Author: Marshall Poe

Transcript of the interview

Minna Salami is a writer, social critic, and thought leader on feminism, knowledge production, and the aesthetics and structures of power. She formerly served as Programme Chair and Senior Fellow at THE NEW INSTITUTE, where she led the Black Feminism and the Polycrisis programme. Her work sits at the intersection of ideas, culture, and systems thinking, with a commitment to making complex theories accessible through books, essays, public speaking, and creative projects.

She is the author of Can Feminism Be African? (Harper Collins, 2025) and Sensuous Knowledge: A Black Feminist Approach for Everyone (Bloomsbury, 2020), which has been translated into multiple languages. Her writing also appears in numerous anthologies and educational publications exploring feminism, African philosophy, media, and cultural criticism.

Her work has featured in The Guardian, The Financial Times, The Ideas Letter, Project Syndicate, and The Philosopher, and she has delivered talks at global institutions including TEDx, the Institute of Arts and Ideas, the European Commission, the Oxford and Cambridge Unions, Yale, and Singularity University at NASA.

Salami was the creative director of the short film Black Feminism and the Polycrisis, which won the Silver Award for Public Service and Activism at the 2024 Lovie Awards.

From 2019 to 2022, she co-directed Activate, an intersectional feminist movement that supported minoritised women in politics and community organising through visibility campaigns, mentoring, and fundraising. The initiative played a key role in shifting narratives and resources toward a more inclusive political landscape in the UK.

She has also worked as a Research Associate and Editor at Perspectiva, advised governments on gender equality, developed national school curricula, and curated cultural events at institutions such as the Victoria & Albert Museum in London.

Her blog, MsAfropolitan, launched in 2010, has reached over a million readers and remains a platform for exploring feminist and African-centred approaches to contemporary life.

Salami is a Full Member of the Club of Rome, a BMW Foundation Responsible Leader, and serves on the advisory boards of the African Feminist Initiative at Penn State University and Public Humanities at Cambridge University Press, as well as the council of the British Royal Institute of Philosophy.

Links to References:
Apart Together – essay on Leopold Senghor and Aimé Césaire’s radical vision for the world

Africa’s Populist Trap for The Ideas Letter

The Niger River and the Dearth of History: Deconstructing the Myths of Mungo Park by Ezenwa E. Olumba

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From the acclaimed author of The Fire Is upon Us, the dramatic untold story of Barry Goldwater and Martin Luther King Jr.'s decade-long clash over the meaning of freedom--and how their conflicting visions still divide American politics

In the mid-1950s, Barry Goldwater and Martin Luther King Jr. emerged as the leaders of two diametrically opposed freedom movements that changed the course of American history--and still divide American politics. King mobilized civil rights activists under the banner of "freedom now," insisting that true freedom would not be realized until all people--regardless of race--were empowered politically, economically, and socially. Goldwater rallied conservatives to the cause of "extremism in defense of liberty," advocating radical individualism. In One Man's Freedom, Nicholas Buccola tells the compelling story of Goldwater and King's dramatic decade-long debate over the meaning of an all-important American ideal.

Part dual biography, part history, One Man's Freedom: Goldwater, King, and the Struggle Over an American Ideal (Princeton UP, 2025)  traces the actions and words of Goldwater and King over a crucial and eventful decade, from their dizzying rise through 1964, which ended with Goldwater's landslide defeat in the presidential election and King's Nobel Peace Prize. The book chronicles why Goldwater and King, who never met in person, came to view each other as perhaps the greatest threat to freedom in America. It explains how their ideas of freedom could be so vastly different, yet both so deeply rooted in American history and their times. And it shows how their disagreement continues to shape and explain politics today, when the bitter divisions between Republicans and Democrats often come down to the question of what kind of freedom Americans want--the one defined by Goldwater or by King?

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Today I’m speaking with Hélène Landemore, Professor of Political Science at Yale University, about Democracy and Bullshit, with a special focus on her 2020 book, Open Democracy: Reinventing Popular Rule for the Twenty-First Century (Princeton University Press, 2020).

Bullshit is a feature of both democracies and dictatorships alike, but it takes different forms. In democracies, while citizens enjoy the freedom of speech and the right to vote, a range of forces often conspire to limit their real power in favor of competing elites. The political and economic elite’s toolkit includes the art of bullshit—the persuasive use of language without regard for truth. Whether meritocratic or populist, elites alike have mastered this form of manipulation, amplified by modern tools of dissemination and authority.

To help us understand the challenges that bullshit poses to democratic citizens, I’m pleased to welcome Hélène Landemore.

Hélène Landemore is a professor of political science at Yale University.

Caleb Zakarin is editor of the New Books Network.

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"OK" as a word accepts proposals, describes the world as satisfactory (but not good), provides conversational momentum, or even agrees (or disagrees). OK as an object, however, tells a story of how technology writes itself into language, permanently altering communication. OK (Bloomsbury, 2023), by Dr. Michelle McSweeney and published by Bloomsbury in 2023, explores this story

OK is a young word, less than 200 years old. It began as an acronym for “all correct” when the steam-powered printing press pushed newspapers into the mainstream. Today it is spoken and written by nearly everyone in the world. Drawing on linguistics, history, and new media studies, Michelle McSweeney traces OK from its birth in the Penny Presses through telephone lines, grammar books, and television signals into the digital age.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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On the 200th anniversary of the Decembrist Revolt, Susanna Rabow-Edling published The First Russian Revolution: The Decembrist Revolt Of 1825 (Reaktion Books, 2025), a new book about the first Russian Revolution. Though the 1825 coup attempt failed in its aspiration to change how Russia was governed, that failure has nevertheless cast a long shadow across Russian history since.

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Recently, musicologists and others have started writing about Black participation in opera. Lucy Caplan’s Dreaming in Ensemble: How Black Artists Transformed American Opera (Harvard UP, 2025) is a major new publication on this topic. Caplan examines what she calls a Black operatic counterculture in the US dating from the performance of H. Lawrence Freeman’s first opera, The Martyr, in 1893 until the 1950s. Rather than centering her analysis on opera as a symbol of uplift or on the ways that the operatic establishment excluded Black participation, Caplan thinks about how opera was part of a project of self-fashioning in Black communities. She argues that opera could be one way to answer the question, in the words of Black librettist Karen Chilton, “How do we become ourselves?” Focusing on institutions and networks, while also not ignoring influential figures, Caplan delves into the rich history of Black opera through numerous points of entry. This is not a strictly chronological retelling of a few, already well-known operatic “firsts.” Instead, Caplan writes about everything from critics to short-lived opera companies, from celebrities to supernumeraries, and recreates this previously untold complex and multifaceted operatic legacy.

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Dictatorship Across Borders: Brazil, Chile, and the South American Cold War (UNC Press, 2025) offers a groundbreaking perspective on the 1973 Chilean coup, highlighting Brazil’s pivotal role in shaping the political landscape of South America during the Cold War. Shifting the focus from the United States to interregional dynamics, Mila Burns argues that Brazil was instrumental in the overthrow of Salvador Allende and the establishment of Augusto Pinochet’s dictatorship. Drawing on original documents, interviews, and newly accessible archives, particularly from the Brazilian Truth Commission, Burns reveals Brazil’s covert involvement in the coup, providing weapons, intelligence, and even torturers to anti-Allende forces. She also explores the resistance networks formed by Brazilian exiles in Chile. Burns’s impeccable research—combining history, anthropology, and political science—makes Dictatorship across Borders a vital addition to Cold War studies, reshaping how we understand power and resistance in South America.

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From the acclaimed author of 1177 B.C., a spellbinding account of the archaeological find that opened a window onto the vibrant diplomatic world of the ancient Near East In 1887, an Egyptian woman made an astonishing discovery among the ruins of the heretic king Akhenaten’s capital city, a site now known as Amarna. She found a cache of cuneiform tablets, nearly four hundred in all, that included correspondence between the pharaohs and the mightiest powers of the day, such as the Hittites, Babylonians, and Assyrians. Love, War, and Diplomacy: The Discovery of the Amarna Letters and the Bronze Age World They Revealed (Princeton University Press, 2025) tells the story of the Amarna Letters and the dramatic world of the Bronze Age they revealed. Blending scholarly expertise with painstaking detective work, Eric Cline describes the spectacular discovery, the fierce competition among dealers and museums to acquire the tablets, and the race by British and German scholars to translate them. Dating to the middle of the fourteenth century BCE and the time of Tutankhamun’s immediate predecessors, Amenhotep III and his son Akhenaten, the Amarna Letters are the only royal archive from New Kingdom Egypt known to exist. In them, we learn of royal marriages, diplomatic negotiations, gift-giving, intrigue, and declarations of brotherly love between powerful rulers as well as demands made by the petty kings in Canaan who owed allegiance to Egypt’s pharaohs. A monumental achievement, Love, War, and Diplomacy transports readers to the glorious age of the Amarna Letters and the colonial era that brought them to light and reveals how the politics, posturing, and international intrigues of the ancient Near East are not so unlike today’s.

Eric H. Cline is professor of classics and anthropology at George Washington University.

Caleb Zakarin is editor of the New Books Network.

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A searing account of how the international community is trying—and failing—to address the worst effects of climate change and the differential burdens borne by rich and poor countries.

Climate change is increasingly accepted as a global emergency creating irrevocable losses for the planet. Yet, each country experiences these losses differently, and reaching even inadequate political agreements is fraught with contestation. Governing the End: The Making of Climate Change Loss and Damage (U Chicago Press, 2025) untangles the complex relationship between deteriorating environmental conditions, high politics, and everyday diplomatic practices, focusing on the United Nations’ agreement to address “loss and damage” and subsequent battles over implementation.

Lisa Vanhala looks at the differing assumptions and strategic framings that poor and rich countries bring to bear and asks why some norms emerge and diffuse while others fail to do so. Governing the End is based on ethnographic observation of eight years of UN meetings and negotiations and more than one hundred and fifty interviews with diplomats, policymakers, UN secretariat staff, experts, and activists. It explores explicit political contestation, as well as the more clandestine politics that have stymied implementation and substantially reduced the scope of compensation to poor countries. In doing so, Governing the End elucidates the successes and failures of international climate governance, revealing the importance of how ideas are constructed and then institutionally embodied.

This interview was conducted by Dr. Hannah Pool, a senior researcher at the Max Planck Institute for the Studies of Societies. Her research focuses on human mobilities and her new book has just been published (2025, Oxford University Press).

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