In recent years, anonymity has rocked the political and social landscape. There are countless examples: An anonymous whistleblower was at the heart of President Trump’s first impeachment, an anonymous group of hackers compromised more than 77 million Sony accounts, and best-selling author Elena Ferrante resolutely continued to hide her real name and identity. In his book Anonymous: The Performance of Hidden Identities (University of Chicago Press, 2023), Thomas DeGloma investigates contemporary and historical cases to build a sociological theory that accounts for the many faces of anonymity.
Thomas DeGloma is an Associate Professor of Sociology at Hunter College and the Graduate Center of the City University of New York.
Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.
By putting the Midwest at the center of Vast Early America, University of Illinois historian Robert Morrissey reconfigures the power dynamics in the story of North America during the era of colonialism. In his award-winning People of the Ecotone: Environment and Indigenous Power at the Center of Early America (U Washington Press, 2022), Morrissey tells a story that centers the edge - the places where the vast American prairies meet the forests of the Great Lakes. This "ecotone" region is a zone of environmental wealth and dynamism, where successive Native societies were able to build powerful societies based on an understanding of the region's ecologies. Rather than European empires of eastern Native people like the Iroquois acting upon people at the center of the continent, Morrissey centers the Meskwaki, the Illiniwek, and other groups usually kept at the margins of the story. By combining ethnohistory, environmental history, and colonial history, People of the Ecotone tells a genuinely new story that shifts our perspective of who and what matters in early American history in unexpected ways.
Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota and is the Assistant Director of the American Society for Environmental History.
How could a good life include one with anger, or jealousy, or spite? In Dancing with the Devil: Why Bad Feelings Make Life Good(Oxford UP, 2023), Krista Thomason flips the script on popular ways of dealing with our emotions, including neo-Stoicism, mindfulness, and even the prosperity gospel. She makes the case that we should get rid of the double standard we have towards "good" and "bad" emotions, and that we should not aim to be emotional saints. Instead, because "bad" emotions are an essential part of our attachments to our selves, they help us discover what we care about. Thomason, who is an associate professor of philosophy at Swarthmore College, guides the reader through philosophical traditions regarding the relation of emotion to reason and the various approaches thinkers have come up with to deal with our "bad" emotions.
Carrie Figdor is professor of philosophy at the University of Iowa.
Anti-Heimat Cinema: The Jewish Invention of the German Landscape (U Michigan Press, 2020) studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers' contemplations of "Heimat"-- a provincial German landscape associated with belonging and authenticity -- it analyzes their distinctive contribution to the German identity discourse between 1918 and 1968. The book shows how these filmmakers devised the landscapes of the German "Homeland" as Jews, namely as acculturated "outsiders within." Through appropriation of generic Heimat imagery, the films discussed in the book integrate criticism of national chauvinism into German mainstream culture from the end of World War One to the early decades of the Cold War. Consequently, the Jewish filmmakers discussed in this book anticipated the anti-Heimatfilm of the ensuing decades and functioned as an uncredited inspiration for the critical New German Cinema.
Ofer Ashkenazi is an Associate Professor of History and the Director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. He published monographs and articles on various topics in modern German and German-Jewish history, including Weimar visual culture, the German antiwar movement, and the German memory of Nazism and the Holocaust. His current project considers photographs that were taken by Jews to document their daily life in Nazi Germany.
Amir Engel is currently a visiting professor at the faculty of theology at the Humboldt University in Berlin. He is also the chair at the German department at the Hebrew University. Engel studied philosophy, literature, and culture studies at the Hebrew University and completed his PhD. in the German Studies department at Stanford University. He is the author of Grshom Scholem: an Intellectual biography that came out in Chicago in 2017. He also published works on, among others, Jacob Taubes, Hannah Arendt, and Hans Jonas. He is currently working on a book titled "The German Spirit from its Jewish Sources: The History of Jewish-German Occultism". The project proposes a new approach to German intellectual history by highlighting marginalized connections between German Occultism, its Christian sources notwithstanding, and Jewish sources, especially the Jewish mystical tradition.
In this eye-opening and compelling work, psychologist Melanie Joy reveals the common denominator driving all forms of injustice. The mentality that drives us to oppress and abuse humans is the same mentality that drives us to oppress and abuse nonhumans and the environment, as well as those in our own groups working for justice.
Melanie Joy, PhD, is a Harvard-educated psychologist, celebrated speaker, and the author of seven books, including the bestselling Why We Love Dogs, Eat Pigs, and Wear Cows; and Getting Relationships Right: How to Build Resilience and Thrive in Life, Love, and Work. Melanie’s work has been featured in major media outlets around the world, and she has received a number of awards, including the Ahimsa Award – previously given to the Dalai Lama and Nelson Mandela – for her work on global nonviolence. Melanie has given talks and trainings in over 50 countries, and she is also the founding president of the international NGO Beyond Carnism.
Emma Kuby’s new book, Political Survivors: The Resistance, the Cold War, and the Fight against Concentration Camps After 1945 (Cornell UP, 2019) traces the fascinating history of the International Commission Against the Concentration Camp Regime (CICRC) established in 1949 by the French intellectual and Nazi camp survivor David Rousset. In the wake of the Second World War, Rousset called upon fellow deportees who had been detained for their political activities to serve as expert witnesses to Nazism’s “concentrationary universe” and to oppose any repetition of its crimes in the postwar world.
Following the work of the CICRC through the 1950s and up to the end of the Algerian War, Political Survivors examines the vicissitudes of an organization whose makeup and activities embodied the complexities of the post-1945 political field. Negotiating the traumatic experience and memory of the war, the CICRC’s members and activism were caught up in the politics of the Cold War. This included receiving funding support from the CIA. Attending to sites of political repression and incarceration around the globe, from the Soviet Union’s gulag system to Franco’s Spain, Greece, Tunisia, China, and French Algeria, the international group’s preoccupations also expressed the specificities of French national and imperial politics. The CICRC’s investigations and dramatic mock trials exposed and denounced some injustices, but short-circuited in the face of others. The organization’s insistence on the repeatability of the Nazi camp system was both a source of its power to judge and a weakness. When confronted with situations in which past and present could not be compared so easily, the group’s mission fell short. Plagued by a number of tensions, including a membership policy that refused “racial” victims and did not engage the issue of genocide, the organization ultimately foundered over the case of the Algerian War. Analyzing this complex history, Political Survivors is a book that feels all-too-urgent in 2019. Readers interested in learning more about political violence and resistances past and present will find its insights challenging, and deeply thought-provoking.
To read Emma’s thoughts on the contemporary relevance of the history she treats in Political Survivors, particularly with respect to the detention of migrants in the United States today, see her July 2, 2019 piece in Dissenthere.
Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest, please send an email to: panchasi@sfu.ca.
*The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written and performed by Vancouver artist/musician Casey Wei (“hazy”). To hear more, please visit https://agonyklub.com/.
How was music important to medieval society? In Medieval Sex Lives:The Sounds of Courtly Intimacy on the Francophone Borders(Cornell UP, 2023), Prof Elizabeth Eva Leach, a Professor of Music at the University of Oxford explores the history and content of the Douce 308 manuscript to tell the story of the cultural and sexual scripts that framed courtly life in the Medieval era. The book tells the long history of the idea of courtly love, as well as using contemporary theories and cultural practices to re-examine the songs and lyrics in the manuscript. A fascinating and absorbing read, the book will be of interest to humanities scholars and more widely to anyone interested in the history of music, sex, and sexuality. You can also find out more about the book here on Prof Leach’s blog.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
A vivid and illuminating new history--separate fact from fiction, myth from legend--exploring the early Vikings settlements in North America.
Vikings are an enduring subject of fascination. The combination of adventure, mythology, violence, and exploration continues to grip our attention. As a result, for more than a millennium the Vikings have traveled far and wide, not least across the turbulent seas of our minds and imaginations.
The geographical reach of the Norse was extraordinary. For centuries medieval sagas, first recorded in Iceland, claimed that Vikings reached North America around the year 1000. This book explores that claim, separating fact from fiction and myth from mischief, to assess the enduring legacy of this claim in America. The search for "American Vikings" connects a vast range of different areas; from the latest archaeological evidence for their actual settlement in North America to the myth-making of nineteenth-century Scandinavian pioneers in the Midwest; and from ancient adventurers to the political ideologies in the twenty-first century. It is a journey from the high seas of a millennium ago to the swirling waters and dark undercurrents of the online world of today.
No doubt, the warlike Vikings would have understood how their image could be "weaponized." In the same way, they would probably have grasped how their dramatic, violent, passionate, and discordant mythologies could appeal to our era and cultural setting. They might, though, have been more surprised at how their image has been commercialized and commodified. A vivid new history by a master of the form, American Vikings(Pegasus Books, 2023) explores how the Norse first sailed into the lands, and then into the imaginations, of America.
Crawford Gribben is a professor of history at Queen’s University Belfast.
In The Tame and the Wild: People and Animals after 1492 (Harvard University Press, 2024), Dr. Marcy Norton offers a dramatic new interpretation of the encounter between Europe and the Americas that reveals the crucial role of animals in the shaping of the modern world.
When the men and women of the island of Guanahani first made contact with Christopher Columbus and his crew on October 12, 1492, the cultural differences between the two groups were vaster than the oceans that had separated them. There is perhaps no better demonstration than the divide in their respective ways of relating to animals. In this book, Dr. Norton tells a new history of the colonisation of the Americas, one that places wildlife and livestock at the centre of the story. She reveals that the encounters between European and Native American beliefs about animal life transformed societies on both sides of the Atlantic.
Europeans’ strategies and motives for conquest were inseparable from the horses that carried them in military campaigns and the dogs they deployed to terrorise Native peoples. Even more crucial were the sheep, cattle, pigs, and chickens whose flesh became food and whose skins became valuable commodities. Yet as central as the domestication of animals was to European plans in the Americas, Native peoples’ own practices around animals proved just as crucial in shaping the world after 1492. Cultures throughout the Caribbean, Amazonia, and Mexico were deeply invested in familiarisation: the practice of capturing wild animals—not only parrots and monkeys but even tapir, deer, and manatee—and turning some of them into “companion species.” These taming practices not only influenced the way Indigenous people responded to human and nonhuman intruders but also transformed European culture itself, paving the way for both zoological science and the modern pet.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Since the first translations of Lewis Carroll’s Alice books appeared in Japan in 1899, Alice has found her way into nearly every facet of Japanese life and popular culture. The books have been translated into Japanese more than 500 times, resulting in more editions of these works in Japanese than any other language except English. Generations of Japanese children learned English from textbooks containing Alice excerpts. Japan’s internationally famous fashion vogue, Lolita, merges Alice with French Rococo style. In Japan Alice is everywhere—in manga, literature, fine art, live-action film and television shows, anime, video games, clothing, restaurants, and household goods consumed by people of all ages and genders.
In Alice in Japanese Wonderlands: Translation, Adaptation, Mediation (U Hawaii Press, 2023), Amanda Kennell traverses the breadth of Alice’s Japanese media environment, starting in 1899 and continuing through 60s psychedelia and 70s intellectual fads to the present, showing how a set of nineteenth-century British children’s books became a vital element in Japanese popular culture.
Using Japan’s myriad adaptations to investigate how this modern media landscape developed, Kennell reveals how Alice connects different fields of cultural production and builds cohesion out of otherwise disparate media, artists, and consumers. The first sustained examination of Japanese Alice adaptations, her work probes the meaning of Alice in Wonderland as it was adapted by a cast of characters that includes the “father of the Japanese short story,” Ryūnosuke Akutagawa; the renowned pop artist Yayoi Kusama; and the best-selling manga collective CLAMP. While some may deride adaptive activities as mere copying, the form Alice takes in Japan today clearly reflects domestic considerations and creativity, not the desire to imitate. By engaging with studies of adaptation, literature, film, media, and popular culture, Kennell uses Japan’s proliferation of Alices to explore both Alice and the Japanese media environment.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
