Kuti—the Pan-African frontman, multi-instrumentalist, sociopolitical powerhouse, and father of Afrobeat.
In Fela: Music Is the Weapon (Amistad, 2025), artist Jibola Fagbamiye and writer Conor McCreery team up to tell the remarkable origin story of one of Nigeria’s most famous sons, the King of Afrobeat, Fela Kuti, who rose to superstardom with his band Africa 70 in the 1970s, during a charged political period for his nation.
A once-in-a-lifetime musical talent who innovated the musical genre Afrobeat, Fela was also an outspoken critic of the Nigerian military regime. Fela focuses on a pivotal moment in his life, when he and his mother Funmilayo Ransome-Kuti, the renowned Nigerian suffrage activist, were ruthlessly attacked in their own home by soldiers who suffered no repercussions for their violence. It also explores Fela’s complex relationship with women, including his mother and Sandra Izsadore, the American singer and activist who revitalize and inspired him. Over the course of his life, Fela married 27 women, fathered numerous children, and founded the Kalakuta Republic commune, where he and his band lived, declaring themselves independent from military rule.
As rich and original as its subject, Fela complements the historical with the surreal, featuring parallel dream world sequences, set between this realm and the next, in which Fela receives visions about his future and the dangerous path he will have to walk.
Chronicling Fela’s perilous journey to capture his destiny—to become the King of Afrobeat, and to advocate for Pan-African unity in the face of European imperialism and white supremacy—this masterful biographical graphic novel celebrates this enduring legend and his legacy, offering inspiration for our own troubled time.
Jibola Fagbamiye is a visual artist based in Toronto. His work draws inspiration from his two great loves: African history and North American pop culture. Jibola has exhibited in galleries in Toronto, Los Angeles, and Lagos, and his work has been featured on AfroPunk, Toronto Life, ByBlacks, and BlogTO.
Conor McCreery is a former journalist turned comics scribe. He has written Assassin’s Creed, Sherlock Holmes vs Harry Houdini, Adventure Time, Regular Show, and has worked for many of the industry's top publishers including DC, IDW, BOOM!, Titan, and Dark Horse. He lives in Toronto with his wife and three children.
