The People's Porn: A History of Handmade Pornography in America(Reaktion Books, 2020) is a beautifully written and groundbreaking historical study of homemade, handmade and amateur pornographic artifacts. Covering everything from erotic scrimshaw to amateur videos on the web, Lisa Sigel offers a fascinating account of what ordinary people thought about sexuality and desire. This hidden chapter of American sexual history is not only a much-needed counterbalance to ahistorical arguments which dominate pornography today, it’s also a reminder of humanity’s prodigious tendency to create and communicate sexual desires. At times, the images and objects presented in this book might appear shocking, crude, grotesque, problematic, confrontational, unrestrained, unruly; but in the end they are deeply human.
Zachary Lowell holds an MA in global studies from Humboldts Universtität zu Berlin.
In Rebirthing a Nation: White Women, Identity Politics, and the Internet(U Mississippi Press, 2021), author Wendy K. Z. Anderson details how white nationalist and alt-right women refine racist rhetoric and web design as a means of protection and simultaneous instantiation of white supremacy, which conservative political actors including Sarah Palin, Donald Trump, Kellyanne Conway, Sarah Huckabee Sanders, and Ivanka Trump have amplified through transnational politics. By validating racial fears and political divisiveness through coded white identity politics, postfeminist and motherhood discourse functions as a colorblind, gilded cage. Rebirthing a Nation reveals how white nationalist women utilize colorblind racism within digital space, exposing how a postfeminist framework becomes fodder for conservative white women’s political speech to preserve institutional white supremacy.
Wendy K. Z. Anderson (she/her) is an independent researcher and instructor in the Department of Communication Studies at the University of Minnesota, Twin-Cities.
Lee M. Pierce (they & she) is Asst Professor in the Department of Communication Studies at the State University of New York College at Geneseo. Connect on Twitter, Gmail, etc. @rhetoriclee.
California is often used as a synecdoche for the United States itself - America in microcosm. Yet, California was, is, and will always be, Native space. This fact is forcefully argued by Damon Akins and William J. Bauer, Jr. in We Are the Land: A History of Native California (University of California Press, 2021). Akins, an associate professor history at Guilford College, and Bauer, a professor of history at UNLV, track the long history of the Pacific Coast, from ocean to mountain, with an emphasis on Native spaces, Native power, and Native resiliency. California historically contained (and indeed, still does contain) a dizzying array of Native nations, tribes, and societies, and We Are the Land does the work of attempting to cover, in some small amount, as many as possible over several centuries worth of history. It is a crisply written survey that doesn't shy away from the horrors of the past, but also dwells on moments of power and activism - this is no simple story of decline and tragedy. California, Akins and Bauer maintain, cannot be understood apart from its Native context - indeed the land and its people are in many ways one and the same.
Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
Gospel music evolved in often surprising directions during the post-Civil Rights era. Claudrena N. Harold's in-depth look at late-century gospel, When Sunday Comes: Gospel Music in the Soul and Hip-Hop Eras (U Illinois Press, 2020), focuses on musicians like Yolanda Adams, Andraé Crouch, the Clark Sisters, Al Green, Take 6, and the Winans, and on the network of black record shops, churches, and businesses that nurtured the music. Harold details the creative shifts, sonic innovations, theological tensions, and political assertions that transformed the music, and revisits the debates within the community over groundbreaking recordings and gospel's incorporation of rhythm and blues, funk, hip-hop, and other popular forms. At the same time, she details how sociopolitical and cultural developments like the Black Power Movement and the emergence of the Christian Right shaped both the art and attitudes of African American performers. Weaving insightful analysis into a collective biography of gospel icons, When Sunday Comes explores the music's essential place as an outlet for African Americans to express their spiritual and cultural selves.
Adam McNeil is a third year Ph.D. in History student at Rutgers, the State University of New Jersey.
During the years of the Early Republic, prominent Native leaders regularly traveled to American cities--Albany, Boston, Charleston, Philadelphia, Montreal, Quebec, New York, and New Orleans--primarily on diplomatic or trade business, but also from curiosity and adventurousness. They were frequently referred to as "the Chiefs now in this city" during their visits, which were sometimes for extended periods of time. Indian people spent a lot of time in town. Colin Calloway, National Book Award finalist and one of the foremost chroniclers of Native American history, has gathered together the accounts of these visits and from them created a new narrative of the country's formative years, redefining what has been understood as the "frontier."
Calloway's The Chiefs Now in This City: Indians and the Urban Frontier in Early America (Oxford UP, 2021) captures what Native peoples observed as they walked the streets, sat in pews, attended plays, drank in taverns, and slept in hotels and lodging houses. In the Eastern cities they experienced an urban frontier, one in which the Indigenous world met the Atlantic world. Calloway's book reveals not just what Indians saw but how they were seen. Crowds gathered to see them, sometimes to gawk; people attended the theatre to watch “the Chiefs now in this city” watch a play.
Their experience enriches and redefines standard narratives of contact between the First Americans and inhabitants of the American Republic, reminding us that Indian people dealt with non-Indians in multiple ways and in multiple places. The story of the country's beginnings was not only one of violent confrontation and betrayal, but one in which the nation's identity was being forged by interaction between and among cultures and traditions.
Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.
Many believe the solution to ongoing crises in the news industry — including profound financial instability and public distrust — is for journalists to improve connections to their audiences. Conversations about the proper relationship between the media and the public go back to Walter Lippmann and John Dewey and through the public journalism movement of the 1990s to today and what's come to be known as engaged journalism.
In Imagined Audiences: How Journalists Perceive and Pursue the Public (Oxford UP, 2021), Jacob L. Nelson examines the role that audiences have traditionally played in journalism, how that role has changed, and what those changes mean for both the profession and the public. The result is a comprehensive study of both news production and reception at a moment when the relationship between the two has grown more important than ever before.
Beyond the arguments in Imagined Audiences, Nelson talks with New Books in Journalism host Jenna Spinelle about how journalism researchers and practitioners can work more closely together, as well as how Nelson's students perceive engaged journalism in relationship to their own media habits. This conversation is also in many ways a companion to the recent episode with Andrea Wenzel on her book "Community-Centered Journalism." Nelson and Wenzel work together on the Engaged Journalism Exchange, a series of gatherings aiming to bridge the divide between journalism scholars and innovators.
Nelson is an assistant professor at the Walter Cronkite School of Journalism and Mass Communication at Arizona State University. Spinelle is an instructor in the Donald P. Bellisario College of Communications at Penn State and host of the Democracy Works podcast.
Jenna Spinelle is a journalism instructor at Penn State's Donald P. Bellisario College of Communications. She's also the communications specialist for the university's McCourtney Institute for Democracy, where she hosts and produces the Democracy Works podcast.
Every good story needs a villain, and some of the early chroniclers of the pilgrim and puritan settlements found all they needed for this type of character in Thomas Morton. Peter C. Mancall tells the story in The Trials of Thomas Morton: An Anglican Lawyer, His Puritan Foes, and the Battle for a New England (Yale UP, 2019), in what reads perhaps like a historical legal thriller novel. Most of our knowledge of Morton comes from the records left by his enemies, but Mancall's new research into this enigmatic figure unveils how this unlikely anti-hero can shed tremendous light on alternate possibilities in the contentious early years of the European-Native encounter. Morton's own writings portray a vision of an altogether different kind of indigenous–settler future. Yet Morton's continued antagonism of the Plymouth and Massachusetts Bay colonial governments led to his repeated exile. While he was repudiated by the earliest generations of readers for debauchery and political menace, subsequent generations continue to find in Thomas Morton a countercultural icon in a world dominated by religious dissidents.
In an “other world” composed of language—it could be a fathomless Martian well, a labyrinthine hotel, or forest—a narrative unfolds, and with it the experiences, memories, and dreams that constitute reality for Haruki Murakami’s characters and readers. Memories and dreams in turn conjure their magical counterparts—people without names or pasts, fantastic animals, half-animals, and talking machines that traverse the dark psychic underworld of this writer’s extraordinary fiction.
Fervently acclaimed worldwide, Haruki Murakami’s wildly imaginative work in many ways remains a mystery, its worlds within worlds uncharted territory. Finally in The Forbidden Worlds of Haruki Murakami(University of Minnesota Press, 2014), Matthew Carl Strecher providesreaders with a map to the strange realm that grounds virtually every aspect of Murakami’s writing. A journey through the enigmatic and baffling innermost mind, a metaphysical dimension where Murakami’s most bizarre scenes and characters lurk, The Forbidden Worlds of Haruki Murakami exposes the psychological and mythological underpinnings of this other world. The author shows how these considerations color Murakami’s depictions of the individual and collective soul, which constantly shift between the tangible and intangible but in this literary landscape are undeniably real.
Through these otherworldly depths The Forbidden Worlds of Haruki Murakami also charts the writer’s vivid “inner world,” whether unconscious or underworld (what some Japanese critics call achiragawa あちら側, or “over there”), and its connectivity to language. Strecher covers all of Murakami’s work—including his efforts as a literary journalist—and concludes with the first full-length close reading of the writer’s recent novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage.
Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience.
This book was a phenomenon and a runaway bestseller when released in France. We are lucky to have outstanding translation from the author herself in English suited to an American and English audience.
What role do women play in the perpetuation of patriarchy? On the one hand, popular media urges women to be independent, outspoken, and career-minded. Yet, this same media glorifies a specific, sometimes voluntary, female submissiveness as a source of satisfaction. In philosophy, even less has been said on why women submit to men and the discussion has been equally contradictory—submission has traditionally been considered a vice or pathology, but female submission has been valorized as innate to women’s nature. Is there a way to explore female submission in all of its complexity—not denying its appeal in certain instances, and not buying into an antifeminist, sexist, or misogynistic perspective?
We Are Not Born Submissive offers the first in-depth philosophical exploration of female submission, focusing on the thinking of Simone de Beauvoir, and more recent work in feminist philosophy, epistemology, and political theory. Manon Garcia argues that to comprehend female submission, we must invert how we examine power and see it from the woman’s point of view. Historically, philosophers, psychoanalysts, and even some radical feminists have conflated femininity and submission. Garcia demonstrates that only through the lens of women’s lived experiences—their economic, social, and political situations—and how women adapt their preferences to maintain their own well-being, can we understand the ways in which gender hierarchies in society shape women’s experiences. Ultimately, she asserts that women do not actively choose submission. Rather, they consent to—and sometimes take pleasure in—what is prescribed to them through social norms within a patriarchy.
Moving beyond the simplistic binary of natural destiny or moral vice, We Are Not Born Submissive takes a sophisticated look at how female submissiveness can be explained.
Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
The title of Edward Westermann's new book, Drunk on Genocide: Alcohol and Mass Murder in Nazi Germany (Cornell University Press, published in association with the United States Holocaust Memorial Museum, 2021),suggests that it is about the use of alcohol by perpetrators of the Holocaust. And it is. Westermann documents extensively how alcohol served to bind perpetrators together and to help them celebrate, conduct and perhaps forget mass murder. The amount of alcohol consumed as part of the German war is astonishing.
But Westermann's book is broader than its title suggests. At the heart of Westermann's examination is the way in which commonly held understandings of masculinity fueled violence--symbolic, sexual and physical. He explores the way hypermasculinity led to soldiers to humiliate Jews and other victims as a way of feminizing them. He examines the extensive trophy-taking practiced by Germans in the East. He outlines how widespread sexual violence was. And more.
Westermann uses a wide variety of primary sources ranging from photos to diaries to interviews to understand the behaviors and beliefs of perpetrators. It is a remarkably challenging book to read. But it is a necessary one.
Kelly McFall is Professor of History and Director of the Honors Program at Newman University.
