Author: Marshall Poe

When Ovid was exiled from Rome to a border town on the Black Sea, he despaired at his bleak and barbarous new surroundings. Like many Greeks and Romans, Ovid thought the outer reaches of his world was where civilization ceased to exist. Our own fascination with the Greek and Roman world has for centuries followed this perspective, shrouding cultures at the far reaches of their influence in myth. But what was it like to live on the edges of these empires, on the boundaries of the known world? In The Far Edges of the Known World (W.W. Norton & Company, 2025) ancient historian Owen Rees draws on archaeological excavations to reveal these so-called borders as thriving multicultural spaces. This is where the boundaries of “civilized” and “barbarian” began to dissipate; where traditional rules didn’t always apply; where different cultures intermarried; and where nomadic tribes built their own cities. Transporting readers through historical spheres of influence, Rees journeys from the sandy caravan routes of Morocco to the freezing winters of the northern Black Sea, from the Red River valley of Vietnam to the rain-lashed forts south of Hadrian’s Wall. Beyond well-remembered figures like Cleopatra and Caesar, Rees introduces us to the everyday people who called the borderlands home. We meet an enterprising sex worker in Egypt’s Naucratis, gambling soldiers at Hadrian’s Wall in England, a Greco-Buddhist monk hailing from the Ganges, and more. As Rees shows, exchanges of trends, ideas, even religious practices were happening all over the world.

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Even before they were recognized as citizens of the United States, Black women understood that the fights for civil and human rights were inseparable. Over the course of two hundred years, they were at the forefront of national and international movements for social change, weaving connections between their own and others’ freedom struggles around the world.

Without Fear: Black Women and the Making of Human Rights (W.W. Norton, 2025) tells how, during American history, Black women made humans rights theirs: from worldwide travel and public advocacy in the global Black press to their work for the United Nations, they courageously and effectively moved human rights beyond an esoteric concept to an active, organizing principle. Acclaimed historian Keisha N. Blain tells the story of these women—from the well-known, like Ida B. Wells, Madam C. J. Walker, and Lena Horne, to those who are still less known, including Pearl Sherrod, Aretha McKinley, and Marguerite Cartwright. Blain captures human rights thinking and activism from the ground up with Black women at the center, working outside the traditional halls of power.

By shouldering intersecting forms of oppression—including racism, sexism, and classism—Black women have long been in a unique position to fight for freedom and dignity. Without Fear is an account of their aspirations, strategies, and struggles to pioneer a human rights approach to combating systems of injustice.

Dr. Keisha Blain is a professor of Africana studies and history at Brown University. She is a Guggenheim, Carnegie, and New America Fellow, and author—most recently of the National Book Critics Circle Award finalist Until I Am Free. You can find her on LinkedIn, Instagram, X, and Facebook.

You can find host Sullivan Summer at her website, on Instagram, and on Substack.

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In 388 BCE, Plato, at the age of about forty and in the midst of writing The Republic, visited for the first time the then-Greek city state of Syracuse, on the eastern shores of Sicily. Syracuse was ruled by a tyrant, Dionysius, who on death was followed by his son, also a tyrant. Over the course of his three separate visits to Syracuse over the years, encountering both father and son, Plato arrived at the model for tyranny laid out in The Republic. That’s the argument of James Romm’s splendid book, Plato and the Tyrant: The Fall of Greece’s Greatest Dynasty and the Making of a Philosophic Masterpiece (W.W. Norton, 2025). In our conversation, Romm renders, not the familiar “marble Plato” of his God-like dialogues, but an altogether human figure grappling with his own personal vulnerabilities. We discuss, too, the parallels to today’s times, in which tyrants and would-be tyrants continue to plague the world. The tyrant, as Romm ably shows, is an archetype for all time.

James Romm is the James H. Ottaway Jr. Professor of Classics at Bard College and editor of the Ancient Lives biography series from Yale University Press.

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Inspired by leaders such as Andrew Tate and Jordan Peterson, the online Manosphere has exploded in recent years. Dedicated to anti-feminism, these communities have orchestrated online campaigns of misogynistic harassment, with some individuals going as far as committing violent terrorist attacks.

Although the Manosphere has become a focus point of the media, researchers and governments alike, discussions tend to either over-sensationalize the community or offer simplistic explanations for their existence. This book uses a mixture of historical and economic analysis, alongside actual Manosphere content, to delve deeper. With The Male Complaint: The Manosphere and Misogyny Online (Polity, 2025), Simon James Copland explains how the Manosphere has developed and why it appeals to so many men. He argues that the Manosphere is not an aberration, but is deeply embedded within mainstream, neoliberal, social structures. For a cohort of alienated men, the promise of community provides a space of understanding, connection and purpose.

This insightful book dares to dig into the corners of incel communities and online spaces where misogyny thrives. It is essential reading for anyone who wants to understand, and do something about, this growing and worrying phenomenon.

Simon Copland is Honorary Fellow at the Australian National University.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here

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Crusading for Globalization: US Multinationals and Their Opponents Since 1945 (University of Pennsylvania Press, 2025) tells the story of an extraordinarily influential group of business executives at the helms of the largest US multinational corporations and their quest to drive globalization forward over the last eight decades. Janick Marina Schaufelbuehl argues that the spectacular expansion of international investment, trade, and production after 1945 cannot be understood without considering the role played by these corporate globalizers and the organization they created, the US Council (today’s United States Council for International Business). By shaping governmental policy through their congressional lobbying and close connections to successive presidential administrations, US Council members, including executives from General Electric, Coca Cola, and IBM, among others, consistently fought for ever more market deregulation, culminating in the creation of the World Trade Organization in 1995.

Crusading for Globalization is also a book about those who opposed the growing might of multinationals. In the years immediately after World War II, resistance came from business protectionists, before labor and policymakers from the Global South joined the effort in the early 1970s. Schaufelbuehl breaks new ground by offering a panorama of this early anti-globalization movement, and by showing how the leaders of multinationals organized to limit its political influence. She also examines continuities between this early movement and the opposition to globalization that emerged at the beginning of the twenty-first century from the left and the populist right and discusses how business responded by promoting corporate social responsibility and voluntary guidelines.
The first book to shed light on what caused corporate executives to pursue a pro-globalization agenda and to examine their methods for dealing with their opponents, Crusading for Globalization reveals the historical roots of today’s disparities in wealth and income distribution.

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Demilitarizing the Future (Anthem Press, 2025) draws from art, anthropology, and activism to investigate the entrenchment of militarism in everyday lives and consider novel imaginaries of its dissolution--of peacemaking, community, and shared equitable futures. This book will be published in October of 2025.

In this episode, Rebecca Kastleman, Darcie DeAngelo, Joshua Reno, and Leah Zani join Elena Sobrino to talk about their collaboration editing this anthology. They discuss the ways ecology and infrastructure are central to understanding demilitarization, the importance of interdisciplinary approaches, and the value of creative methods for this work. 

"To demilitarize the future, then, requires a radical shift in what we believe is possible. It requires a turning away from the logics of dominance, extraction, and surveillance. It requires recovering forms of life and relations that have long been buried under the ruins of empire, as well as honoring forms of life, arduously crafting different modes of material being and becoming to survive genocide. It demands the nurturing of practices that affirm rest, care, memory, and transformation." Jasbir Puar, Afterword

Guests:

Rebecca Kastleman works in Columbia University's department of English and Comparative Literature, specializing in modern drama, theory, and performance.

Darcie DeAngelo is a medical and visual anthropologist working at the University of Alberta.

Joshua Reno is a socio-cultural anthropologist working at Binghamton University.

Leah Zani is a public anthropologist, author, and poet based in Oakland, California.

Host:

Elena Sobrino is an anthropologist studying the emotions and politics of environmental crises, and currently teaching in the Science and Technology Studies program at Tufts University.

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In 1940, with the Nazis sweeping through France, Henri Matisse found himself at a personal and artistic crossroads. His 42-year marriage had ended, he was gravely ill, and after decades at the forefront of modern art, he was beset by doubt. As scores of famous figures escaped the country, Matisse took refuge in Nice, with his companion, Lydia Delectorskaya. By defiantly remaining, Matisse was a source of inspiration for his nation.

While enemy agents and Resistance fighters played cat-and-mouse in the alleyways of Nice, Matisse’s son, Jean, engaged in sabotage efforts with the Allies. In Paris, under the swastika, Matisse’s estranged wife, Amélie, worked for the Communist underground. His beloved daughter, Marguerite, active in the French Resistance, was arrested and tortured by the Gestapo, sentenced to Ravensbruck concentration camp—and miraculously escaped when her train was halted by Allied bombs. His younger, son, Pierre helped Jewish artists escape to New York; even his teenaged grandson risked his life by defying the Germans and their Vichy collaborators.

Amidst this chaos, Matisse responded to the dark days of war by inventing a dazzling new paper technique that led to some of his most iconic pieces, including The Fall of Icarus, his profile of Charles De Gaulle, Monsieur Loyal, and his groundbreaking cut-out book, Jazz. His wartime works were acts of resistance, subtly patriotic and daringly new.
Drawing on intimate letters and a multitude of other sources, Christopher C. Gorham illuminates this momentous stage of Matisse’s life as never before in Matisse at War: Art and Resistance in Nazi Occupied France (Citadel Press, 2025), revealing an artist on a journey of reinvention, wrenching meaning from the suffering of war, and holding up the light of human imagination against the torch of fascism to create some of the most exciting work of his career, of the 20th century, and in the history of art.

Guest: Christopher C. Gorham (he/him) is a lawyer, educator, and acclaimed author whose books include Matisse at War and the Goodreads Choice Award finalist, The Confidante. He lives in Boston, and can be found at ChristopherCGorham.com and on social media @christophercgorham.

Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.

Scholars@Duke Profile here

Linktree here

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