Author: Marshall Poe

Why do books have chapters? With this seemingly simple question, Dr. Nicholas Dames embarks on a literary journey spanning two millennia, revealing how an ancient editorial technique became a universally recognized component of narrative art and a means to register the sensation of time.

In The Chapter: A Segmented History from Antiquity to the Twenty-First Century (Princeton University Press, 2023) Dr. Dames begins with the textual compilations of the Roman world, where chapters evolved as a tool to organise information. He goes on to discuss the earliest divisional systems of the Gospels and the segmentation of mediaeval romances, describing how the chapter took on new purpose when applied to narrative texts and how narrative segmentation gave rise to a host of aesthetic techniques. Dr. Dames shares engaging and in-depth readings of influential figures, from Sterne, Goethe, Tolstoy, and Dickens to George Eliot, Machado de Assis, B. S. Johnson, Agnès Varda, Uwe Johnson, Jennifer Egan, and László Krasznahorkai. He illuminates the sometimes tacit, sometimes dramatic ways in which the chapter became a kind of reckoning with time and a quiet but persistent feature of modernity.

Ranging from ancient tablets and scrolls to contemporary fiction and film, The Chapter provides a compelling, elegantly written history of a familiar compositional mode that readers often take for granted and offers a new theory of how this versatile means of dividing narrative sculpts our experience of time.

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his interview was conducted by Dr. Miranda Melcher whose

 forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Conversations about gender equity in the workplace accelerated in the 2010s, with debates inside Hollywood specifically pointing to broader systemic problems of employment disparities and exploitative labor practices. Compounded by the devastating #MeToo revelations, these problems led to a wide-scale call for change. 

Courtney Brannon Donoghue's book The Value Gap: Female-Driven Films from Pitch to Premiere (U Texas Press, 2023) traces female-driven filmmaking across development, financing, production, film festivals, marketing, and distribution, examining the realities facing women working in the industry during this transformative moment. Drawing from five years of extensive interviews with female producers, writers, and directors at different stages of their careers, Courtney Brannon Donoghue examines how Hollywood business cultures “value" female-driven projects as risky or not bankable. Industry claims that “movies targeting female audiences don’t make money" or “women can't direct big-budget blockbusters" have long circulated to rationalize systemic gender inequities and have served to normalize studios prioritizing the white male–driven status quo. Through a critical media industry studies lens, The Value Gap challenges this pervasive logic with firsthand accounts of women actively navigating the male-dominated and conglomerate-owned industrial landscape.

Peter C. Kunze is a visiting assistant professor of communication at Tulane University.

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War is often thought of mainly the concern of professional soldiers and maybe politicians as well. However, philosophers and theorists of varying types have addressed the issue of war in its many aspects. This is because war has numerous political, ethical, philosophical, and even legal elements. When is the right time to go to war? What is a legitimate reason to go to war? Who has the proper authority to declare war? Who should serve and fight in war? These and other questions have been debated since the times of Antiquity to the present day. Greek philosophy, Roman law, and the Jewish and Christian religious traditions have formed the foundations for the majority of Western thinking concerning the nature of war. In her book War: A Genealogy of Western Ideas and Practices (Oxford University Press, 2022), Beatrice Hesuer traces the nearly 2,500 year history of how these ideas have shaped Western conceptions of war.

Beatrice Heuser holds the Chair in International Relations at Glasgow University. From 1991-2003 she taught at the Department of War Studies, King's College London, ultimately as Chair of International and Strategic Studies. She has also taught at Sciences Po' and the Universities Paris I, IV (Sorbonne), and VIII (St Denis), and at two German universities. From 1997-1998, she worked in the International Staff at NATO headquarters in Brussels. Between 2003-2007 she was Director for Research at the Military History Research Office of the Bundeswehr in Potsdam. She is also the host of the Talking Strategy podcast for the Royal United Services Institute (RUSI).

Stephen Satkiewicz is an independent scholar whose research areas are related to Civilizational Analysis, Social Complexity, Big History, Historical Sociology, military history, War studies, International Relations, Geopolitics, as well as Russian and East European history.

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Most accounts of post-1950s political history tell the story of of the war on drugs as part of a racial system of social control of urban minority populations, an extension of the federal war on black street crime and the foundation for the "new Jim Crow" of mass incarceration as key characteristics of the U.S. in this period. But as the Nixon White House understood, and as the Carter and Reagan administrations also learned, there were not nearly enough urban heroin addicts in America to sustain a national war on drugs. 

The Suburban Crisis: White America and the War on Drugs (Princeton University Press, 2023) argues that the long war on drugs has reflected both the bipartisan mandate for urban crime control and the balancing act required to resolve an impossible public policy: the criminalization of the social practices and consumer choices of tens of millions of white middle-class Americans constantly categorized as "otherwise law-abiding citizens."" That is, the white middle class was just as much a target as minority populations. The criminalization of marijuana - the white middle-class drug problem - moved to the epicenter of the national war on drugs during the Nixon era. White middle-class youth by the millions were both the primary victims of the organized drug trade and excessive drug war enforcement, but policymakers also remained committed to deterring their illegal drug use, controlling their subculture, and coercing them into rehabilitation through criminal law. Only with the emergence of crack cocaine epidemic of the mid-1980s did this use of state power move out of suburbs and reemerge more dramatically in urban and minority areas. 

This book tells a history of how state institutions, mass media, and grassroots political movements long constructed the wars on drugs, crime, and delinquency through the lens of suburban crisis while repeatedly launching bipartisan/nonpartisan crusades to protect white middle-class victims from perceived and actual threats, both internal and external. The book works on a national, regional, and local level, with deep case studies of major areas like San Francisco, LA, Washington, and New York. This history uses the lens of the suburban drug war to examine the consequences when affluent white suburban families serve as the nation's heroes and victims all at the same time, in politics, policy, and popular culture.

Matthew D. Lassiter is professor of history and Arthur F. Thurnau Professor at the University of Michigan, where he is co-director of the Carceral State Project.

Caleb Zakarin is the Assistant Editor of the New Books Network.

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For better or worse, democracy and epistemology are intertwined. For one thing, politics is partly a matter of gathering, assessing, and applying information. And this can be done responsibly or incompetently. At least since Plato, a leading critique of democracy has focused on the ignorance of ordinary citizens. Historically, this kind of critique has supplied the basis for several nondemocratic proposals. Yet it has also worked in the background of a range of views within democratic theory. Among these are views that have relied on markets as mechanisms for sharing and distributing information.

But there are hazards to market-based thinking about democracy. In Citizen Knowledge: Markets, Experts, and the Infrastructure of Democracy (Oxford UP, 2023), Lisa Herzog explores three conceptually distinct sites where democracy interfaces with epistemology: markets, expert communities, and public deliberation. The result is an integrated political epistemology for democracy.

Robert Talisse is the W. Alton Jones Professor of Philosophy at Vanderbilt University.

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In a world shaken by ecological, economic and political crises, the forces of authoritarianism and reaction seem to have the upper hand. How should we name, map and respond to this state of affairs?

The rich archive of twentieth-century debates on fascism can steer a path through an increasingly authoritarian present. Developing anti-fascist theory is an urgent and vital task. From the ‘Great Replacement’ to campaigns against critical race theory and ‘gender ideology’, today’s global far right is launching lethal panics about the threats to traditional political, sexual and racial hierarchies.

Drawing especially on Black radical and anti-colonial theories of fascism, Alberto Toscano’s Late Fascism: Race, Capitalism, and the Politics of Crisis (Verso, 2023) makes clear the limits of associating fascism primarily with the kind of political violence experienced by past European regimes. Rather than looking for analogies from history, we should see fascism as a mutable process, one anchored in racial and colonial capitalism, which both predates and survives its crystallization in Mussolini’s Italy and Hitler’s Germany. It is a threat that continues to evolve in the present day.

Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres.

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In the post-civil rights era, wide-ranging groups have made civil rights claims that echo those made by Black civil rights activists of the 1960s, from people with disabilities to women's rights activists and LGBTQ coalitions. Increasingly since the 1980s, white, right-wing social movements, from family values coalitions to the alt-right, now claim the collective memory of civil rights to portray themselves as the newly oppressed minorities. The Struggle for the People’s King: How Politics Transforms the Memory of the Civil Rights Movement (Princeton UP, 2023) reveals how, as these powerful groups remake collective memory toward competing political ends, they generate offshoots of remembrance that distort history and threaten the very foundations of multicultural democracy.

In the revisionist memories of white conservatives, gun rights activists are the new Rosa Parks, antiabortion activists are freedom riders, and antigay groups are the defenders of Martin Luther King's Christian vision. Drawing on a wealth of evidence ranging from newspaper articles and organizational documents to television transcripts, press releases, and focus groups, Hajar Yazdiha documents the consequential reimagining of the civil rights movement in American political culture from 1980 to today. She shows how the public memory of King and civil rights has transformed into a vacated, sanitized collective memory that evades social reality and perpetuates racial inequality.

Powerful and persuasive, The Struggle for the People's King demonstrates that these oppositional uses of memory fracture our collective understanding of who we are, how we got here, and where we go next.

Hajar Yazdiha is an Assistant Professor of Sociology and faculty affiliate of the Equity Research Institute at the University of Southern California. She is also a faculty affiliate of the Center for Security, Race, and Rights at Rutgers University. Her research examines the mechanisms underlying the politics of inclusion and exclusion as they shape intergroup boundaries, ethno-racial identities, and intergroup relations. This work crosses subfields of race and ethnicity, migration, social movements, culture, and law using mixed methods including interview, survey, historical, and computational text analysis.

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The Week: A History of the Unnatural Rhythms that Made Us who We are (Yale UP, 2021) is an investigation into the evolution of the seven-day week and how our attachment to its rhythms influences how we live.

We take the seven-day week for granted, rarely asking what anchors it or what it does to us. Yet weeks are not dictated by the natural order. They are, in fact, an artificial construction of the modern world.

With meticulous archival research that draws on a wide array of sources―including newspapers, restaurant menus, theater schedules, marriage records, school curricula, folklore, housekeeping guides, courtroom testimony, and diaries―David Henkin reveals how our current devotion to weekly rhythms emerged in the United States during the first half of the nineteenth century. Reconstructing how weekly patterns insinuated themselves into the social practices and mental habits of Americans, Henkin argues that the week is more than just a regimen of rest days or breaks from work, but a dominant organizational principle of modern society. Ultimately, the seven-day week shapes our understanding and experience of time.

David M. Henkin is Margaret Byrne Professor of History at the University of California, Berkeley. His previous books include The Postal Age, City Reading, and (with Rebecca McLennan) Becoming America: A History for the 21st Century. He lives in San Francisco, CA, and Bozeman, MT.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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