Gucci Mane’s new memoir Episodes covers a range of difficult topics: depression, mania, anxiety, drug abuse. There are even pages of the book that are blacked out to reflect the rapper’s gaps in memory. Writer Kathy Iandoli worked with Gucci on the project – and she’s become the go-to writer for rappers looking to tell their stories. In today’s episode, Iandoli speaks with NPR’s Andrew Limbong about her collaboration with Gucci and her take on what draws musical artists to write books in the first place.
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Bullshit is a feature of both democracies and dictatorships alike, but it takes different forms. In democracies, while citizens enjoy the freedom of speech and the right to vote, a range of forces often conspire to limit their real power in favor of competing elites. The political and economic elite’s toolkit includes the art of bullshit—the persuasive use of language without regard for truth. Whether meritocratic or populist, elites alike have mastered this form of manipulation, amplified by modern tools of dissemination and authority.
To help us understand the challenges that bullshit poses to democratic citizens, I’m pleased to welcome Hélène Landemore.
Hélène Landemore is a professor of political science at Yale University.
You may have heard of a bog — those wet, mucky environments found mostly in the northern temperate pockets of Canada or Europe — but did you know that bogs can preserve human bodies for thousands of years? Anna North’s Bog Queen, part-history and part-mystery, explores the abiotic relationship between humans and what may be their greatest protector: the moss. In today’s episode, North sits down with NPR’s Scott Simon to discuss her newest novel, and the importance of caring for that which cares for us.
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"OK" as a word accepts proposals, describes the world as satisfactory (but not good), provides conversational momentum, or even agrees (or disagrees). OK as an object, however, tells a story of how technology writes itself into language, permanently altering communication. OK (Bloomsbury, 2023), by Dr. Michelle McSweeney and published by Bloomsbury in 2023, explores this story
OK is a young word, less than 200 years old. It began as an acronym for “all correct” when the steam-powered printing press pushed newspapers into the mainstream. Today it is spoken and written by nearly everyone in the world. Drawing on linguistics, history, and new media studies, Michelle McSweeney traces OK from its birth in the Penny Presses through telephone lines, grammar books, and television signals into the digital age.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Best-selling author Margaret Atwood says she originally rejected the idea of writing a memoir. But she warmed up to the idea after she began to think of a memoir as a recollection of “stupid things you did, near-death events, catastrophes, and surprising highlights and jokes.” Now, at age 85, Atwood is out with Book of Lives. In today’s episode, she joins NPR’s Sacha Pfeiffer for a conversation that touches on the difference between memoir and biography, Canadian identity, and writing from the perspective of an “Inner Advice Columnist.”
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On the 200th anniversary of the Decembrist Revolt, Susanna Rabow-Edling published The First Russian Revolution: The Decembrist Revolt Of 1825(Reaktion Books, 2025), a new book about the first Russian Revolution. Though the 1825 coup attempt failed in its aspiration to change how Russia was governed, that failure has nevertheless cast a long shadow across Russian history since.
Recently, musicologists and others have started writing about Black participation in opera. Lucy Caplan’s Dreaming in Ensemble: How Black Artists Transformed American Opera(Harvard UP, 2025) is a major new publication on this topic. Caplan examines what she calls a Black operatic counterculture in the US dating from the performance of H. Lawrence Freeman’s first opera, The Martyr, in 1893 until the 1950s. Rather than centering her analysis on opera as a symbol of uplift or on the ways that the operatic establishment excluded Black participation, Caplan thinks about how opera was part of a project of self-fashioning in Black communities. She argues that opera could be one way to answer the question, in the words of Black librettist Karen Chilton, “How do we become ourselves?” Focusing on institutions and networks, while also not ignoring influential figures, Caplan delves into the rich history of Black opera through numerous points of entry. This is not a strictly chronological retelling of a few, already well-known operatic “firsts.” Instead, Caplan writes about everything from critics to short-lived opera companies, from celebrities to supernumeraries, and recreates this previously untold complex and multifaceted operatic legacy.
James Baldwin’s recent centennial birthday allowed us to discuss one of his most celebrated novels, Giovanni’s Room. Andrew Limbong and B. A. Parker are joined by NPR’s Pop Culture Happy Hour’s Glen Weldon, examining the story of three lovers, chasing connection, love, and acceptance in 1950s Paris. Special guest Garth Greenwell also drops by to share how Giovanni’s Room made an impact on his work.
Glen’s Recommendation: ‘Florenzer’ by Phil Melanson
Parker’s Recommendation: ‘The Stranger’ by Albert Camus
Andrew’s Recommendation: ‘The Sun Also Rises’ by Ernest Hemingway
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For decades, David Kelley has helped people unlock their creativity. A pioneer of design, he founded the Stanford d.school as a place for creative, cross-disciplinary problem solving. He reflects on the journey that shaped his belief that everyone has the capacity to be creative and his Brief But Spectacular take on creativity and design. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy
"The American Revolution," the latest work from filmmaker Ken Burns, begins this Sunday on PBS. The six-part, 12-hour history of the war of independence from Britain and the beginnings of the American experiment in democracy comes at a moment of deep divisions. Jeffrey Brown has our look for our series Art in Action, exploring the intersection of art and democracy as part of our CANVAS coverage. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy