Author: Marshall Poe

Monster is an adult pit bull, muscular and grey, who is impounded in a large animal shelter in Los Angeles. Like many other dogs at the shelter, Monster is associated with marginalized humans and assumed to embody certain behaviors because of his breed. And like approximately one million shelter animals each year, Monster will be killed. The Lives and Deaths of Shelter Animals (Stanford UP, 2020) takes us inside one of the country's highest-intake animal shelters. Katja M. Guenther witnesses the dramatic variance in the narratives assigned different animals, including Monster, which dictate their chances for survival. She argues that these inequalities are powerfully linked to human ideas about race, class, gender, ability, and species. Guenther deftly explores internal hierarchies, breed discrimination, and importantly, instances of resistance and agency.

Katja M. Guenther is Associate Professor of Gender and Sexuality Studies at the University of California, Riverside, and author of Making Their Place (Stanford, 2010).

Mark Molloy is the reviews editor at MAKE: A Literary Magazine.

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Space is again in the headlines. E-billionaires Jeff Bezos and Elon Musk are planning to colonize Mars. The Trump Administration has created a "Space Force" to achieve "space dominance" with expensive high-tech weapons. The space and nuclear arms control regimes are threadbare and disintegrating. Would-be asteroid collision diverters, space solar energy collectors, asteroid miners, and space geo-engineers insistently promote their Earth-changing mega-projects. Given our many looming planetary catastrophes (from extreme climate change to runaway artificial superintelligence), looking beyond the earth for solutions might seem like a sound strategy for humanity. And indeed, bolstered by a global network of fervent space advocates-and seemingly rendered plausible, even inevitable, by oceans of science fiction and the wizardly of modern cinema-space beckons as a fully hopeful path for human survival and flourishing, a positive future in increasingly dark times.

But despite even basic questions of feasibility, will these many space ventures really have desirable effects, as their advocates insist? In the first book to critically assess the major consequences of space activities from their origins in the 1940s to the present and beyond, Daniel Deudney argues in Dark Skies: Space Expansionism, Planetary Geopolitics, and the Ends of Humanity (Oxford UP, 2020) that the major result of the "Space Age" has been to increase the likelihood of global nuclear war, a fact conveniently obscured by the failure of recognize that nuclear-armed ballistic missiles are inherently space weapons. The most important practical finding of Space Age science, also rarely emphasized, is the discovery that we live on Oasis Earth, tiny and fragile, and teeming with astounding life, but surrounded by an utterly desolate and inhospitable wilderness stretching at least many trillions of miles in all directions. As he stresses, our focus must be on Earth and nowhere else. Looking to the future, Deudney provides compelling reasons why space colonization will produce new threats to human survival and not alleviate the existing ones. That is why, he argues, we should fully relinquish the quest. Mind-bending and profound, Dark Skies challenges virtually all received wisdom about the final frontier.

This is a provocative and exceptionally well-researched book that represents a must-read for anyone interested in space exploration and the growth of the space industry.

John W. Traphagan is a professor in Department of Religious Studies and Program in Human Dimensions of Organizations at the University of Texas at Austin.

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In his new book, We're Not Here to Entertain: Punk Rock, Ronald Reagan, and the Real Culture War of 1980s America (Oxford UP, 2020), Kevin Mattson documents punk rock in the early 1980s through a comprehensive look into the music, zines, films, bands, and punk Do-It-Yourself (DIY) tactics. He shows how widespread the punk movement was in creating a counterculture that challenged the conservative narrative of 1980s America. Mattson places the punk countercultural movement into the wider context of Reagan’s America and the cultural war that his presidency created. In opposition to Reagan’s panic narratives of nuclear wars, his tax cuts for the rich, and cuts to public education and other social services, punks saw themselves as everything they rejected about the US. Mattson’s extensive archival research into the punk counterculture makes for an informative and captivating read into the larger ways in which punk impacted American cultural identities and challenged 1980s conservativism.

Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital in people's lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. 

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We've heard and rehearsed the conventional wisdom about oil: that the U.S. military presence in the Persian Gulf is what guarantees access to this strategic resource; that the "special" relationship with Saudi Arabia is necessary to stabilize an otherwise volatile market; and that these assumptions in turn provide Washington enormous leverage over Europe and Asia.

That common sense is wrong. The author of America's Kingdom: Mythmaking on the Saudi Oil Frontier (Stanford University Press, 2007), Robert Vitalis returns to disenchant us once again—this time from "oilcraft," a line of magical thinking closer to witchcraft than statecraft. Contrary to the deeply-held beliefs of hawkish foreign policy experts and career academics alike, oil is a commodity like any other: bought, sold, and subject to market forces. The House of Saud does many things for U.S. investors, firms, and government agencies, but guaranteeing the flow of oil, making it cheap, or stabilizing the price isn't one of them. Nevertheless, persistent fears of oil scarcity and conflict continue to breed real consequences. Robert Vitalis, Oilcraft: The Myths of Scarcity and Security That Haunt U.S. Energy Policy (Stanford UP, 2020) presses us to reconsider, among many things, the U.S.-Saudi special relationship, which confuses and traps many into unnecessarily accepting what we imagine is a devil's bargain. Along the way, Vitalis resurrects a forgotten school of critics of empire—a reprisal of his task in White World Order, Black Power Politics: The Birth of American International Relations (Cornell University Press, 2017).

Freeing ourselves from the spell of oilcraft won't be easy. But the benefits of doing so, and the drawbacks of not, make it essential.

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In this chronologically and thematically ambitious study of racial passing literature, Julia Charles highlights how mixed-race subjects invent cultural spaces for themselves—a place she terms that middle world. Charles, an Assistant Professor in the Department of English at Auburn University, focuses on the construction and performance of racial identity in works by writers from the antebellum period through Reconstruction, connecting these passing or crossing narratives to more contemporary examples of racial performativity - including Rachel Dolezal and her Black-passing controversy, the FX show Atlanta, and the musical Show Boat.

Provocative and theoretically innovative, Charles’s That Middle World: Race, Performance, and the Politics of Passing (UNC Press, 2020) offers a nuanced approach to African American passing literature and examines how mixed-race performers articulated their sense of selfhood and communal belonging in both past and present.

James West is a Leverhulme Early Career Fellow in History at Northumbria University, UK. He is the author of Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America (University of Illinois Press, 2020)

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Surfers are the ultimate bad boys, living the counter-culture life of decadence and hedonism as they travel the world in search of the perfect wave, partying hard along the way. So, it’s not surprising that these social misfits and dropouts created a sub-culture tied to drugs. While most might associate surfing Jeff Spicoli with smoking marijuana in Fast Times at Ridgemont High or hippies dropping acid in late 1960s Hawai’i, Chas Smith argues that cocaine and surfing are much more intertwined. Actually, it’s not so much surfing as the “surf industry”, the fashion industry’s big money marketing of the surfing lifestyle. In this exploration of the commodification of counter-culture, Chas Smith illustrates the lines from The Clash song: “They think it’s funny, turning rebellion into money”. But like a coke binge, the surf industry has come crashing down and once massive international corporations have gone bankrupt. More gonzo journalism than academic history, Cocaine + Surfing: A Sordid History of Surfing’s Greatest Love Affair (Rare Bird, 2018) is a wild thrill ride through several decades of surfing’s love affair with addiction.

Irreverent, cynical, and surprisingly erudite, Chas Smith tells us time and time again that he hates being a surf journalist and despise the surfing industry. “I was supposed to have waved goodbye to this shallow end of the swimming pool years ago. I was supposed to be a Pulitzer Prize-winning war reporter by now, spilling valuable words on the plight of Syrian refugees while dodging bullets. Or maybe in the White House briefing room being shouted down by the press secretary for speaking truth to power. Or front row at the Fendi show in Paris, across from Anna Wintour … anywhere but here.” But there he is. Bopping about Southern California’s heart of the surfing industry. Driving from surf industry event to surf industry event, surrounded by increasingly desperate surf industry figures grinding their jaws and trying to get into the bathroom to snort a few lines. All the while, he sardonically observes the surfing industry’s free fall as he gulps down yet another vodka cocktail. Doing his best to find meaning in perhaps the shallowest subculture we could imagine. He is a detached and disgusted observer of the surf industry’s apocalypse who delivers his dispatches in insightful and often hilarious prose. Even if you don't know which side on the surfboard to wax, you’ll find it hard not to be drawn into Chas Smith’s history of surfing.

Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford, 2018). When he’s not quietly reading or happily talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.

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Are robots going to be our overlords? In Human Work in the Age of Smart Machines (RosettaBooks, 2020), Jamie Merisotis says they don't have to be. We can make them our friends.

Jamie Merisotis is a globally recognized leader in philanthropy, education, and public policy. Since 2008, he’s served as president and CEO of Lumina Foundation, an independent, private foundation committed to making opportunities for learning beyond high school available to all. Jamie previously served as co-founder and president of the nonpartisan, D.C.-based Institute for Higher Education Policy.

This episode covers the need to link ongoing learning and work in a virtuous cycle that provides workers with both meaning and stability. It addresses the challenges of the 4th Industrial Revolution and how in the new people-centered economy it’s important to develop those flexible skills and capabilities that will enable workers to distinguish themselves from what automation and artificial intelligence is capable of.

Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.

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Prior to the abolition of slavery, thousands of African-descended people in the Americas lived in freedom. Their efforts to navigate daily life and negotiate the boundaries of racial difference challenged the foundations of white authority—and linked the Americas together.

In Black Freedom in the Age of Slavery: Race, Status, and Identity in the Urban Americas (U of South Carolina Press, 2020), John Garrison Marks examines how these individuals built lives in freedom for themselves and their families in two of the Atlantic World's most important urban centers: Cartagena, along the Caribbean coast of modern-day Colombia, and Charleston, in the low country of North America's Atlantic coast. Marks reveals how skills, knowledge, reputation, and personal relationships helped free people of color improve their fortunes and achieve social distinction in ways that undermined whites' claims to racial superiority.

Built upon research conducted on three continents, this book takes a comparative approach to understanding the contours of black freedom in the Americas. It reveals in new detail the creative and persistent attempts of free black people to improve their lives and that of their families. It examines how various paths to freedom, responses to the Haitian Revolution, opportunities to engage in skilled labor, involvement with social institutions, and the role of the church all helped shape the lived experience of free people of color in the Atlantic World.

As free people of color worked to improve their individual circumstances, staking claims to rights, privileges, and distinctions not typically afforded to those of African descent, they engaged with white elites and state authorities in ways that challenged prevailing racial attitudes. While whites across the Americas shared common doubts about the ability of African-descended people to survive in freedom or contribute meaningfully to society, free black people in Cartagena, Charleston, and beyond conducted themselves in ways that exposed cracks in the foundations of American racial hierarchies. Their actions represented early contributions to the long fight for recognition, civil rights, and racial justice that continues today.

Adam McNeil is a third year Ph.D. in History student at Rutgers, the State University of New Jersey.

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