Author: Peach Fish Productions

Carnegie Endowment’s Alicia Wanless argues that disinformation isn’t new—it’s just our latest pollutant. In The Information Animal, she maps centuries of “information ecosystems,” from King Charles I’s pamphlet floods to the social-media deluge, and shows why attempts to “detoxify” them often fail. We trace the analogies between DDT and digital outrage, ask whether suppression ever works, and weigh how democracies can regulate without strangling truth. Also: China’s dirty edge in the rare-earths race.

Produced by Corey Wara

Production Coordinator Ashley Khan

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Frontline's Michael Kirk discusses The Rise of RFK Jr., charting Kennedy's path from sex and drug addiction to what Kirk calls "an addiction to validation." He describes a man driven by grievance, and details how the alliance between Kennedy and Trump built the so-called "MAHA movement," and why it may collapse under its own contradictions. Plus: a breakdown of how Supreme Court shifts and redistricting could strip representation from Black voters in states like North Carolina and Louisiana.

Produced by Corey Wara

Production Coordinator Ashley Khan

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Michael Townsend and director Jeremy Workman tell the wild true story of an eight-artist collective that built a hidden home inside Providence Place Mall—part prank, part art project, and a pointed reply to gentrification. They revisit grainy 2003–07 footage, a tape-art 9/11 memorial, and the logistics (and ethics) of living behind a cinderblock wall in America's retail cathedral. Plus: a look at Christine Lagarde's plan to collateralize frozen Russian assets for a Ukraine loan—and why that's diplomacy by euphemism. Also: "No Kings" rallies, protest as pressure valve, and the politics of bounce houses versus Red Scare rhetoric.

Produced by Corey Wara

Production Coordinator Ashley Khan

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Mike revisits his 2019 conversation with Senator Chris Murphy on the AUMF — the two-decade-old law still used to justify U.S. military strikes from Yemen to the Caribbean. Plus, a new strike on a Venezuelan vessel raises questions about presidential authority and transparency. We trace how “temporary” wartime powers became permanent policy, and what it would take for Congress to reclaim its constitutional role.

Produced by Corey Wara

Production Coordinator Ashley Khan

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Lisa Graves joins to discuss Without Precedent: How Chief Justice Roberts and His Accomplices Rewrote the Constitution and Dismantled Our Rights—from court "capture" networks to why she sees the recent immunity ruling and emergency-docket moves as system-tilting, not umpiring. She and our host spar over what counts as a "constitutional crisis," contrasting TRO reversals and precedent-scrapping with the break-glass scenario of outright defiance. Also: the Young Republicans' Hitler-meme leak and J.D. Vance's defenses...in song! Plus: New York's mayoral debate—Zohran Mamdani vs. Andrew Cuomo, on prostitution, Jews, and parades.

Produced by Corey Wara

Production Coordinator Ashley Khan

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Hamas hostages, Trump and autocracy, and the strangely quiet shutdown — we tackle all three. Why Trump’s blunt style played in the Middle East, whether “competitive authoritarianism” really fits his second-term instincts and enablers, and who’s taking the fall for Obamacare-premium brinkmanship. Plus: goat-grinders (pointless rebrands at Max and Apple TV, Crowder’s vest-and-glass cosplay, and the humbling age math of Roy Orbison, the Skipper, and the Golden Girls).

Produced by Corey Wara

Production Coordinator Ashley Khan

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Mahler walks us through The Gods of New York: Egotists, Idealists, Opportunists, and the Birth of the Modern City, 1986–1990—how a late-'80s crucible of crime, crack, and tabloids minted characters like Spike Lee ("the coolest guy in America"), Al Sharpton, Donald Trump, Ed Koch, and Rudy Giuliani. We revisit Howard Beach, Yusuf Hawkins, Do the Right Thing, and the media ecosystem that turned norm-breaking into power, alongside the policy tradeoffs (SROs, development, homelessness) that still echo today. It's a brisk tour of the years when New York became the prototype for how America lives now. Plus: how to read diplomatic reporting—and why Hamas yielded when its only real leverage was other people's bodies.

Produced by Corey Wara

Production Coordinator Ashley Khan

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Doctorow lays out his "enshittification" playbook—how tech platforms lure users, trap businesses, then extract value from both—tying it to interoperability, right-to-repair, and DMCA lock-ins, with Facebook as Exhibit A. He explains why incremental state laws can break Big Tech's coalitions better than sweeping federal reforms. Meanwhile, Venezuela's Nicolás Maduro warns, "If the gringos threaten, we work harder; if they attack, we respond," after Trump-ordered strikes sink another Caribbean vessel, this time with proof the public can't see. Also: the Spiel contends that hostages were freed not by moral suasion but by sustained force—and that human-rights maximalism, however sincere, often misunderstands how wars actually end.

Produced by Corey Wara

Production Coordinator Ashley Khan

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Mike previews the new Supreme Court term: Colorado’s conversion-therapy ban, transgender athlete cases out of Idaho and West Virginia, a Louisiana Voting Rights Act fight, and a Rastafarian grooming claim, then dials in the panic meter on the “shadow docket”: what it is, why Trump’s emergency-order wins look so lopsided, and where concern beats catastrophizing. From the vault, law professor Stephen Vladeck explains how the Court’s stealth rulings amass power, and why explanations matter.

Produced by Corey Wara

Production Coordinator Ashley Khan

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Season 3 of Funny You Should Mention begins with the “Filth Queen” herself Steph Tolev to explore why gross can be smart, how crowd work goes viral, Bill Burr’s boost to her career, and the Canadian comedy grind. Big laughs, sharp ideas, adult themes. We also get into slapstick dummies, family lore, and why Boston brings the best chaos. Come for the filthy stories, stay for the surprisingly thoughtful theories on why certain jokes land, and what that says about us.

Produced by Corey Wara

Production Coordinator Ashley Khan

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