Author: Marshall Poe

Contemporary Europe seems to be divided between progressive cosmopolitans sympathetic to the European Union and the ideals of the Enlightenment, and counter-enlightened conservative nationalists extolling the virtues of homelands threatened by globalised elites and mass migration. 

Europe Against Revolution: Conservatism, Enlightenment, and the Making of the Past (Cambridge UP, 2023) seeks to uncover the roots of historically informed ideas of Europe, while at the same time underlining the fundamental differences between the writings of the older counter-revolutionary Europeanists and their self-appointed successors and detractors in the twenty-first century. In the decades around 1800, the era of the French Revolution, counter-revolutionary authors from all over Europe defended European civilisation against the onslaught of nationalist revolutionaries, bent on the destruction of the existing order, or so they believed. In opposition to the new revolutionary world of universal and abstract principles, the counter-revolutionary publicists proclaimed the concept of a gradually developing European society and political order, founded on a set of historical and - ultimately divine - institutions that had guaranteed Europe's unique freedom, moderation, diversity, and progress since the fall of the Roman Empire. These counter-revolutionary Europeanists drew on the cosmopolitan Enlightenment and simultaneously criticized its alleged revolutionary legacy. Throughout the nineteenth and twentieth centuries, these ideas of European history and civilisation were rediscovered and adapted to new political contexts, shaping in manifold ways our contested idea of European history and memory until today.

Matthijs Lok, Senior Lecturer in Modern European History, Universiteit van Amsterdam

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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From his overwhelming embrace by evangelicals and other people of faith to his championing of policies and conservative judicial candidates long sought by right-wing Christians, Donald Trump’s candidacy, campaign, and presidency were empowered by believers of many stripes who employed different methods of rationalizing or Christianizing Trump and his administration. In Performing for the Don: Theatres of Faith in the Trump Era (Routledge, 2024), Hank Willenbrink examines this intersection of political power and religion through the lens of performance studies, in part via Trump’s own expressions but predominantly through mass media performances of his Christian supporters. 

From Trump’s affiliation with his “court evangelicals” and televangelists to the 2018 film The Trump Prophecy and other prophetic/apostolic movements latching onto Trump’s ascension in service of dominionistic ends, and from his support among very conservative Catholics to the “cult” of Trump that has coalesced in conspiratorial online spaces advocating QAnon beliefs, the last decade has witnessed a mainstreaming of theology and ideology ripe for an interdisciplinary analysis of the performative aspects of Trump’s faith-based support. Dr. Willenbrink joined the New Books Network to discuss all these subjects as well as Christian nationalism in the present American political climate.

Hank Willenbrink (Ph.D. in Dramatic Art from the University of California, Santa Barbara) is Associate Professor in the Department of English and Theatre at The University of Scranton in Pennsylvania. A scholar and theatre artist, Hank has published on a range of topics like Hell Houses, the playwright Naomi Iizuka, the intersections of playwriting and nature writing, and the use of music in HBO’s Girls. With his wife, Dr. Yamile Silva, he co-edited an anthology of contemporary Spanish and Portuguese writing. Hank’s play, The Boat in the Tiger Suit, premiered in New York and is published by Original Works Publishing. He’s developed theatrical work internationally, including at Sala Beckett in Barcelona. Hank has also led several interdisciplinary, community-engaged projects that bring together students and community members of diverse backgrounds and disciplines to engage in deeper and more intentional ways through collectively created theatrical performance. Hank played in a number of questionable bands, co-founded the music blog We Listen for You, and hails from Toad Suck, Arkansas. He is currently continuing the research that he discusses on today’s podcast episode on his Substack: performingforthedon.substack.com.

Rob Heaton (Ph.D., University of Denver, 2019) primarily hosts Biblical Studies conversations for New Books in Religion and teaches New Testament, Christian origins, and early Christianity at Anderson University in Indiana. He recently authored The Shepherd of Hermas as Scriptura Non Grata: From Popularity in Early Christianity to Exclusion from the New Testament Canon (Lexington Books, 2023). For more about Rob and his work, or to offer feedback related to this episode, please visit his website at https://www.robheaton.com.

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Marxism and psychoanalysis have a rich and complicated relationship to one another, with countless figures and books written on the possible intersection of the two. Our guest today, Adrian Johnston, returns to NBN to discuss his own latest entry into the genre, Infinite Greed: The Inhuman Selfishness of Capital (Columbia UP, 2024). While the book does retread some already-covered territory, Johnston’s book stands out as a unique entry in a crowded field by emphasizing the theoretical overlap of psychoanalytic concepts with the economic core of Marx’s thinking. Libidinal economics are turned into, well, economics and vice-versa in this detailed and rigorously written study that deserves to become one of the canonical texts in the Freudo-Marxist tradition.

Adrian Johnston is Distinguished Professor of Philosophy at the University of New Mexico and a faculty member of the Emory Psychoanalytic Institute. He is the author of numerous books, including three previously discussed on this podcast; A New German Idealism: Hegel, Zizek and Dialectical Materialism, and Prolegomena to Any Future Materialism volumes one and two. He is also the coeditor, with Slavoj Zizek and Todd McGowan of the book series Diaeresis.

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In Holding Their Breath: How the Allies Confronted the Threat of Chemical Warfare in World War II (Cornell UP, 2023), M. Girard Dorsey uncovers just how close Britain, the United States, and Canada came to crossing the red line that restrained poison gas during World War II.

Unlike in World War I, belligerents did not release poison gas regularly during the Second World War. Yet, the looming threat of chemical warfare significantly affected the actions and attitudes of these three nations as they prepared their populations for war, mediated their diplomatic and military alliances, and attempted to defend their national identities and sovereignty.

The story of chemical weapons and World War II begins in the interwar period as politicians and citizens alike advocated to ban, to resist, and eventually to prepare for gas use in the next war. Molly Dorsey reveals, through extensive research in multinational archives and historical literature, that although poison gas was rarely released on the battlefield in World War II, experts as well as lay people dedicated significant time and energy to the weapon's potential use; they did not view chemical warfare as obsolete or taboo.

Poison gas was an influential weapon in World War II, even if not deployed in a traditional way, and arms control, for various reasons, worked. Thus, what did not happen is just as important as what did. Holding Their Breath provides insight into these potentialities by untangling World War II diplomacy and chemical weapons use in a new way.

Andrew O. Pace is a historian of the US in the world who specializes in the moral fog of war. He is currently a DPAA Research Partner Fellow at the University of Southern Mississippi and a co-host of the Diplomatic History Channel on the New Books Network. He is also working on a book about the reversal in US foreign policy from victory at all costs in World War II to peace at any price in the Vietnam War. He can be reached at andrew.pace@usm.edu or via andrewopace.com. Andrew is not an employee of DPAA, he supports DPAA through a partnership. The views presented are those of the author and do not necessarily represent the views of DPAA, DoD or its components. 

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Can capitalism be made ecologically sustainable? Can it be good for women? What theoretical approaches help us to grapple with these questions in ways that offer us strategies for how to proceed? Have we already become lost in some sort of gender essentialism to ask these questions together? 

In Feminism, Capitalism, and Ecology (Northwestern University Press, 2023), Johanna Oksala brings the resources of ecofeminism and Marxist feminism to these questions, arguing that capitalism cannot be made sustainable, nor can it do without the expropriation of bodies that produce new laborers and consumers. By attending to the rise of biocapitalism, Oksala further develops analytic resources for diagnosing the fundamental problems of an economic system predicated on profit, consumer choice, and endless growth. She also gives us theoretical tools for discerning strategies that will help us create a world beyond capitalism.

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In a pathbreaking retelling of the American experience, Aziz Rana shows that today’s reverential constitutional culture is a distinctively twentieth-century phenomenon. Rana connects this widespread idolization to another relatively recent development: the rise of US global dominance. Ultimately, such veneration has had far-reaching consequences: despite offering a unifying language of reform, it has also unleashed an interventionist national security state abroad while undermining the possibility of deeper change at home.

Revealing how the current constitutional order was forged over the twentieth century, The Constitutional Bind: How Americans Came to Idolize a Document That Fails Them (U Chicago Press, 2024) also sheds light on an array of movement activists—in Black, Indigenous, feminist, labor, and immigrant politics—who struggled to imagine different constitutional horizons. As time passed, these voices of opposition were excised from memory. Today, they offer essential insights that Rana reconstructs to forward an ambitious and comprehensive vision for moving past the constitutional bind.

Aziz Rana is a Professor and Provost’s Distinguished Fellow at Boston College Law School and the incoming J. Donald Monan, S.J., University Professor of Law and Government (beginning 2024).

Vatsal Naresh is a Lecturer in Social Studies at Harvard University. He is the editor of Negotiating Democracy and Religious Pluralism (OUP 2021) and Constituent Assemblies (CUP 2018).

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Is involuntary psychiatric treatment the solution to the intertwined crises of untreated mental illness, homelessness, and addiction? In recent years, politicians and advocates have sought to expand the use of conservatorships, a legal tool used to force someone deemed “gravely disabled,” or unable to meet their needs for food, clothing, or shelter as a result of mental illness, to take medication and be placed in a locked facility. At the same time, civil liberties and disability rights groups have seized on cases like that of Britney Spears to argue that conservatorships are inherently abusive.

Conservatorship: Inside California's System of Coercion and Care for Mental Illness (Columbia UP, 2023) is an incisive and compelling portrait of the functioning—and failings—of California’s conservatorship system. Drawing on hundreds of interviews with professionals, policy makers, families, and conservatees, Alex V. Barnard takes readers to the streets where police encounter homeless people in crisis, the locked wards where people receiving treatment are confined, and the courtrooms where judges decide on conservatorship petitions. As he shows, California’s state government has abdicated authority over this system, leaving the question of who receives compassionate care and who faces coercion dependent on the financial incentives of for-profit facilities, the constraints of underresourced clinicians, and the desperate struggles of families to obtain treatment for their loved ones.

This book offers a timely warning: reforms to expand conservatorship will lead to more coercion but little transformative care until government assumes accountability for ensuring the health and dignity of its most vulnerable citizens.

Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is in the areas of social construction of experience, identity, and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by employees of bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.

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Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (Cambridge University Press, 2022) by Dr. Harry McCarthy provides a new approach to the study of early modern boy actors, offering a historical re-appraisal of these performers' physical skills in order to reassess their wide-reaching contribution to early modern theatrical culture. Ranging across drama performed from the 1580s to the 1630s by all-boy and adult companies alike, the book argues that the exuberant physicality fostered in boy performers across the early modern repertory shaped not only their own performances, but how and why plays were written for them in the first place. Dr. McCarthy's ground-breaking approach to boy performance draws on detailed analysis of a wide range of plays, thorough interrogation of the cultural contexts in which they were written and performed, and present-day practice-based research, offering a critical reimagining of this important and unique facet of early modern theatrical culture.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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