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From the acclaimed author of The Fire Is upon Us, the dramatic untold story of Barry Goldwater and Martin Luther King Jr.'s decade-long clash over the meaning of freedom--and how their conflicting visions still divide American politics
In the mid-1950s, Barry Goldwater and Martin Luther King Jr. emerged as the leaders of two diametrically opposed freedom movements that changed the course of American history--and still divide American politics. King mobilized civil rights activists under the banner of "freedom now," insisting that true freedom would not be realized until all people--regardless of race--were empowered politically, economically, and socially. Goldwater rallied conservatives to the cause of "extremism in defense of liberty," advocating radical individualism. In One Man's Freedom, Nicholas Buccola tells the compelling story of Goldwater and King's dramatic decade-long debate over the meaning of an all-important American ideal.
Part dual biography, part history, One Man's Freedom: Goldwater, King, and the Struggle Over an American Ideal (Princeton UP, 2025) traces the actions and words of Goldwater and King over a crucial and eventful decade, from their dizzying rise through 1964, which ended with Goldwater's landslide defeat in the presidential election and King's Nobel Peace Prize. The book chronicles why Goldwater and King, who never met in person, came to view each other as perhaps the greatest threat to freedom in America. It explains how their ideas of freedom could be so vastly different, yet both so deeply rooted in American history and their times. And it shows how their disagreement continues to shape and explain politics today, when the bitter divisions between Republicans and Democrats often come down to the question of what kind of freedom Americans want--the one defined by Goldwater or by King?
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Today I’m speaking with Hélène Landemore, Professor of Political Science at Yale University, about Democracy and Bullshit, with a special focus on her 2020 book, Open Democracy: Reinventing Popular Rule for the Twenty-First Century (Princeton University Press, 2020).
Bullshit is a feature of both democracies and dictatorships alike, but it takes different forms. In democracies, while citizens enjoy the freedom of speech and the right to vote, a range of forces often conspire to limit their real power in favor of competing elites. The political and economic elite’s toolkit includes the art of bullshit—the persuasive use of language without regard for truth. Whether meritocratic or populist, elites alike have mastered this form of manipulation, amplified by modern tools of dissemination and authority.
To help us understand the challenges that bullshit poses to democratic citizens, I’m pleased to welcome Hélène Landemore.
Hélène Landemore is a professor of political science at Yale University.
Caleb Zakarin is editor of the New Books Network.
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"OK" as a word accepts proposals, describes the world as satisfactory (but not good), provides conversational momentum, or even agrees (or disagrees). OK as an object, however, tells a story of how technology writes itself into language, permanently altering communication. OK (Bloomsbury, 2023), by Dr. Michelle McSweeney and published by Bloomsbury in 2023, explores this story
OK is a young word, less than 200 years old. It began as an acronym for “all correct” when the steam-powered printing press pushed newspapers into the mainstream. Today it is spoken and written by nearly everyone in the world. Drawing on linguistics, history, and new media studies, Michelle McSweeney traces OK from its birth in the Penny Presses through telephone lines, grammar books, and television signals into the digital age.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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On the 200th anniversary of the Decembrist Revolt, Susanna Rabow-Edling published The First Russian Revolution: The Decembrist Revolt Of 1825 (Reaktion Books, 2025), a new book about the first Russian Revolution. Though the 1825 coup attempt failed in its aspiration to change how Russia was governed, that failure has nevertheless cast a long shadow across Russian history since.
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Recently, musicologists and others have started writing about Black participation in opera. Lucy Caplan’s Dreaming in Ensemble: How Black Artists Transformed American Opera (Harvard UP, 2025) is a major new publication on this topic. Caplan examines what she calls a Black operatic counterculture in the US dating from the performance of H. Lawrence Freeman’s first opera, The Martyr, in 1893 until the 1950s. Rather than centering her analysis on opera as a symbol of uplift or on the ways that the operatic establishment excluded Black participation, Caplan thinks about how opera was part of a project of self-fashioning in Black communities. She argues that opera could be one way to answer the question, in the words of Black librettist Karen Chilton, “How do we become ourselves?” Focusing on institutions and networks, while also not ignoring influential figures, Caplan delves into the rich history of Black opera through numerous points of entry. This is not a strictly chronological retelling of a few, already well-known operatic “firsts.” Instead, Caplan writes about everything from critics to short-lived opera companies, from celebrities to supernumeraries, and recreates this previously untold complex and multifaceted operatic legacy.
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