Two new books ask how we might protect vulnerable ecosystems in the Amazon rainforest and Hawaii. First, journalist Dom Phillips was reporting in the Amazon when he and a colleague were shot and killed. Phillips was in the middle of writing a book – and now, that project, How to Save the Amazon, has been completed by his widow and a team of contributors. In today's episode, Alessandra Sampaio, Phillip's widow, and co-author Jonathan Watts join NPR's Ari Shapiro to discuss the challenges they faced in completing the book. Then, Sara Kehaulani Goo's new book, Kuleana, chronicles her family's effort to hold onto ancestral land in Hawaii. In today's episode, she speaks with NPR's Michel Martin about her own complex relationship with Hawaii and what tourists might consider before they visit.
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PBS News Hour - Art Beat - Opera uses AI to give people with non-verbal disabilities a voice
At an Omaha, Nebraska, festival this summer, new work explores the intersection of art, disability and technology, asking questions like "who has a voice?" and "who gets to be heard?" Senior arts correspondent Jeffrey Brown reports on this unusual undertaking for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders
NBN Book of the Day - Andrew S. Berish, “Hating Jazz: A History of Its Disparagement, Mockery, and Other Forms of Abuse” (U of Chicago Press, 2025)
Andrew S. Berish. 2025. Hating Jazz: A History of Its Disparagement, Mockery, and Other Forms of Abuse. (U of Chicago Press, 2025)
Some good words from the inside flap:
“
A deep dive into the meaning behind the hatred of jazz.
A rock guitarist plays four notes in front of one thousand people, while a jazz guitarist plays one thousand notes in front of four people. You might laugh or groan at this jazz joke, but what is it about jazz that makes people want to disparage it in the first place?
Andrew S. Berish’s Hating Jazz listens to the voices who have denounced, disparaged, and mocked the music. By focusing on the rejection of the music, Berish says, we see more holistically jazz’s complicated place in American cultural life. Jazz is a display of Black creativity and genius, an art form that is deeply embedded in African American life. Though the explicit racial tenor of jazz jokes has become muted over time, making fun of jazz, either in a lighthearted or aggressive way, is also an engagement with the place of Blackness in America. An individual’s taste in music may seem personal, but Berish’s analysis of jazz hatred demonstrates that musical preferences and trends are a social phenomenon. Criticism of jazz has become inextricable from the ways we understand race in America, past and present. In addition to this form of criticism, Berish also considers jazz hate as a form of taste discrimination and as a conflict over genre boundaries within different jazz cultures.
Both enlightening and original, Hating Jazz shows that our response to music can be a social act, unique to our historical moment and cultural context—we react to music in certain ways because of who we are, where we are, and when we are.
“
Nathan Smith is a PhD candidate in Music Theory at Yale University
nathan.smith@yale.edu
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NBN Book of the Day - Janet McIntosh, “Kill Talk: Language and Military Necropolitics” (Oxford UP, 2025)
Even casual observers of the military will notice the unique ways that service members use language. With all of the acronyms and jargon, some even argue that membership in the military requires learning a whole language. But rather than treat military-specific language as a cultural difference of the institution or a technical requirement for the job, Dr. Janet McIntosh examines how military language works to enable its members to both kill and imagine themselves as killable. In her book Kill Talk: Language and Military Necropolitics (Oxford UP, 2025), Dr. McIntosh explores how language is used first in military training to "toughen up" recruits; during combat overseas as a way to cope with death and killing; and then how this language is unlearned and repackaged by antiwar veterans as part of their own personal demilitarization.
Janet McIntosh is a linguistic and sociocultural anthropologist and Professor of Anthropology at Brandeis University. She has received numerous awards of her previous work, including the Clifford Geertz Prize in the anthropology of religion, Honorable Mention in the Victor Turner Prize in Ethnographic Writing, and an Honorable Mention in the American Ethnological Society Book Prize. Her current work has been supported through grants from the American Council of Learned Societies and the National Endowment for the Humanities.
In this episode we mentioned the NBN interview with Ben Schrader about his book Fight to Live, Live to Fight.
You can find a transcript of the interview here.
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PBS News Hour - Art Beat - Christine Brennan’s new book ‘On Her Game’ chronicles rise of Caitlin Clark
From college stardom at Iowa to shattering attendance records and becoming a top financial driver for the WNBA, Caitlin Clark’s rise has also come with its fair share of controversy. Clark is in many ways just getting started and a new book takes a deeper look at how she got there. Amna Nawaz spoke with Christine Brennan about “On Her Game: Caitlin Clark and the Revolution in Women's Sports." PBS News is supported by - https://www.pbs.org/newshour/about/funders
NBN Book of the Day - Myles Lennon, “Subjects of the Sun: Solar Energy in the Shadows of Racial Capitalism” (Duke UP, 2025)
In the face of accelerating climate change, anticapitalist environmental justice activists and elite tech corporations increasingly see eye to eye. Both envision solar-powered futures where renewable energy redresses gentrification, systemic racism, and underemployment. However, as Myles Lennon argues in Subjects of the Sun: Solar Energy in the Shadows of Racial Capitalism (Duke University Press, 2025), solar power is no less likely to exploit marginalized communities than dirtier forms of energy. Drawing from ethnographic research on clean energy corporations and community solar campaigns in New York City, Lennon argues that both groups overlook solar’s extractive underside because they primarily experience energy from the sun in the virtual world of the cloud. He shows how the material properties of solar technology—its shiny surfaces, decentralized spatiality, and modularity—work closely with images, digital platforms, and quantitative graphics to shape utopic visions in which renewable energy can eradicate the constitutive tensions of racial capitalism. As a corrective to this virtual world, Lennon calls for an equitable energy transition that centers the senses and sensibilities neglected by screenwork: one’s haptic care for their local environment; the full-bodied feel of infrastructural labor; and the sublime affect of the sun.
Myles Lennon is Dean's Assistant Professor of Environment and Society and Anthropology at Brown University.
Alec Fiorini is a PhD student at Queen Mary University London's Centre for Labour, Sustainability and Global Production (CLaSP).
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PBS News Hour - Art Beat - New book ‘2024’ offers inside look at twists and turns of the presidential election
Journalists Josh Dawsey, Tyler Pager and Isaac Arnsdorf are out with a new book unpacking the twists and turns of the 2024 presidential election. Drawing on hundreds of interviews with insiders, the book offers a revealing look at the circumstances that led to Trump’s return. Amna Nawaz spoke with the writers about “2024: How Trump Retook the White House and the Democrats Lost America.” PBS News is supported by - https://www.pbs.org/newshour/about/funders
PBS News Hour - Art Beat - Artist exiled from homeland transforms nature into works of art
An artist who was once uprooted from her homeland has spent decades transforming works of nature into works of art. Michelle San Miguel of Rhode Island PBS Weekly has the story from the woods of New England for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders
NBN Book of the Day - Genocide Studies International Partners with New Books Network
Today I’m thrilled to announce a new partnership with Genocide Studies International. GSI is one of the preeminent journals in the field of Genocide Studies. Published by the University of Toronto Press and housed in the Zoryan Institute, GSI is dedicated to “to raising knowledge and awareness among scholars, policy makers, and civil society actors by providing a forum for the critical analysis of genocide, human rights, crimes against humanity, and related mass atrocities.”
With this new partnership, I’ll be bringing you interviews with the editors and authors of cutting-edge articles and special editions on the journal. This isn’t new—we’ve done this with several other journals before. But by formalizing our partnership, we hope you’ll have more access to the best recent research and analysis on the causes, course and consequences of mass atrocity violence. It’s a partnership that enriches both organizations.
In a few weeks, you’ll hear from Alex Alvarez, the editor of a new special issue on genocide education. But first I got a chance to talk with Henry Thierault, one of the editors of the journal, and Megan Reid, Deputy Executive Director of the Zoryan Institute. We discuss the editorial vision of the journal, the Zoryan Institute’s role in genocide education and prevention, and the reasons we’re so excited about the partnership. I hope you enjoy our discussion.
Kelly McFall is Professor of History and Director of the Honors Program at Newman University.
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NBN Book of the Day - John Bardes, “The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930” (UNC Press, 2024)
The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow.
With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance.
Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.
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