Author: Marshall Poe

This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture.

From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons & Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators.

The Fantasy of the Middle Ages: An Epic Journey Through Imaginary Medieval Worlds (J. Paul Getty Museum, 2022) aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars.

This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022.

Larisa Grollemond is the assistant curator of manuscripts at the J. Paul Getty Museum. She received her Ph.D. in art history from the University of Pennsylvania and was a contributing editor for Book of Beasts: The Bestiary in the Medieval World (Getty Publications, 2019).

Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of the global Middle Ages and fantasy medievalisms. He holds a Ph.D. from the Courtauld Institute of Art, at the University of London.

Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master’s in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages.

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Blunt Instruments: Recognizing Racist Cultural Infrastructure in Memorials, Museums, and Patriotic Practices (Beacon Press, 2022) provides a field guide to the memorials, museums, and practices that commemorate white supremacy in the United States—and how to reimagine a more deeply shared cultural infrastructure for the future.

Cultural infrastructure has been designed to maintain structures of inequality, and while it doesn’t seem to be explicitly about race, it often is. Blunt Instruments helps readers identify, contextualize, and name elements of our everyday landscapes and cultural practices that are designed to seem benign or natural but which, in fact, work tirelessly to tell us vital stories about who we are, how we came to be, and who belongs.

Examining landmark moments such as the erection of the first American museum and Colin Kaepernick’s kneeling pledge of allegiance, historian Kristin Hass explores the complicated histories of sites of cultural infrastructure. With sharp analysis and a broad lens, Hass makes the undeniable case that understanding what cultural infrastructure is, and the deep and broad impact that it has, is essential to understanding how structures of inequity are maintained and how they might be dismantled.

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

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Katherine S. Newman and Elisabeth S Jacobs' book Moving the Needle: What Tight Labor Markets Do for the Poor (U California Press, 2023) is a timely investigation reveals how sustained tight labor markets improve the job prospects and life chances of America’s most vulnerable households.

Most research on poverty focuses on the damage caused by persistent unemployment. But what happens when jobs are plentiful, and workers are hard to come by? Moving the Needle examines how very low unemployment boosts wages at the bottom, improves benefits, lengthens job ladders, and pulls the unemployed into a booming job market.

Drawing on over seventy years of quantitative data, as well as interviews with employers, jobseekers, and longtime residents of poor neighborhoods, Katherine S. Newman and Elisabeth S. Jacobs investigate the most durable positive consequences of tight labor markets. They also consider the downside of overheated economies that can ignite surging rents and spur outmigration. Moving the Needle is an urgent and original call to implement policies that will maintain the current momentum and prepare for potential slowdowns that may lie ahead.

John Emrich has worked for decades years in corporate finance, business valuation and fund management. He has a podcast about the investment space called Kick the Dogma.

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In his book Intimate Alien: The Hidden Story of the UFO (Stanford University Press, 2020), David J. Halperin explores the phenomena of UFO's through a psychological lense.

UFOs became part of our cultural landscape in 1947, and they've been with us ever since. Debunked innumerable times, they refuse to go away. Made the subject of great expectations by their believers, they invariably disappoint. They've been called a myth, both in disparagement and, more properly, in appreciation of their power and significance. 

This book argues that they are actually a mythology, as gripping and profound as the great mythologies of antiquity to which they're linked. The question it asks about them is not, "What are they?" nor "Where do they come from?" but "What do they mean?" Halperin begins his exploration with his own longish teenage foray into the UFOs that he began to believe in as his mother lay dying of cancer. Despite the fact that he was only a high school student, Halperin joined and then became the director of "New Jersey Association on Aerial Phenomena" (NJAAP), an organization of amateur observers with members across the States. He goes on to revisit a range of famous cases of UFO sightings and abductions while introducing his own approach, which is informed by the study of religion, folklore, and Jungian psychology. Ultimately arguing for UFOs as evidence of the inner trauma of individuals as well as entire societies, he posits that the rise of the UFO in post-World War II America coincides with that moment in the nuclear age when we first became capable of imagining our death as a species,

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If you have ever gotten excited over buying a new object only to feel let down once you acquire it, then today’s discussion will be relevant to you. My guest is Todd McGowan, author of the book Capitalism and Desire: The Psychic Cost of Free Markets (2016, Columbia University Press). We discuss his critique of capitalism as a system that encourages us to forever chase satisfactions that never come. And we explore his suggestion that true satisfaction lies in the wanting, not the acquiring. It’s a fascinating conversation that will radically change the way you approach everyday consumption and how you think about your own satisfaction.

Todd McGowan is professor of film studies at the University of Vermont. He is the author of several other books, including Enjoying What We Don’t Have: The Political Project of Psychoanalysis (2013, University of Nebraska Press), Only a Joke Can Save Us: A Theory of Comedy (2017, Northwestern University Press), and Universality and Identity Politics (2020, Columbia University Press). He is also co-host, along with Ryan Engley, of the podcast Why Theory.

Eugenio Duarte, Ph.D. is a psychoanalyst and clinical psychologist practicing in Miami. He treats individuals and couples, with specialties in gender and sexuality, eating and body image problems, and relationship issues. He is a graduate and faculty of William Alanson White Institute in Psychiatry, Psychoanalysis, and Psychology in New York City and former chair of their LGBTQ Study Group; and faculty at Florida Psychoanalytic Institute in Miami. He is a contributing author to the books Introduction to Contemporary Psychoanalysis: Defining Terms and Building Bridges (2018, Routledge) and Patriarchy and its Discontents: Psychoanalytic Perspectives (2023, Routledge) and has published on issues of gender, sexuality, and sexual abuse.

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Leigh Goodmark’s new book, Imperfect Victims: Criminalized Survivors and the Promise of Abolition Feminism (U California Press, 2023), uses the stories of individual criminalized survivors of gender based violence to illuminate the ways that the criminal legal system perpetuates violence against the very women, transgender people, and gender non-conforming people it claims to protect. Leigh argues that reform is not the answer to this problem, and that instead of limiting our efforts and imaginations to the pursuit of reforms that ultimately expand the reach of the criminal legal system, we should invest in abolition feminism and a world of non-carceral supports and resources like housing, healthcare, and education instead of arrest, prosecution, and incarceration.

Kendall Dinniene is a fourth year English PhD student at Southern Methodist University in Dallas, Texas. Their research examines how contemporary American authors respond to anti-fatness in their work.

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One of the most recognizable tropes in American society in the past few decades is the scarred war veteran, returning from foreign lands with wounds both visible and invisible. His experiences are incomprehensible to those who’ve not served, but we owe him everything, and it is our duty as American citizens to honor him with nonjudgmental empathy so that he might eventually heal and reintegrate into the national community. But this narrative, this response to combat is neither natural or the only possible way of dealing with the issue. In fact, my guest Nadia Abu El-Haj argues that it is a distinctly apolitical interpretation, one that works as a cover for the politics of American empire in her new book Combat Trauma: Imaginaries of War and Citizenship in Post-9/11 America (Verso, 2022).

Beginning her narrative in the 1960’s and 70’s with the war in Vietnam, El-Haj traces PTSD back to it’s roots as a response to extreme circumstances. In the soldiers being studied, psychologists found men who were shattered by their experiences, struggling to process them and move on when they returned home. However, key to their understanding was a sense of guilt and complicity in the war. They might’ve been damaged and in need of care to move forward with their lives, but they were still guilty of immoral and criminal acts. The diagnosis was then not just an individualized pathology but part of a broader political critique, and part of the healing process involved engaging in activism to fight the very systems the soldiers had been participants of.

Fast forward a few decades, and this political angle has almost been entirely erased. Instead, soldiers returning from Iraq and Afghanistan are no longer perpetrators but victims who bear a burden we all must honor them for. This new discourse around trauma buries the possibility of political dissent, leaving us unable to understand the decisions that produced the trauma in the first place, but also focuses so heavily on the traumatized soldier that civilians caught in the crossfire almost never factor in our understanding, in spite of the fact that they are the most numerous victims of wars in the last several decades. This combination has produced a toxic form of militarism, one incapable of sustained political critique, which helps explain why the wars in Iraq, Afghanistan and elsewhere have been able to go on so long.

Combining fields and disciplines and tying numerous disparate threads together, El-Haj’s work is a devastatingly urgent, eye-opening critique of a society that has long lost it’s capacity for critical self-reflection. It reveals many ideological traps and mazes many have been lost in, and even if it cannot bring about a more peaceful world on its own, it can point the way towards a more critical one.

Nadia Abu El-Haj is a professor of anthropology at Barnard College. She is also the author of The Genealogical Science: The Search for Jewish Origins and the Politics of Epistemology and Facts on the Ground: Archaeological Practice and Territorial Self-Fashioning in Israeli Society.

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