Author: Marshall Poe

By the 1970s, World War II had all but disappeared from US popular culture. But beginning in the mid-eighties it reemerged with a vengeance, and for nearly fifteen years World War II was ubiquitous across US popular and political culture. In Reinventing World War II: Popular Memory in the Rise of the Ethnonationalist State (Penn State University Press, 2024), Dr. Barbara A. Biesecker explores the prestige and rhetorical power of the “Good War,” revealing how it was retooled to restore a new kind of social equilibrium to the United States.

Biesecker analyzes prominent cases of World War II remembrance, including the canceled exhibit of the Enola Gay at the National Air and Space Museum in 1995 and its replacement, Steven Spielberg’s Saving Private Ryan, Tom Brokaw’s The Greatest Generation, and the United States Holocaust Memorial Museum. Situating these popular memory texts within the culture and history wars of the day and the broader framework of US political and economic life, Dr. Biesecker argues that, with the notable exception of the Holocaust Memorial Museum, these reinventions of the Good War worked rhetorically to restore a strong sense of national identity and belonging fitted to the neoliberal nationalist agenda.

By tracing the links between the popular retooling of World War II and the national state fantasy, and by putting the lessons of Foucault, Derrida, Lacan, and their successors to work for a rhetorical-political analysis of the present, Dr. Biesecker not only explains the emergence and strength of the MAGA movement but also calls attention to the power of public memory to shape and contest ethnonational identity today.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Pagan Religions in Five Minutes (Equinox, 2024) provides an accessible set of essays on questions relating to Pagan identities and practices, both historically and in contemporary societies as well as informative essays on different Pagan groups, such as Druidry, Wicca, Heathenry and others. The book includes answers to a range of questions such as: How many Pagans are there? What do Pagans believe? Is Paganism a real religion or is it just made-up? Is Satanism a type of Paganism? Do all Pagans celebrate the solstices? Why is it written "Pagan" and other times "pagan"? Do they have sacred texts? Is Druidry the indigenous religion of Europe? What does the pentagram symbol mean? Can anyone be a witch? Are Pagans anti-Christian? 

The book also covers issues with terminology, including the labelling of ancient, non-Western and indigenous groups as 'pagan', common assumptions and misconceptions about Pagans, and more. Each essay is by a leading scholar in the field, offering clear and concise answers along with suggestions for further reading. The book is ideal for both the curious and as an entry book for classroom use and studying Paganism. Because each chapter can be read in about five minutes, the books offer ideal supplementary resources in classrooms or an engaging read for those curious about the world around them.

Angela Puca, PhD (2021), is an independent religious studies scholar and university lecturer. She is bridging the gap between academia and the general public with her social media project Angela’s Symposium, where she disseminates peer-reviewed research to a wide audience engagingly. She’s the author of the forthcoming Italian Witchcraft and Shamanism, to be published by Brill, and coeditor of Pagan Religions in Five Minutes for Equinox Publishing Ltd.

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Bion and Thoughts Too Deep for Words: Psychoanalysis, Suggestion, and the Language of the Unconscious (Routledge, 2020) is Robert Caper's most recent book, and it offers a sustained exploration and discussion of key problematics that have informed psychoanalysis since its inception. Caper offers a nuanced discussion of psychotherapy's tendency to fall into suggestion, and thus move away from an exploration of the truth, which he considers to be psychoanalysis's central task. The psychoanalyst has to mirror back to the patient who they are, rather than keep them in a state of blithe affirmation, and thereby inspire in them the notion that the therapist, like the analysand, is unwilling to explore what lies beneath the rubble of conscious beliefs and statements.

In his discussion of these matters, Caper draws on a wide range of thinkers, most importantly that of W.R. Bion, asserting that there are always "thoughts too big for words," which is a reminder that there is always more. He hightlights the importance of the aesthetic drawing on Meltzer, and he introduces a new distinction between maternal and paternal container.

I greatly enjoyed both reading the book and talking to Robert, and I happily recommend this book to anyone seeking to reconnect to psychoanalysis's foundations, utilizing the British school's key thinkers.

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Today I talked to Mie Nakachi about Replacing the Dead: The Politics of Reproduction in the Postwar Soviet Union (Oxford UP, 2021)

In 1920, the Soviet Union became the first country in the world to legalize abortion on demand. But in 1936, the Soviet leadership criminalized abortion: the collectivization of the early 1930s was followed by famine that took the lives of millions of people, and the government grew eager to recover the population. Drawing on an amazing wealth of archival material, Nakachi traces the dynamic of Soviet reproductive policies that were invariably guided by pronatalist goals but almost always had damaging consequences. The 1944 Family Law, aimed at making up for the enormous human losses of World War II (27 million people died, 20 million of them men), relieved men of parental responsibilities, legal or financial, thereby encouraging them to father children out of wedlock. Given the devastation of the war and inadequate levels of government support, many women sought to avoid such births. Their only recourse was abortion, which remained illegal and, as a result, often led to grave medical complications or even death—on top of being criminally punishable. Doctors were generally sympathetic to the women’s plight but they could not challenge the system. It was only in the mid-1950s that abortion was decriminalized, but until the end of the Soviet Union, modern contraception was barely available and abortion remained the primary method of birth control.

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Spaces of Treblinka: Retracing a Death Camp (U Nebraska Press, 2024) utilizes testimonies, oral histories, and recollections from Jewish, German, and Polish witnesses to create a holistic representation of the Treblinka death camp during its operation. This narrative rejects the historical misconception that Treblinka was an isolated Nazi extermination camp with few witnesses and fewer survivors. Rather than the secret, sanitized site of industrial killing Treblinka was intended to be, Jacob Flaws argues, Treblinka’s mass murder was well known to the nearby townspeople who experienced the sights, sounds, smells, people, bodies, and train cars the camp ejected into the surrounding world.

Through spatial reality, Flaws portrays the conceptions, fantasies, ideological assumptions, and memories of Treblinka from witnesses in the camp and surrounding towns. To do so he identifies six key spaces that once composed the historical site of Treblinka: the ideological space, the behavioral space, the space of life and death, the interactional space, the sensory space, and the extended space. By examining these spaces Flaws reveals that there were more witnesses to Treblinka than previously realized, as the transnational groups near and within the camp overlapped and interacted. Spaces of Treblinka provides a staggering and profound reassessment of the relationship between knowing and not knowing and asks us to confront the timely warning that we, in our modern, interconnected world, can all become witnesses.

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Today I’m speaking with Daniel Steinmetz-Jenkins about the new, edited volume, Did It Happen Here? Perspectives on Fascism and America (W.W. Norton, 2024). Danny is Assistant Professor in the College of Social Studies at Wesleyan University and the steward of a fantastic interview series in The Nation magazine. Did it Happen Here? presents a snapshot of the fascism debate being waged on American campuses, in magazines, and on social media. The most recent iteration of the fascism debate began, as with many debates about the state of American politics, with the election of Donald Trump. Since his first term in 2016, speculation about the true nature of Trumpism has generated countless think-pieces and books. Did It Happen Here? is the definitive summary of the major scholarly views on whether fascism has come to America. As Danny puts it, “the fascism debate is Rorschach test for understanding what is truly ailing American society.”

Daniel Steinmetz-Jenkins is Assistant Professor in the College of Social Studies at Wesleyan University.

Caleb Zakarin is editor at the New Books Network.

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Streaming Music, Streaming Capital (Duke University Press, 2024)  provides a much-needed study of the political economy of music streaming, drawing from Western Marxism, social reproduction theory, eco-socialist thought and more to approach the complex and highly contested relationship between music and capital. By attending to the perverse ways in which recorded music has been ultimately decommodified under the current regime of music production, circulation and consumption, Eric Drott explores issues that far exceed music - consumer surveillance, Silicon Valley monopolism, the crisis of care, capitalist extractivism and the climate emergency - while showing us how the streaming economy is thoroughly imbricated, and implicated, in these processes. Drott's rigorous and wide-ranging analysis thus offers novel ways of understanding music, culture, digitalisation and capitalism in present and future tenses .

Eric Drott is Associate Professor of Music Theory at the University of Texas at Austin.

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What really separates emancipatory thinking from its opposite? The prevailing Left defines itself against neoliberalism, conservative traditionalism, and fascism as a matter of course. The philosophical differences, however, may be more apparent than real. 

The Right-Wing Mirror of Critical Theory: Studies of Schmitt, Oakeshott, Hayek, Strauss, and Rand (Rowman & Littlefield, 2023) argues that dominant trends in critical and radical theory inadvertently reproduce the cardinal tenets of the twentieth century’s most influential right-wing philosophers. It finds the rejection of foundationalism, rationalism, economic planning, and vanguardism mirrored in the work of Schmitt, Oakeshott, Hayek, and Strauss. If it is to be more than merely an inverted image of the Right, critical theory must reevaluate its relationship to what Julius Nyerere once called “deliberate design” in politics. In the era of anthropogenic climate change, a substantial—not merely nominal—departure from right-wing talking points is all the more necessary and momentous.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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