Author: Marshall Poe

Atoms are unfathomably tiny. It takes fifteen million trillion of them to make up a single poppy seed—give or take a few billion. And there’s hardly anything to them: atoms are more than 99.9999999999 percent empty space. Yet scientists have learned to count these slivers of near nothingness with precision and to peer into their internal states. In looking so closely, we have learned that atoms, because of their inimitable signatures and imperturbable internal clocks, are little archives holding the secrets of the past.
David J. Helfand reconstructs the history of the universe—back to its first microsecond 13.8 billion years ago—with the help of atoms. He shows how, by using detectors and reactors, microscopes and telescopes, we can decode the tales these infinitesimal particles tell, answering questions such as: Is a medieval illustrated prayer book real or forged? How did maize cultivation spread from the highlands of central Mexico to New England? What was Earth’s climate like before humans emerged? Where can we find clues to identify the culprit in the demise of the dinosaurs? When did our planet and solar system form? Can we trace the births of atoms in the cores of massive stars or even glimpse the origins of the universe itself?
A lively and inviting introduction to the building blocks of everything we know, The Universal Timekeepers demonstrates the power of science to unveil the mysteries of unreachably remote times and places.

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Dr. Melody Glenn was a burned-out emergency physician who had grown to resent the large population of opioid dependent patients passing through her ER. While working at a methadone clinic, she realized how effective harm reduction treatments could be and set out to discover why they weren’t used more broadly. That’s when she found Dr. Marie Nyswander.
In the 1960s, Nyswander defied the DEA and medical establishment to co-develop methadone maintenance as a treatment for heroin addiction. According to some addiction specialists, its discovery could be considered as monumental as the discovery of penicillin. Yet, it still carries a stigma today.
Deftly weaving together interviews, media coverage, and historical documents, Glenn recovers Nyswander’s important legacy and reveals how the forces of racism, fearmongering politicians, and misinformation colluded to set us back decades in our understandings of opioids.
With Nyswander as her guide, Glenn also shares her journey through addiction medicine as she confronts her own personal and philosophical quandaries around bias, ambition, and saviorism in the medical field.
As the US continues to struggle with opioid and fentanyl use in communities, Mother of Methadone is a powerful reminder of the ways biases have prevented doctors from saving countless lives.

Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). Her second book, Addiction, Inc.: Medication-Assisted Treatment and America’s Forgotten War on Drugs, will be released in 2026.

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The Law and Politics of International Legitimacy (Cambridge University Press, 2025) examines the significance of the issue of political legitimacy at the international level, focusing on international law. It adopts a descriptive, critical, and reconstructive approach. In order to do so, the book clarifies what political legitimacy is in general and in the context of international law. The book analyzes how international law contributes to a sense of legitimacy through notions such as international membership, international rights holding, fundamental principles and hierarchy of rights holding, rightful conduct, and international authority. In addition, the book stresses the severe limitations of the legitimacy of international law and of the current international order that it contributes to regulate and manage. This leads the book to identify the conditions under which international order and international law could overcome their problems of legitimacy and become more legitimate. The book is interdisciplinary in nature, mobilizing international law, political and legal theory, philosophy, history, and political science.

Jean-Marc Coicaud is Distinguished Professor of Law and Global Affairs, Rutgers School of Law, New Jersey, USA and Fellow, Academia Europaea. He is also Fudan Distinguished Chair Professor at Fudan Institute for Advanced Studies in Social Sciences (Shanghai, China).

Leo Bader is a senior at Wesleyan University studying political theory and history.

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A richly imagined new view on the great human tradition of apocalypse, from the rise of Homo sapiens to the climate instability of our present, that defies conventional wisdom and long-held stories about our deep past to reveal how cataclysmic events are not irrevocable endings, but transformations.

A drought lasts for decades, a disease rips through a city, a civilization collapses. When we finally uncover the ruins, we ask: What happened? The good news is, we’ve been here before. History is long, and people have already confronted just about every apocalypse we’re facing today. But these days, archaeologists are getting better at seeing stories of survival, transformation, and even progress hidden within those histories of collapse and destruction. Perhaps, we begin to see, apocalypses do not destroy worlds, but create them anew.

Apocalypse offers a new way of understanding human history, reframing it as a series of crises and cataclysms that we survived, moments of choice in an evolution of humanity that has never been predetermined or even linear. Here Lizzie Wade asks us to reckon with our long-held narratives of these events, from the end of Old Kingdom Egypt, the collapse of the Classic Maya, to the Black Death, and shows us how people lived through and beyond them—and even considered what a new world could look like in their wake.

The more we learn about apocalypses past, the more hope we have that we will survive our own. It won’t be pleasant. It won’t be fair. The world will be different on the other side, and our cultures and communities—perhaps even our species—will be different too.

Lizzie Wade is an award-winning journalist and correspondent for Science, one of the world's most prestigious scientific journals. She covers archaeology, anthropology, and Latin America for the magazine's print and online news sections. Her work has also appeared in Wired, The Atlantic, Slate, The New York Times, Aeon, Smithsonian, Archaeology, and California Sunday, among other publications.

Gene-George Earle is currently a PhD candidate in Anthropology at East China Normal University in Shanghai.

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How do states advance their national security interests? Conventional wisdom holds that states must court the risk of catastrophic war by “tying their hands” to credibly protect their interests. Dan Reiter overturns this perspective with the compelling argument that states craft flexible foreign policies to avoid unwanted wars. Through a comprehensive analysis of key international crises, including the Berlin, Taiwan Straits, and Cuban Missile Crises, and the Korean and Vietnam Wars, Reiter provides new perspectives on the causes of wars, the role of international alliances, foreign troop deployments, leader madness, and the impact of AI on international relations. With critical insights into contemporary foreign policy challenges, such as America’s role in NATO, the risks of war with China, containing a resurgent Russia, and the dangers of nuclear war, Untied Hands: How States Avoid the Wrong Wars (Cambridge University Press, 2025) is essential reading for anyone interested in understanding how states can effectively manage international crises while avoiding the wrong wars.

Dan Reiter is Samuel Candler Dobbs Professor of Political Science at Emory University.

Leo Bader is a senior at Wesleyan University studying political theory and history.

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From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression.

In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism.

Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism.

Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it.

Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast.

Caleb Zakarin is editor of the New Books Network.

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Why does critical theory matter today? In Critical Theory: The Basics (Routledge, 2024), Martin Shuster, a Professor of Philosophy and the Isaac Swift Distinguished Professor of Jewish Studies at the University of North Carolina at Charlotte, explores the history, thought and legacy of the Frankfurt School to demonstrate the urgency of critical theory for explaining the world. Beginning with the idea of needless suffering as a concept animating the theory and practice of thinkers such as Adorno, Horkheimer, Marcuse and Benjamin, the book ranges widely across topics including subjectivity, the social world, art, culture and religion. An accessible introduction to complex, but urgent, thought, the book is essential reading for arts, humanities and social science scholars, as well as for anyone who would like to change the world.

Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.

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Today we’re continuing our series on Harry Frankfurt’s seminal work, On Bullshit. I have the privilege to speak with Arvind Narayanan co-author of the book AI Snake Oil: What Artificial Intelligence Can Do, What it Can’t, and How to Tell the Difference (Princeton University Press, 2024). Arvind is the perfect guest to explore the subject of bullshit in AI as AI Snake Oil takes on the ridiculous hype ascribed to the promise of AI. AI chatbots often hallucinate and many of the promoters of AI engage in the art of bullshit when selling people on wild and crazy AI applications.

Arvind Narayanan is professor of computer science at Princeton University and director of its Center for Information Technology Policy.

Caleb Zakarin is editor of the New Books Network.

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