Author: Marshall Poe

In her new book, Finding Jackie: A Life Reinvented (Diversion Books, 2023), scholar and writer Oline Eaton examines the story of an era's biggest "star of life," Jaqueline Bouvier Kennedy Onassis, as she coped with trauma and built a new existence in an unstable world during the time between JFK's murder in 1963 and the death of her second husband, Aristotle Onassis, in 1975. Jackie Kennedy was universally loved and to this day is still remembered as dignified, classy, a superior wife, mother, decorator, and hostess. But what story lies beneath that of the former First Lady? What is the true tale of the woman who later wore leather miniskirts, grew her hair long, and married infamous Greek shipping tycoon Ari Onassis?

Eaton charts the taboo and often dismissed story of Jackie, the life of a woman reinventing herself time and time again. In Finding Jackie, she follows the "star of life" through her tragedies and triumphs with all the urgency and uncertainty she faced. Revealed is the Jackie the world has never seen, the Jackie who climbed pyramids, held fascinating jobs, lived abroad, married a scandalous man, saw a sex movie with him in a theater, and then judo-flipped a photographer on her way out. She frolicked braless and barefoot in Capri. She saved Grand Central. She stepped outside the rarefied world she'd been born into and exemplified the cultural changes of the 1960s and 70s. With newly released archival evidence, Finding Jackie illuminates the disconnect between the public story and what is now known of Jackie Kennedy Onassis' actual private life. Jackie has long been celebrated for her style rather than her substance but, when set in its full historical context, her story resonates today.

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Many histories of science have been written, but A New History of the Humanities (Oxford UP, 2014) offers the first overarching history of the humanities from Antiquity to the present. There are already historical studies of musicology, logic, art history, linguistics, and historiography, but this volume gathers these, and many other humanities disciplines, into a single coherent account.

Its central theme is the way in which scholars throughout the ages and in virtually all civilizations have sought to identify patterns in texts, art, music, languages, literature, and the past. What rules can we apply if we wish to determine whether a tale about the past is trustworthy? By what criteria are we to distinguish consonant from dissonant musical intervals? What rules jointly describe all possible grammatical sentences in a language? How can modern digital methods enhance pattern-seeking in the humanities? Rens Bod contends that the hallowed opposition between the sciences (mathematical, experimental, dominated by universal laws) and the humanities (allegedly concerned with unique events and hermeneutic methods) is a mistake born of a myopic failure to appreciate the pattern-seeking that lies at the heart of this inquiry.

A New History of the Humanities amounts to a persuasive plea to give Panini, Valla, Bopp, and countless other often overlooked intellectual giants their rightful place next to the likes of Galileo, Newton, and Einstein.

Rens Bod is a professor of humanities at the University of Amsterdam.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.

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New York has long been a city where people go to reinvent themselves.

And since the dawn of the twentieth century, New York City’s Greenwich Village has been at the center of that alchemy of reinvention. Its side streets, squares and coffeehouses have nurtured generations of artists, writers, and musicians, among them Bob Dylan.

Dylan first set foot in the Village in 1961, and even as he continues to make music, you can argue that his Greenwich Village years in the 1960s were a formative period in his life and work. Dick Weissman’s new book, Bob Dylan's New York: A Historic Guide (SUNY Press, 2022) helps fans and students of Dylan walk the streets where his career took off. Weissman-- musician, author, veteran of the folk scene, and associate professor emeritus at the University of Colorado Denver—emphasizes the Village but also takes in the midtown Manhattan offices that ran the music industry in Dylan’s early days and the backroads of Woodstock, NY where Dylan found refuge from the big city. The result is a book that situates Dylan’s New York years in a rich context.

Bob Dylan’s New York is organized as a series of mapped walking tours--covering Bleecker Street, MacDougal Street, Washington Square and more—that convey the people and institutions that nurtured Dylan’s early career. Individual stops on the tour—such as Dylan’s apartment building at 161 West Fourth Street and the sites of Izzy Young’s Folklore Center on MacDougal Street and Sixth Avenue—are covered in well-researched entries. The book also lists the homes and addresses of other famous Village inhabitants such as the journalist John Reed, the artist Jackson Pollock, the singer Barbra Streisand, and the political activist Eleanor Roosevelt, suggesting the cultural and political ferment of the Village in the twentieth century. Bob Dylan’s New York is generously illustrated with photographs, many of them from folklore collections at the Smithsonian, the Library of Congress and the University of North Carolina at Chapel Hill, that capture famous and not-so-famous inhabitants of the Village folk scene in the 1960s.

The gentrification that has transformed the Village in recent decades has shoved aside much of the grass-roots folk music scene that made the neighborhood so interesting. Nevertheless, many of the cafes and clubs where Dylan and his contemporaries honed their craft are still there, hidden in plain sight. This folkie, former Village resident and long-time Dylan fan went out for a two-hour walk with Bob Dylan’s New York in hand. I made many discoveries on streets that I thought I knew, and I barely scratched the surface of what the book has to offer.

Robert W. Snyder, Manhattan Borough Historian and professor emeritus of American Studies and Journalism at Rutgers University. Email: rwsnyder@rutgers.edu.

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In Endangered Maize: Industrial Agriculture and the Crisis of Extinction (U California Press, 2022), historian Helen Anne Curry investigates more than a hundred years of agriculture and conservation practices to understand the tasks that farmers and researchers have considered essential to maintaining crop diversity. Through the contours of efforts to preserve diversity in one of the world's most important crops, Curry reveals how those who sought to protect native, traditional, and heritage crops forged their methods around the expectation that social, political, and economic transformations would eliminate diverse communities and cultures. In this fascinating study of how cultural narratives shape science, Curry argues for new understandings of endangerment and alternative strategies to protect and preserve crop diversity.

Isobel Akerman is a History PhD student at the University of Cambridge studying biodiversity and botanic gardens.

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Twice winner of the Pulitzer Prize, firstly in 1969 for The Armies of the Night and again in 1980 for The Executioner's Song, Norman Mailer's life comes as close as is possible to being the Great American Novel: beyond reason, inexplicable, wonderfully grotesque and addictive.The Naked and the Dead was acclaimed not so much for its intrinsic qualities but rather because it launched a brutally realistic sub-genre of military fiction - Catch 22 and MASH would not exist without it. 

In Tough Guy: The Life of Norman Mailer (Bloomsbury, 2023), Richard Bradford combs through Mailer's personal letters - to lovers and editors - which appear to be a rehearsal for his career as a shifty literary narcissist, and which shape the characters of one of the most widely celebrated World War II novels.

Bradford strikes again with a merciless biography in which diary entries, journal extracts and newspaper columns set the tone of this study of a controversial figure. From friendships with contemporaries such as James Baldwin, failed correspondences with Hemingway and the Kennedys, to terrible - but justified - criticism of his work by William Faulkner and Eleanor Roosevelt, this book gives a unique, snappy and convincing perspective of Mailer's ferocious personality and writings.

Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics (Twitter @15MinFilm).

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This surprising global history of an indispensable document reveals how the passport has shaped art, thought, and human experience while helping to define the modern world.

In License to Travel: A Cultural History of the Passport (U California Press, 2022), Patrick Bixby takes the reader on a captivating journey from pharaonic Egypt and Han-dynasty China to the passport controls and crowded refugee camps of today. Along the way, you will:

• Peruse the passports of artists and intellectuals, writers and musicians, ancient messengers and modern migrants.
• See how these seemingly humble documents implicate us in larger narratives about identity, mobility, citizenship, and state authority.
• Encounter intimate stories of vulnerability and desire along with vivid examples drawn from world cinema, literature, art, philosophy, and politics.
• Witness the authority that travel documents exercise over our movements and our emotions as we circulate around the globe.

With unexpected discoveries at every turn, License to Travel exposes the passport as both an instrument of personal freedom and a tool of government surveillance powerful enough to define our very humanity.

Marci Mazzarotto is an Assistant Professor and Program Coordinator of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on mass media, popular culture and avant-garde art.

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We have been ruled long enough. It is time to govern ourselves. If we are to get past the Constitution and all systems based on constitutions, we need to move past the nation state as the means by which we are governed from above.

– Robert Ovetz, We the Elites (2022, p. 167)

Written by 55 of the richest white men of early America, and signed by only 39 of them, the constitution is the sacred text of American nationalism. Popular perceptions of it are mired in idolatry, myth, and misinformation - many Americans have opinions on the constitution but have no idea what’s in it.

The misplaced faith of social movements in the constitution as a framework for achieving justice actually obstructs social change - incessant lengthy election cycles, staggered terms, and legislative sessions have kept social movements trapped in a redundant loop. This stymies progress on issues like labor rights, public health, and climate change, projecting the American people and the rest of the world towards destruction.

Robert Ovetz’s reading of the constitution shows that the system isn’t broken. Far from it. It works as it was designed.

From the introduction:

‘The Framers genius was in designing a virtually unchangeable system that provides the people with a semblance of participation and allows a few to select some representatives while the rest of us relinquish the power to self-govern. How and why they did that, why it still functions in that same way, and why we need to move past it is the focus of this book.’

Professor Ovetz is a senior lecturer in political science and public administration at San Jose State University and a lecturer in sociology at the University of California, Berkeley. His first book, When Workers Shot Back: Class Conflict from 1877 to 1924, was published in 2018 by Brill/Haymarket Books. His second book was an edited volume in 2020 entitled, Workers’ Inquiry and Global Class Struggle: Strategies, Tactics, Objectives also published by Pluto Press.

Sydney Business School at Shanghai University - can be reached at keith.krueger1@uts.edu.au or keithNBn@gmail.com

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The election of Donald Trump in 2016 shocked and appalled a number of people, forcing a critical reevaluation of what was possible, and what we ought to be vigilant about. A debate soon emerged about whether Trump represented the possibility of fascism in the United States. This debate centered around the ways in which fascism has often presented itself; the rhetoric and aesthetics in particular, often at the expense of examining the underlying economic form. Against this tendency, Michael Joseph Roberto has emerged with a corrective, The Coming of the American Behemoth: The Origins of Fascism in the United States, 1920-1940 (Monthly Review Press, 2018), arguing that fascism is not composed of moral relics of the past but is a distinctly modern movement, tied inherently to the nature of capitalism.

Turning to the United States in the roaring 20’s and depressed 30’s, Roberto has several interlinked tasks. Primary to the book is reframing our understanding of fascism as a reaction against revolutionary working class politics. It is an attempt by the bourgeois to maintain order in society via use of the state or various cultural apparatuses such as advertising to maintain political discipline. The United States, being the most advanced capitalist country in the world, is not only not immune to this sort of movement, but is uniquely vulnerable, and that vulnerability has not gone away in our times. To argue this, Roberto not only examines Marx’s Capital, but a whole series of texts written in the period he’s examining to show that his conclusions are not terribly new; they’ve simply been forgotten. The result is a study that combines history, economics and cultural analysis to produce a much-needed corrective to our understanding of what fascism is and how we might fight it.

Michael Joseph Roberto is a retired history professor. He has also worked as a journalist and political activist in North Carolina. His writing has appeared in a number of places, including The Monthly Review and Socialism and Democracy.

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International criminal justice is, at its core, an anti-atrocity project. Yet just what an 'atrocity' is remains undefined and undertheorized. Randle C. DeFalco's book Invisible Atrocities: The Aesthetic Biases of International Criminal Justice (Cambridge UP, 2022) examines how associations between atrocity commission and the production of horrific spectacles shape the processes through which international crimes are identified and conceptualized, leading to the foregrounding of certain forms of mass violence and the backgrounding or complete invisibilization of others. In doing so, it identifies various, seemingly banal ways through which international crimes may be committed and demonstrates how the criminality of such forms of violence and abuse tends to be obfuscated. 

DeFalco suggests that the failure to address these 'invisible atrocities' represents a major flaw in the current international criminal justice system, one that produces a host of problematic repercussions and undermines the legal legitimacy of international criminal law itself.

Jeff Bachman is Senior Lecturer in Human Rights at American University’s School of International Service in Washington, DC.

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