Author: Peach Fish Productions

Alan Alda’s new book is called If I Understood You, Would I Have This Look on My Face? The title comes from his own bad experiences talking to doctors and other science professionals, including one that screwed up his smile for years. “We need to get people talking like people…it’s all about empathy,” says the actor, who also founded the Alan Alda Center for Communicating Science at Stony Brook University.  In The Spiel, why we should actually care about the bizarre Scaramucci–New Yorker interview.  

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Tom Jennings dug through hours of archival media footage to tell the story of Son of Sam, the serial killer who terrorized New York City in 1976 and 1977. The resulting documentary is part of the Smithsonian Channel’s Lost Tapes series. The Lost Tapes: Son of Sam airs Sunday on the Smithsonian Channel.

Also, a breakdown of the Boy Scouts’ apology for Donald Trump’s jamboree speech.

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According to Joan C. Williams, about a third of the country feels talked down to. These are the white working class folks, the people who went for Trump, the people who feel that terms like disruption just mean more hassle and pain. “We can’t expect people to have elite values if we don’t give them elite lives,” says Williams. She’s the author of the book White Working Class. 

For the Spiel, why does everyone sound like Goodfellas while doing an Anthony Scaramucci impression?

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After the G-20 Summit, Ian Bremmer broke the news to Americans about Trump’s secret second meeting with Vladimir Putin. He says he did it because so many American allies were commenting on the rendezvous in private. “The people in the room, they found it disconcerting that the person Trump was more comfortable with is their adversary,” says Bremmer. He joins us to discuss Russia, Rex Tillerson’s future in the White House, and the decline of American power. Bremmer is an author and risk analyst at the Eurasia Group.

For the Spiel, did you know the Washington Post is owned by Amazon? Trump really wants you to know that.

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When Kevin McDonald moved to New York, his sketch troupe, Kids in the Hall, had a deal with Lorne Michaels to make a new comedy show. But these were during some lean years for Michaels. “We were in a closet,” says McDonald, “and he was being audited, so it was us and a bunch of auditors. Once in a while, if we said something really funny, we could hear the auditors giggling on the other side of the room.”

While Kids in the Hall was never as famous as Saturday Night Live, the show became legendary for a discerning subset of comedy fans. “It’s like unsweetened lemonade—only 20 percent of people like us, but those who do really love us.” McDonald is now hosting a podcast with live shows across the U.S.

For the Spiel, a not so surreal end for Salvador Dalí’s remains. 

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If things had gone well, America would still be in the Paris Agreement on climate change, green energy would be spreading across the country and Al Gore wouldn’t have needed to make a sequel to An Inconvenient Truth. But it didn’t work out that way. With his new movie hitting theaters next week, Gore remains hopeful during these depressing times. “If somebody told me five years ago, marriage equality would be the law in all 50 states, I would have asked what they were smoking,” says the former vice president. “But it did happen, because it became a choice between right and wrong. That’s where the climate movement is now.”  

For the Spiel, why persuading doubters is so hard when it comes to climate change science. 

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Mike Sacks is not just a comedian; he’s also a comedy historian. This summer, he’s unearthed a rare artifact, the cult classic, Dixie-fried action movie Stinker Lets Loose. “Some famous people have cited this movie as a big influence on them,” says Sacks, citing Nirvana frontman Kurt Cobain. “You can hear it in some of his lyrics, for sure.” A 40th-anniversary novelization of Stinker is available now, with an intro by Sacks.

For the Spiel, why does Donald Trump keep saying stupid things to the New York Times, a newspaper he purports to hate? 

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Maria Konnikova returns to look at a tool prosecutors have used for decades: handwriting analysis, or graphology. Older versions of the practice have used handwriting to predict everything from a person’s mental state to their capacity for murder. “People have been convicted based on it,” says Konnikova. “We’re not talking about phrenology. Graphology is still something that exists in the United States. There are societies of graphologists.” Konnikova is the author of The Confidence Game and host of the Panoply podcast The Grift. 

For the Spiel, Trump’s voting commission may be hobbled, but it can still do some real harm.  

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Economist Tyler Cowen is disdainful of social media, heartened by recent immigrants, and wary of pot. He thinks that, in our collective desire for comfort, we are postponing big and necessary changes that will sow instability in the years ahead. “Right now Americans are failing to regenerate sources of future progress,” Cowen writes, “and thus they are borrowing against the future rather than paying their bills.” Cowen’s latest book is The Complacent Class.

In the Spiel, are things going any better abroad? 

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Our friend Dan Pashman from the Sporkful podcast returns to explain the new field of study known as gastrophysics and why our brains have a big influence over how we taste food. For example, research shows we like the taste of food served with heavy cutlery and ice cream presented with brighter colors. “It could be something evolutionary,” says Pashman. “With brighter colors, ice cream tastes sweeter.” Check out Pashman’s interview with gastrophysicist Charles Spence. 

For the Spiel: Ann Coulter versus Delta, Day 3. 

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