Author: Marshall Poe

The Moog synthesizer ‘bent the course of music forever’ Rolling Stone declared.

Bob Moog, the man who did that bending, was a lovable geek with Einstein hair and pocket protectors. He walked into history in 1964 when his homemade contraption unexpectedly became a sensation---suddenly everyone wanted a Moog. The Beatles, The Doors, The Byrds, and Stevie Wonder discovered his synthesizer, and it came to be featured in seminal film scores including Apocalypse Now and A Clockwork Orange. The Moog's game-changing sounds saturated 60's counterculture and burst into the disco party in the 70's to set off the electronic dance music movement. Bob had singlehandedly founded the synth industry and become a star in the process.

But he was also going broke. Imitators copied his technology, the musicians' union accused him of replacing live players, and Japanese competitors started overtaking his work. He struggled to hang on to his inventions, his business, and his very name. Bob's story upends our notions of success and wealth, showing that the two don't always go together.

In Switched On: Bob Moog and the Synthesizer Revolution (Oxford UP, 2022), author Albert Glinsky draws on exclusive access to Bob Moog's personal archives and his probing interviews with Bob's family and a multitude of associates, for this first complete biography of the man and his work. Switched On takes the reader on a roller coaster ride at turns triumphant, heart-breaking, and frequently laugh out loud absurd---a nuanced trip through the public and private worlds of this legendary inventor who altered the course of music.”

Nathan Smith is a PhD Student in Music Theory at Yale University. He can be reached at nathan.smith@yale.edu.

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How do states and societies confront the legacies of war and occupation, and what do truth, guilt, and justice mean in that process? 

In Ghosts of War: Nazi Occupation and Its Aftermath in Soviet Belarus (Cornell UP, 2022), Franziska Exeler examines people's wartime choices and their aftermath in Belarus, a war-ravaged Soviet republic that was under Nazi occupation during the Second World War.

After the Red Army reestablished control over Belarus, one question shaped encounters between the returning Soviet authorities and those who had lived under Nazi rule, between soldiers and family members, reevacuees and colleagues, Holocaust survivors and their neighbors: What did you do during the war?

Ghosts of War analyzes the prosecution and punishment of Soviet citizens accused of wartime collaboration with the Nazis and shows how individuals sought justice, revenge, or assistance from neighbors and courts. The book uncovers the many absences, silences, and conflicts that were never resolved, as well as the truths that could only be spoken in private, yet it also investigates the extent to which individuals accommodated, contested, and reshaped official Soviet war memory. The result is a gripping examination of how efforts at coming to terms with the past played out within, and at times through, a dictatorship.

Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life.

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Lorraine Daston, Rules: A Short History of What We Live by (Princeton UP, 2022).

Historian of science Lorraine Daston's wonderful new book, Rules: A Short History of What We Live by (Princeton UP, 2022). is just out. Daston's earlier pathbreaking works include Against Nature, Classical Probability in the Enlightenment and many co-authored books, including Objectivity (with Peter Galison) which introduced the idea of historically changeable "epistemic virtues."

In this Recall this Book conversation, Daston--Raine to her friends--shows that rules are never as thin (as abstract and context-free) as they pretend to be. True, we love a rule that seems to brook no exceptions: by the Renaissance, even God is no longer allowed to make exceptions in the form of miracles. Yet throughout history, Raine shows, islands of standardized stability are less stable than they seem. What may feel like oppressively general norms and standards are actually highly protected ecotopes within which thin rules can arise. Look for instance at the history of sidewalks (Raine has)!

Raine, Elizabeth and John dive into the details. Implicit and explicit rules are distinguished in the case of e.g. cookbooks and monasteries--and then the gray areas in-between are explored. When students unconsciously ape their teachers, that is a tricky form of emulation--is it even possible to "follow but not ape"? Perhaps genres do this work: The Aeneid is not the Iliad and yet older writers are somehow internalized in the later ones.

Mentioned in the Episode

• Karl Polanyi, 1944) The Great Transformation: The Political and Economic Origins of Our Time, on the embeddedness of markets in norms and rules.
• John Locke's Second Treatise on Government (1690) denounces the "arbitrary will of another," an early case of seeing will simply qua will is unacceptable.
• Arnold Davidson sees genre variation (like Milton learning from Homer) also happening in musical invention.
• Michael Tomasello works on children's rule-following and enforcement against violations,
• Johannes Huizinga's Homo Ludens (1938) with its notion of demarcated "sacred spaces of play" is a touchstone of rule-following Lorraine and John both adore.

Recallable Books

• The Rule of Saint Benedict (516 onwards)
• Irma Rombauer, Joy of Cooking (1931 onwards) As Elizabeth says, it's from following the rules that joy emerges....
• Walter Miller's Canticle for Liebowitz
• Fyodor Dostoyevsky, Notes from Underground (1864) an instance of the notion that one establishes free will by caprice or defiance against natural laws ("damnit, gentleman, sometimes 2+2=5 is a nice thing too!")

Read the transcript here.

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Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021) shows how relationships between racial identities, jazz, and national belonging become entangled in France.

Jazz manouche—a genre known best for its energetic, guitar-centric swing tunes—is among France’s most celebrated musical practices of the twentieth and twenty-first centuries. It centers on the recorded work of famed guitarist Django Reinhardt and is named for the ethnoracial subgroup of Romanies (also known, often pejoratively, as “Gypsies”) to which Reinhardt belonged. French Manouches are publicly lauded as bearers of this jazz tradition, and many take pleasure and pride in the practice while at the same time facing pervasive discrimination. Jazz manouche uncovers a contradiction at the heart of France’s assimilationist republican ideals: the music is portrayed as quintessentially French even as Manouches themselves endure treatment as racial others.

In Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021), Siv B. Lie explores how this music is used to construct divergent ethnoracial and national identities in a context where discussions of race are otherwise censured. Weaving together ethnographic and historical analysis, Lie shows that jazz manouche becomes a source of profound ambivalence as it generates ethnoracial difference and socioeconomic exclusion. As the first full-length ethnographic study of French jazz to be published in English, this book enriches anthropological, ethnomusicological, and historical scholarship on global jazz, race and ethnicity, and citizenship while showing how music can be an important but insufficient tool in struggles for racial and economic justice.

Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.

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This episode from the Vault is a lecture by May Berenbaum about why insects are so scary. Professor Berenbaum is an American entomologist whose research focuses on the chemical interactions between herbivorous insects and their host plants. She teaches entomology at the University of Illinois, and was awarded the National Medal of Science in 2014. She is also the organizer of the annual Insect Fear Film Festival.

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William Shakespeare, who lived in England from 1564 to 1616, is one of the world’s most popular and most captivating authors. Even four hundred years after his death, his plays still attract audiences around the globe. Why is that? In this course, you’ll learn who Shakespeare was, what kinds of plays he wrote, and what makes his body of work perhaps the greatest work of art ever created. In Episode One, Emma Smith, Professor of Shakespeare Studies at the University of Oxford, tackles the question, Why read Shakespeare? You’ll learn what makes Shakespeare newly relevant for each new generation of audiences and discover what is unique about Shakespeare’s approach to writing--an approach that lets us not only watch but actually take part in his plays. 

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Tracing practical reason from its origins to its modern and contemporary permutations, the Greek discovery of practical reason, as the skilled performance of strategic thinking in public and private affairs, was an intellectual breakthrough that remains both a feature of and a bug in our modern world. Countering arguments that rational choice-making is a contingent product of modernity, The Greeks and the Rational: The Discovery of Practical Reason (U California Press, 2022) traces the long history of theorizing rationality back to ancient Greece. In this book, Josiah Ober explores how ancient Greek sophists, historians, and philosophers developed sophisticated and systematic ideas about practical reason. At the same time, they recognized its limits—that not every decision can be reduced to mechanistic calculations of optimal outcomes. Ober finds contemporary echoes of this tradition in the application of game theory to political science, economics, and business management. The Greeks and the Rational offers a striking revisionist history with widespread implications for the study of ancient Greek civilization, the history of thought, and human rationality itself.

Javier Mejia is an economist teaching at Stanford University, whose work focuses on the intersection between social networks and economic history. His interests extend to topics on entrepreneurship and political economy with a geographical specialty in Latin America and the Middle East. He received a Ph.D. in Economics from Los Andes University. He has been a Postdoctoral Associate and Lecturer at New York University--Abu Dhabi and a Visiting Scholar at the University of Bordeaux. He is a regular contributor to different news outlets. Currently, he is Forbes Magazine op-ed columnist.

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A revolutionary new theory and call to action on animal rights, ethics, and law from the renowned philosopher Martha C. Nussbaum. 

Animals are in trouble all over the world. Whether through the cruelties of the factory meat industry, poaching and game hunting, habitat destruction, or neglect of the companion animals that people purport to love, animals suffer injustice and horrors at our hands every day. The world needs an ethical awakening, a consciousness-raising movement of international proportions. 

In Justice for Animals (Simon & Schuster, 2023), one of the world’s most influential philosophers and humanists Martha C. Nussbaum provides a revolutionary approach to animal rights, ethics, and law. From dolphins to crows, elephants to octopuses, Nussbaum examines the entire animal kingdom, showcasing the lives of animals with wonder, awe, and compassion to understand how we can create a world in which human beings are truly friends of animals, not exploiters or users. All animals should have a shot at flourishing in their own way. Humans have a collective duty to face and solve animal harm. An urgent call to action and a manual for change, Nussbaum’s groundbreaking theory directs politics and law to help us meet our ethical responsibilities as no book has done before.

Martha C. Nussbaum is currently the Ernst Freund Distinguished Service Professor of Law and Ethics at the University of Chicago, appointed in the Department of Philosophy and the Law School.

Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).

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By any reasonable metric, prisons as they exist in the United States and in many other countries are normatively unacceptable. What is the proper moral response to this? Can prisons and the practices surrounding incarceration feasibly be reformed, or should the entire enterprise be abolished? If the latter, then what? If the former, what are the necessary reforms?

In The Idea of Prison Abolition (Princeton UP, 2022), Tommie Shelby undertakes a systematic and critical examination of the arguments in favor of prison abolition. Although he ultimately rejects abolitionism as a philosophical position, he builds from the abolitionist program’s crucial insights a positive view of what it would take to create a prison and incarceration system that is consistent with justice.

Robert Talisse is the W. Alton Jones Professor of Philosophy at Vanderbilt University.

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